Posts tagged 'Hd'

Changing Education Paradigms

“An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you’re fully alive. Anaesthetic is when you shut your senses off and deaden yourself to what is happening and a lot of these drugs are that. We are getting our children through education by anesthetizing them and I think we should be doing the exact opposite; we shouldn’t be putting them to sleep we should be waking them up.”

I was first introduced to Sir Ken Robinson via his super-popular/awesome TED talk on how schools kill creativity, originally posted back in 2006. This more recent lecture at the RSA covers similar ground and will resonate with anyone who has found themselves profoundly bored while sitting behind a desk, waiting desperately for the bell to ring. The accompanying time-lapse white board animation (created by Cognitive Media and a signature of the RSA Animate series) is an excellent complement to Sir Ken’s rapid-fire delivery, helping to drive home complex points with an ease anyone can follow. Time to get your learn on…

[ RSA Animate - Changing Education Paradigms ]

Bronx Sniper

“No one gets out of here alive,
In the melee there are many ways to cry.
Who knows where the gunshots are coming from;
Those who’ve been picked off aren’t saying much.”

File under: LOLWAT

Sub Pop Records: Purveyors of fine tunes and rad music videos. Corey Adams and Alex Craig bring the bizarre with some fantastic direction that channels Mister Heavenly‘s signature ‘doom wop’ vibe. It’s deliciously whacked-out-weird. Enjoy!

[ Mister Heavenly - Bronx Sniper (OFFICIAL VIDEO) ]

Bronte

“Now your bowl is empty and your feet are cold,
And your body cannot stop rocking.
I know…it hurts to let go.

This one’s a bit melancholy but, don’t despair, it’s also sweet and poignant so the net outcome skews towards reflection, not sadness. Ari Gibson channels a Miyazaki-esque vibe in this music video for Gotye that does a terrific job of exploring the weird, heady gumbo of new (often times conflicting) emotions and experiences that define our transition to adulthood. What gets lost as we grow up? Can we get it back?

The synergy between the visuals and the music is fantastic so make sure HD (available in both 720 and 1080p) is selected and the headphones are on. Enjoy! Oh, and Ari also directed The Cat Piano, an excellent short film we posted back in June so I’d recommend giving that a watch next.

[ Gotye- Bronte- official film clip (HD) via iamdonald ]

Optimist

Michael Chichi, the man at the chewy center of Synaptic Stimuli, made this psychedelic kaleidoscope remix of Optimist, a film by Brian Thomson that was shot at Sri Sri Radha Krishna Temple‘s annual Festival of Colors. It’s three-and-a-half minutes of floating mellow vibes buoyed by the ambient, dreamy sounds of Tycho. Enjoy the colors, y’all.

Click here to continue the chill.

[ Optimist (Collidescopic redux/remix) ]

Scale It Back

“To memorize a pack of cards I create a story in my head where each image represents a pair of cards.”

Accountant Ben Pridmore is the 2004/2008/2009 world champion in memory sport, a relatively new way in which primates compete to see who can memorize (and recite back accurately) the most information. He utilizes, among other techniques, visual thinking which leverages, “the part of the brain that is emotional and creative to organize information in an intuitive and simultaneous way.” It’s another example of how our brains are incredibly malleable abstract reasoning machines, capable of iterative self-reconfiguration to better solve complex problems.

This music video by Ewan Jones Morris & Casey Raymond depicts one bizarre narrative that Mr. Pridmore developed for memorizing a deck of cards and it’s fascinating peek inside his award-winning grey matter. The choon is dope, too; DJ Shadow is one of my all-time favorites. Preemptive Strike was frequently spinning inside my Discman at college, the perfect companion for long walks across campus and all-night paper-writing sessions. I whole-heartedly recommend you check it out.

[ DJ Shadow "Scale It Back" ]

Song of Los

A robot is born, escapes, learns love and dies. This is the story of her memories.

Some fantastic work from Saman Keshavarz, a young director with a talent for teasing out surprisingly intricate narratives in the music videos he creates. You’ve probably seen the one he did for Cinnamon Chasers (it won best music video at SXSW 2010) and the attached is further proof of his instinctual understanding for the cinematic qualities inherent in good electronic music. Saman utilizes a style of quick, thoughtful cuts to establish the story while leveraging the emotional cues provided by the music (we loves us some Apparat) and some fantastic art direction to further draw you in.

We’re diggin’ it. Enjoy!

[ Apparat - Song of Los (Director's Cut) ]

Dock Ellis & The LSD No-No

“It was easier to pitch with the LSD because I was so used to medicating myself. That’s the way I was dealing with the fear of failure; the fear of losing, the fear of winning; it was just part of the game. You know, you get to the major leagues and you say, ‘I got to stay here, what do I need?’”

The story of Doc Ellis’ June 12, 1970 no-hitter is so out-there and unbelievably ridiculous that you might mistake it for apocrypha if the entire incident wasn’t widely witnessed and documented. All the cold, factual particulars can be unearthed, in part, by following that last hyperlink but I think it’s far more compelling to hear the story in Doc’s own words accompanied by James Blagden‘s excellent illustrations. Enjoy!

