Straight-away I was reminded of Jake Fried, but only in materials/process. It’s clear that Emanuele is also intuitively fleshing out the movement frame-by-frame as he goes but his work is unique in that there’s no figurative elements to recognize; only abstract geometry and form that, when quilted together, comes across as both familiar and foreign.
I’m reminded of the notebooks I used to fill with random scribbles while bored out of my mind in high school: I’d start with a stray line or a random shape and then try to make sense of it with the remaining paper, as if the choatic mess left by my pen was what I had intended to create from the beginning. It was a way to pass the time and entertain myself instead of blankly staring at the clock, fantasizing about the bell that would eventually set me free.
Thanks for passing this one along, Sam Lillard!
P.S. I recommend giving Jake’s work a look when you’re done here.
“14 teams of Austin based studios and freelancers participated in a 48 hour animation challenge in the spirit of an Exquisite Corpse presented by the Austin Motion Artists Group, Moontower VFX, Houndstooth Studio, and The Octopus Project.
On January 17th, 2014, each team received a specifically designed start frame, an end frame, an 11 second 4 bar phrase of the chosen Octopus Project song and a guiding theme “The Ecstatic Energy of Geometry.”
P.S. Didya see the one Cartoon Network commissioned last summer?
posted by respondcreate on Feb. 08, 2014 in Videos | tags: austin motion artists group, bizarre, colorful, exquisite corpse, geometry, hd, houndstooth studio, moontower vfx, music video, the octopus project, trippy
“Box explores the synthesis of real and digital space through projection-mapping onto moving surfaces. The short film documents a live performance, captured entirely in camera…It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering.”
Projection mapping is sufficiently magical when displayed on static surfaces but to see it like this takes the medium to a whole new level. Cheers to Bot & Dolly for some absolutely stellar watchables.
Thanks for sending this our way, Garrett!
“The animation work was made in Adobe After Effects. Each frame was then printed and the print was subsequently scanned back into the computer. The scanned frames were then assembled back into the original animation, now with a new rugged look, created by the visit in the physical analogue world. No effects added after scanning.”
I’ve always been rather partial to the craggy, mechanical warmth of halftone patterns and this minimal-and-mysterious music video by Steffen Bygebjerg for Troels Abrahamsen puts them center stage. ENJOY!