One and Three Four

In the weeks since sharing Masanobu Hiraoka‘s Land I’ve come back and re-watched it at least a dozen times. His ability to change composition with unbroken, constantly-evolving morphs – as opposed to the more traditionally-employed cut – consistently rewards an additional viewing; each one yields another subtle treasure I overlooked the first (or second or third or…) time.

In the attached, a music video for Yoshiharu Abe‘s ONE AND THREE FOUR, Mr. Hiraoka experiments with how his psychedelic liquid transitions appear when kaleidoscopically mirrored and/or confined to a nearly-omnipresent circular frame. It reminds me a lot of both Celyn Brazier‘s stellar animation for Chunkothy and Ori Toor’s work which is about the highest praise I can give.

Full-screen HD for sure, kiddos. ENJOY!

P.S. If you haven’t seen (or seen-in-a-while) either Chunkothy or our many Ori Toor posts, I recommend you set aside some time to check ‘em out.

P.P.S. Our kaleidoscope feed is pretty rad, too.

[ ONE AND THREE FOUR ]