[ No Mas Presents: Dock Ellis & The LSD No-No by James Blagden ]

The Shrine / An Argument

How was everyone’s Thanksgiving? Mine was fantastic. I’ve been holding off on watching anything Christmas related until today but wanted to share the latest from cut-paper-stop-motion-specialist Sean Pecknold before I dive head-first into some of my favorite movies. We first featured Sean’s work back in June and this, like the former, is another stunning music video for Fleet Foxes. The partnership between Mr. Pecknold’s visual style and the Foxes’ unique sound makes sense – both exude a rare heady blend of warmth, earnestness and mystery – and this time around the abstract geometry has been swapped for a spiritual/nature narrative that deftly holds your attention for a full eight-and-a-half minutes. Full-screen and headphones are a must for this one. Enjoy!

P.S. I checked our suggestion box right as I was about to post this and was pleased to discover that Luke Beaton had recently written in, recommending we check it out. Thanks, Luke!

[ The Shrine / An Argument ]

amalgamation

Micaël Reynaud, a webdesigner, animator, illustrator, photographer from Montpellier, created this animation with portraits from Michael Jang‘s Summer Weather series. The way the images blend, morph, evolve and interact with each other is deliriously hypnotic which, when combined the spacey, ambient synths of Memory Tapes, amplifies the vibe considerably. It’s gorgeous, trippy business friends so do yourself a favor and watch this in full-screen 1080p with a nice pair of headphones on. Enjoy!

Previously on The Tripatorium™: Yes I Know by Memory Tapes

[ amalgamation ]

Film Flash

“A promotional video for dublab.com - a non-profit web radio collective from L.A. for their 12th anniversary.”

Our boy Ori lent his signature undulating animation style to this video commissioned by dublab.com to celebrate their twelfth anniversary. Sit back, relax and let Carlos Niño & Miguel Atwood Ferguson‘s In Space Remix of Jay Dee and Illa J‘s Sounds Like Love carry you away with the help of some fantastic, colorful visuals. Enjoy!

[ Dublab.com "Film Flash" ]

The Sun

“Here it comes: the unavoidable sun of what’s just happened,
And what’s been done, and you know I don’t remember a thing;
I don’t remember a thing.

Let’s just get this out of the way now: NSFW Warning! Boobs ahoy! i.e. You probably shouldn’t watch this at your place of employment.

Joel Kefali and Campbell Hooper of Special Problems leveraged the mounting intensity of this tune by The Naked And Famous to create visuals that would mirror its steady, urgent crescendo. It’s crisply shot, abstract, colorful and expertly edited; a treat for the eyes and ears. Enjoy!

A big thanks is due to Mimi Langlois for passing it along. Cheers!

P.S. One of my favorite music videos of all time (of all time!) –  MmmHmm by Flying Lotus – was also directed by Joel and Campbell. If you haven’t seen it yet, do so immediately.

[ The Naked And Famous - The Sun ]

Don’t Hug Me I’m Scared

File under: LOLWAT

Becky Sloan and Joseph Pelling created this potent dose of bizarre with plenty of help from their talented friends at THIS IS IT, “a collective of illustrators, animators, artists and designers based in London.” Click here to see a full list of who-did-what. 

Cheers to Pvt Engle for sending it our way. Enjoy!

[ Don't Hug Me I'm Scared ]

Earth

“Time lapse sequences of photographs taken with a special low-light 4K-camera by the crew of expedition 28 & 29 onboard the International Space Station from August to October, 2011.”

I have a new favorite video on the internet! It’s this one! You should check it out! Holy shit this is so dope; dim the lights, turn the volume way up and full screen this bitch immediately. Michael König took the contemplative, ethereal ambient breaks of the super-talented Jan Jelinek and combined them with high-definition (4K!) low-light time lapses that NASA took recently and were cool enough to give away for free online.

PRO TIP: Keep your eyes peeled for the minuscule thunderstorms and ribboning, neon auroras. Thanks again, internet.

P.S. To see a list of locations for each shot used in the film click here.

[ Earth -Time Lapse View from Space/Fly Over -Nasa, ISS (vid by Michael König @ koenigm.com) ]

The External World

Ann wrote in with a hyperlink to this 57 second long animation that David OReilly (remember ??????) made for Tim & Eric’s Saint’s Row promotional short film, “Professor Genki’s Super Ethical Reality Climax” accompanied by a single sentence, “you could definitely file this under lolwat. Her categorization was dead on and we initialized our patent-pending Post To The Internet™ sequence as we figured it’d be something most of you would enjoy. One of the steps involved in the aforementioned ritual is checking if the artist in question – in this case David – has anything better that should be posted instead. He does!

The masthead of his website reads: ANIMATION, 3D, INTERNET, EPHEMERAL DRIVEL, FLEETING DISTRACTION, NONSENSE, CATS ETC and, according to that rubric, The External World delivers. It’s seventeen minutes of seemingly-disparate-at-first-but-eventually-interconnected infinitely bizarre vignettes. It’s awesome.

