In the weeks since sharing Masanobu Hiraoka‘s Land I’ve come back and re-watched it at least a dozen times. His ability to change composition with unbroken, constantly-evolving morphs – as opposed to the more traditionally-employed cut – consistently rewards an additional viewing; each one yields another subtle treasure I overlooked the first (or second or third or…) time.
In the attached, a music video for Yoshiharu Abe‘s ONE AND THREE FOUR, Mr. Hiraoka experiments with how his psychedelic liquid transitions appear when kaleidoscopically mirrored and/or confined to a nearly-omnipresent circular frame. It reminds me a lot of both Celyn Brazier‘s stellar animation for Chunkothy and Ori Toor’s work which is about the highest praise I can give.
Full-screen HD for sure, kiddos. ENJOY!
P.P.S. Our kaleidoscope feed is pretty rad, too.
WOW. This gorgeous three and a half minute trip-fest of undulating, constantly-morphing animation by Masanobu Hiraoka (of Je Regarde) demands to be watched on the largest display currently at your disposal. Grab your headphones, too; Aimar Molero‘s music/sound design properly sets the atmosphere and breathes life into the sloshing, shifting abstract forms.
Oh and be sure to check out our Je Regarde feed, it’s full of other fantastic watchables.
“But there’s that sweet grass, it’s dancing in the high bluffs and the sea breeze;
It’s where the elk sleep, dreaming simple dreams of luscious green grass and peace.”
Loving this gorgeous, atmospheric-and-mellow music video Awesome and Modest directed/animated for Pete Van Leeuwen. The tune sounds like it could have been on Beck’s Sea Change – my go-to album for the drive home after a long, hot day at the beach – and the complimentary connected-with-nature visuals further amplify its already laid-back, lazy vibe.
Teppei Maki‘s technicolor, lo-fi-VHS-psychedelia visuals pair perfectly with Kool Keith‘s (a.k.a. Dr. Dooom/Dr. Octagon/Black Elvis/Poppa Large) trademark far-out, surrealistic flow. If you’re a fan of the site you’ll be all over the attached…ENJOY!
Thanks for sending this one in, Kenny Love!
The tune in the attached is a cover (by Vessels) for a remix (by James Holden) of the rambling ambient techno classic, `The Sky Was Pink` by Nathan Fake. My first introduction to any of its many incarnations was via a Tiefschwarz DJ set at the 2007 WMC; I was there specifically to hear (and dance to) their remix of Phonique’s `The Red Dress` and the ‘Holden Tool’ followed it.
I was instantly smitten.
To some, dub techno‘s hallmark layering of super-straight-forward-and-stripped-down 1-to-2-bar loops can be relentlessly irritating and abrasive but, to me, that kind of ultra-repetition is just right. When I’m locked into the pocket of an agreeable groove the present moment enlogates, freeing me to appreciate it. I’m not a ‘live in the moment’ kind of person but I want to be and, as a result, tend to get attached to whatever helps me get over my instinctual aversion to now.
Hearing the same thing over-and-over again, especially if it’s imperceptibly evolving either by a shift in composition or the slight tweak of a filter knob, gives me the space to unpack and understand exactly what about it is motivating my body to move.
The visuals on display above, by Morgan Beringer, inspire that same inquisitive spirit. The colorful psychedelic sloshes keep hinting at images but we never get to know exactly what they are. Was that a bee? A white pine branch? A set of fluffly clouds? Right as your mind catches on some known object it’s already been washed away and replaced by another.
Over a year ago I posted a similar video Morgan made for Matthew Dear (go watch it!) and it’s great to see he’s still exploring this layered datamoshed style.
The vast majority of suggestions I receive are accompanied by rather lengthy and well-written messages explaining exactly why the suggestor thinks their submission is perfect for the site. The best ones tend come from the original creators themselves and, the better and more passionately they are written, the worse I feel when I decide not to share their work.
It’s strange to me that there are talented, creative people out there who want ME SPECIFICALLY to see their work. It never fails to validate my existence which, as you might expect, feels good man. My natural tendency in those moments is to post what they’ve shared, thereby increasing my good feels by way of returning their original kindness. But I have other feels to think about! As stated previously, I am rather obsessed with making all of you happy which means that, by extension, I am terrified of wasting your precious time.
As evolved social primates we are all tasked with balancing this ‘feels economy’ and my experience has taught me that any temporary twinges of pleasure I might derive from validating the time someone took to write in are vastly inferior to the satisfaction of knowing I consistently enhance your collective leisure hours.
Which brings me to the attached, a suggestion (via Facebook) from Tilio Canicola accompanied by a simple, two-character message: :)
It’s all he needed to say.
GENESIS is two-minutes of pleasingly-smooth, constantly-evolving abstract shapes (and a few wormhole dives) directed by Francisco Miranda and Guillermo Daldovo with animation/compositing/editing/sound design from MALEVO and set to a song by adapt.
It’s gorgeous stuff and, as far as I can tell, absolutely worth your time: so full screen, volume up and – most importantly – ENJOY!