I should mention that an HD quicktime of this film is available for download if you’re willing to part with about $5. The purchase has no real value and is essentially ceremonial as The External World is freely available on both Vimeo and the ‘Tubes but, I decided to buy it anyways. Why? Well, for one, supporting art just feels good man. I also want to affirm this type of behavior and do what I can to fund whatever David will create next. Maybe you’ll consider doing it, too? In the meantime: enjoy the weirdness.

[ The External World ]

Machu Picchu Post

Clement Crocq, Margaux Duran-Rival and Nicolas Novali – three former students of Supinfocom Arles – cooked up this little gem as their final graduation project. Do yourself a favor: ensure 1080p is selected and wait patiently until a generous amount of bits load into your random access memory before clicking play; it’d be a shame to get interrupted once shit starts trippin’ balls. I’ll leave it to that…don’t want to spoil the surprise. Enjoy!

Click here to see other fantastic animated shorts by Supinfocom students previously posted on The Tripatorium™.

[ Machu Picchu Post ]

The Lullaby

This time lapse video of Joe Fenton drawing is a bit deceiving; since the lighting remains consistent and his wardrobe only appears to change a few times you might think he completed The Lullaby in a matter of a few days.

It took two months.

As I was watching full-screen – the progress bar and UI conveniently hidden away – I kept thinking the video was about to end; how much more detail could he possibly add? What else was there left to do? Just graphite on Arches would have sufficed but Joe pushes it to some next-level shit when he busts out the airbrush, white gouache and muted water watercolors to further enhance its three-dimensionality.

The backing music by his brother, Julian, is a nice compliment to the visuals: mysterious, ethereal and subdued. Full screen and headphones, y’all.

To see see more of Joe’s work head on over to his Behance page or website.

[ The Lullaby - 2011 - By Joe Fenton ]

Polarity Song

“Life can be so overrated but you are so entertaining’.
I won’t be manipulated just so I can get on through to your green grass under skies.
There’s no one like you; there’s no time like now…
Embrace the polarity of life and all the good and bad we share.
Engage the mystery of why we are the love in life we live.”

Do you guys remember Synesthesia? It was a super weird/rad little music video we posted back in February filled with food, cats and LOLWAT directed by Terri Timely. If you haven’t seen it yet, go on ahead...we’ll wait patiently until everyone’s ready.

This – Terri’s latest – is a collaboration with knit/crochet/craft/‘soft sculpture’ super-hero, Sarah Applebaum and, like Synesthesia, is suitably far-out. It depicts a hidden world populated by crochet-knit-mummy-wrapped bipeds within a typical thrift store/flea market who abduct dispassionate shoppers as they browse through an assortment of discarded detritus from the late-70s/80s/early-90s. The surface aesthetic could easily be categorized (and summarily dismissed as) ‘hipster kitsch’ and, though I’d concede the assessment, there’s an earnestness there – no doubt helped by the Caleb Pate and Nephi Evans’ lyrics – that squashes any cheap forays into self-indulgent irony. There’s redemption here; from within this impersonal commercial wasteland comes salvation whose identity springs not from aesthetic but from source: it’s the hand-crafted things that provide the creative energy and warmth.

Oh and it’s super-fucking strange, too; we love shit like this. The music is dope as well. Top marks to Seventeen Evergreen for creating original, compelling tunes and to Lucky Number Music for supporting this kind of art. Enjoy!

If you’re into this you might want to check out Lighthouse, too. Just sayin’.

[ Seventeen Evergreen - Polarity Song ]

Homunculus

“Taking its title from the Latin word for “Little Human”, the piece is an associative mashup between the two concepts behind the word: The first being middle-age alchemical beliefs that “little men” could be spontaneous generated from dead or decaying matter. The second being Carl Jung’s usage as a personification of pure id…more

Set phasers to bizarre; this short film, directed by Sam Stephens and created by Hydra – the in-house collaborative directing team at NYC-based Humble TV – provides an ample, potent dose of weirdness. Enjoy!

[ Homunculus ]

Do I have power?

“In a movement of a thousand helping hands,
I am not beyond the saccharine of sycophantic rants.
In a moment of a wilderness exposed,
Is this lack of wisdom better than a charismatic soul?”

Lovin’ this ominous, spooky and monochromatic music video for Timber Timbre as directed by Carlos De Carvalho with animation from Pierric Danjou, Thomas Lecourt and Charles Lemor. Happy Halloween, y’all!

[ Do I Have Power - Timber timbre (2011) ]

Adventures of a Glass Blower

I don’t think it’s presumptuous to conclude that, if you’re a fan of this site, you probably also appreciate good glass. I don’t know if you’d classify this as trippy in fact, I wouldn’t call it that at all – nevertheless I think it still has a home on the site. It’s a great watch; especially if you’ve got a piece of glassware nearby that you’re particularly fond of.

By the way, the craftsman you’re watching is an Aussie named Llewelyn Ash. Follow this hyperlink to see more of his work. Benjamin Dowie of Beanpole Productions is responsible for putting this film together and chose Featherstone by The Paper Kites as it’s soundtrack.

It’s a fantastic look into a talented individual’s unique, creative process. Enjoy.

[ Llewelyn Ash {Adventures of a Glass Blower} ]