“I’ll start a fire with sticks,
I’ll put it out with my fists,
I’ll swim across the sound.
I’ll build a house in the trees,
We’ll live wherever we please,
And never settle down…”
When Tommy Wilson submitted the attached for our perusal he wrote the following in the ‘Why is this perfect for The Tripatorium™?’ field: “It is an awesome music video, trippy and weird in the best way possible. Animation goes perfect with music. This is your bread and butter.”
Jonathan Seligson, a Brooklyn-based independent animator, conjured up a slew of bizarre, psychedelic visuals that simultaneously leverage all the dreamy atmospherics of Black Light Dinner Party‘s synthpop sound while maintaining a narrative structure the pays homage to the song’s earnest, simple lyrics. It’s four-and-a-half minutes of fantastic, sufficiently out-there late-night watchables which is just how I likes ‘em.
The bits are available in 1080p, too so get it loaded full-screen, dim the lights and turn the volume way-up. Enjoy!
Thanks for sending this our way, Tommy!
Betz & Sainer are two Polish artists (from Łódź and Turek, respectively) who collaborate under the ETAM Cru moniker and are just as comfortable creating screen prints and canvases as they are painting huge-ass murals. The attached images are just a small sampling of their work so, if you want to see more, hit up their individual blogs (Betz / Sainer) or the official ETAM site. Enjoy!
P.S. If you like what you see here, be sure to check out Aryz’s work, too.
To spread the word about their latest synthesizer – The Sub Phatty – Moog asked Flying Lotus and lilfuchs to combine their talents on a one-and-a-half minute promo video. Their last collaboration yielded Zodiac Shit, one of my all-time favorite music videos, and the attached is a similar dose of colorful, trippy eye-candy. It’s a treat, y’all…enjoy!
File under: LOLWAT
P.S. If you enjoyed the attached you’ll probably love The External World, too.
“When you don’t know what you want,
You just repeat yourself again;
In the end, you just repeat yourself again.
When you don’t know who you are,
You dig yourself the hole you’re in.”
Another stunner from Gotye, y’all…this time with visuals by Saiman Chow. Grab your headphones, dive-in and enjoy.
A big thanks is due to Colton for the heads-up! Cheers!
Kyle Mowat‘s thesis film, Ballpit, is a haunted toymaker’s fever-dream with its psychedelic tangle of fluid, soft-edged gizmos, trinkets, and doo-dads that spontaneously erupt into morphing, frenzied movement. The ethereal, echoing Fisher Price-instrument soundtrack by Lido Pimienta is a just-right accompaniment to the madness. ENJOY!
A big thanks to Mr. Sam Lillard, fresh back from his three-month Alaskan sojourn, for the suggestion. Welcome home Sam, we’ve missed you! Cheers!
it’s multi-versal; pages and journals.
My journey here is ended soon –
we blow eternal.
My mind expands
with widening strands
of indigo and purple.
This music’s not commericial,
We’ve been watching Ori Toor make shit since first discovering the ‘unofficial’ music video he created for Animal Collective’s Lion in a Coma. Since then he’s made a few more and each exhibit his distinct ‘stream of consciousness’ style of staggered-and-repeating organic, undulating shapes. Ori’s approach has subtely shifted in each of them but they’ve all, for the most part, remained abstract studies in colorful form. The attached, his latest, veers into new territory and I’m absolutely loving how he’s mixed in some representational imagery to compliment the usual assortment of evolving, fluid structures.
It’s my favorite Ori-joint yet and easily an ‘instant classic’ of the site…it’d be a crime to watch this in anything but full-screen HD. Oh and a nice pair of bass-friendly headphones is a must, too; Kingdom Crumbs knows how to properly fatten-up the bottom end of their kicks and basslines and you’ll want to rattle-and-bathe in each one.
Speaking of which, I picked up their eponymous album this morning and have been listening to it while I cobble together this post. It’s thoughtful, positive, mellow, rambling-in-a-good-way hip-hop undergirded by some spacey, out-there synthesizers and easily worth the ten bucks in iTunes. If you’re strapped for cash, head over to Bandcamp and name-your-price; even the most frugal of budgets can accommdate a few cents, right?
Here’s another delectable morsel of hand drawn animation from this year’s bountiful Gobelins harvest. It’s by four, third-year students – Todd DeJong, Tom Law, Wandrille Maunoury, Etienne Metois and Jonathan Vermersch – and does a fantastic job illustrating a distinct flavor of anxiety we’ve probably all experienced.
posted by respondcreate on Sep. 08, 2012 in Videos | tags: animation, bizarre, colorful, etienne metois, gobelins, hand drawn, hd, jonathan vermersch, love, psychedelic, todd dejong, tom law, trippy, wandrille maunoury
“Drawn in their distinctive 80s-inspired kaleidoscopic style, the Layzells take us on a surreal romp through a richly textured cartoon world dreamed up by a hallucinating out-of-work animator.”
File under: LOLWAT
A surreal-silly-psychedelic-good-times romp created at Blink for Adam Buxton‘s new ‘comedy-meets-music-video’ series, BUG, on Sky Atlantic HD. Best served at the height of your sesh in full-screen HD. This one’s a treat; ENJOY!
posted by respondcreate on Aug. 30, 2012 in Videos | tags: adam buxton, animation, bizarre, blinkink, colorful, drugs, hd, jim stoten, layzell brothers, lolwat, psychedelic, surreal, tiny tim, trippy, wat
Takashi Ohashi‘s animation in this music video for cokiyu reminds me of both bleeple’s 2D moving collages and Ori Toor’s layered undulations. They all share a foundation of smooth, psychedelic abstraction but Takashi’s shapes veer away from pure form to conjure an alien landscape of playful, swimming organisms. It’s smooth-as-fuck, too – clearly he sweats the details, something I always appreciate.
Speaking of which, I’m a big fan of the ‘color-echo’ effect that makes it’s first appearance from 1:41-2:06, reappears at 2:47 and spools up to a crescendo from 3:17 to 3:47. It probably looks good on your phone, sure, but it’s one of those bits of subtle animation that’s magic on a big screen in a dark room so, if you’ve got access to a similar environment, I suggest you experience it there.
P.S. If you’re diggin’ this, definitely watch Chunkothy next.
This song by OPOSSOM – with its big swells of lush, layered chords and surgical syncopated stabs of percussive rhythm – hooked me right from the jump. I kept turning it up to the point where Ms. Tripatorium looked over with concern from across the room because she could hear it blaring out of my earbuds with a tinny intensity. I just smiled and said, ‘It’s a really good tune.’
It is. You’ll see.
Anyways, the psychedelic visuals are a bit scattered and bizarre but that’s always been just fine with me. They’re by Special Problems (Campbell Hooper and Joel Kefali) and the attached fits in nicely with the other two out-there music videos we’ve posted by them, The Sun and MmmHmm.
Load it in full-screen HD, get your headphones out and enjoy. Oh and a big thanks to Bryan for sending this one our way. Cheers!
“A story about the fire at the heart of suffering.”
Oh shit. Do yourself a favor and prime your environment for an optimal viewing experience – lights down, full-screen and volume up – this gem deserves your undivided attention.
The attached was created by the talented team at Heliofant, “a nascent independent computer animation studio focused on creating experimental and challenging content” based in the Laurentian mountains just north of Montreal. At present they’re 100% self-funded and you can ensure their next short comes ‘sooner’ rather than ‘later’ by dropping a few shekels into their Paypal.
My weekly album allowance was diverted their way, maybe you’ll consider something similar?
One more thing: Heliofant whipped-up some high-def wallpapers based on the film so follow this hyperlink if you’re in the market for a fresh coat of desktop pixels.
posted by respondcreate on Jun. 29, 2012 in Videos | tags: animation, bizarre, christ, colorful, dance, dark, hd, heliofant, louis lefebvre, politics, psychedelic, spirituality, tanuki project, trippy
Beach House has a just-out-of-reach enigmatic quality to their music; I don’t ‘get’ what they’re trying to say but then I do…kinda. I’m OK with it – I’ve never needed meaning to be force-fed down my gullet (in fact, I prefer the opposite) – and their tunes often leave an aftertaste of mystery that never quite resolves. In those moments the lack of lyrical clarity is preferable; it frees me to power-down the analytical modules of my brain and relax into the pure ethereal atmosphere of their instrumentation.
It’s rather nice, really.
Allen Cordell, who directed the attached, seems to get this too as he’s peppered the whole affair with oblique, mysterious visuals that fit together in style and tone but not much else. It’s bizarre in the best of ways, a fitting first course for a late-night, solitary sesh.
What are you waiting for? Get in there.
Just a heads-up: you might not be able to watch the video here (if you can’t then click here). Why? VEVO. My disdain for the service is well documented but I’ve softened a bit and think a personal grudge towards a distribution model (with an unnecessarily shitty user experience) is a poor reason to not share these tasty bits with y’all. Plus, if MADE ever uploads a HD version to their Vimeo account I’ll just update the post. You dig?
Anywho, this shit is doooooooope; a glorious four-and-a-half minute technicolor psychedelic romp down geometric wormholes, past kaleidoscopic alien abductions and into the mouth of God. Full 1080p too, so get this shit full screen.
Pete Fowler directed this one and, if you’re not familiar with his work, I recommend you head over to his Flickr account immediately; his bold graphic style is a treat. Oh, and if The Horrors intoxicating blend of starry-eyed, psychedelic, rambling synth-drenched rock is your thing I recommend you check out Skying for lots more of the same. It’s the kind of album you’d want on a road trip; it’s cinematic but contemplative, bright and big but a bit lazy, too. It’s all rather nice really and easily worth the ten bucks.
A HUUUUGE thanks is due to Naz for sending this one our way…cheers!
posted by respondcreate on Apr. 16, 2012 in Videos | tags: aliens, bizarre, colorful, geometric, hd, kaleidoscope, made visual studio, music video, pete fowler, psychedelic, spiritual, the horrors, trippy, vevo sucks, wormhole