Belly

“I think you should go. I don’t want you here.”

File under: LOLWAT

Cheers to Mickey Gral for sending this potent dose of bizarre by Julia Pott our way. Enjoy!

[ Belly ]

Up In The Sky

“Up in the sky, there is a village,
and the people there are blue –
I believe it’s true.”

Anraud Janvier, a recent graduate of Supinfocom, wrote in to let us know about a music video he recently co-directed with Antoine Robert at Cube Creative for 77 Bombay Street. The song describes a perfect little utopia that exists above the clouds and the bright, whimsical and weird visuals drip with a naive innocence the mirrors the optimistic vibe.

It’s feel-good sunshine from start to finish but, seeing as I’m partial to wormholes, my favorite sequence kicked off at 2:33 when the Mii-esque rendered cast plunged directly into a technicolor tunnel via a blossoming Lotus flower. That shit’s mah jam, bruh.

When you’re done here, be sure to check out Playing With Light, an excellent little short produced at Cube two summers ago. Enjoy!

[ [HD] 77 Bombay Street - Up In The Sky - Official Video (Animated) ]

New Lands

Hey, check it out: new Justice. Nice. The attached music video follows in the tradition of their last two, namely that it kicks ass. Barcelona-based CANADA handled the direction and their approach, just like in the previously featured Invisible Light, floods the senses with a meticulously crafted universe buoyed by a warm wave of back-of-your-mind nostalgia. No part is overdone; the story, costumes, sets, visual effects and action all work together in equal proportion, shining in their own way but contributing to a whole that exceeds the sum of its parts. The version posted on YouTube clocks in at four-and-a-half minutes but the one I attached from Vimeo has an extended WarGames/Tron-esque credit sequence that’s nearly as long the story so, if you’re into that sort of thing, keep watching once the action dies down.

As I mentioned at the top of the post, the last two Justice videos we posted – Civilization and On’n'on – are both fantastic (as is the über-bizarre Invisible Light) so give them a watch if you haven’t already.

One more thing: my favorite album of 2011 was easily Galactic Melt  by Com Truise (Favorite tune? No contest: Glawio) so I was understandably excited when I discovered that his third LP, In Decay, was released on Ghostly this past Tuesday. It’s packed with Mr. Truise’s trademark lush, layered synths and at present I’ve listened to it four times (the fifth is in progress as I write). If you’re already a fan then don’t hesitate to pick it up, if you’re on the fence head over to Rdio to give it a pre-buy listen.

[ Justice 'New Lands' ]

Ozo

A whimsical, super-fun and bizarre seven-minute treat. Cheers to Alex Vial, Martin Brunet, Leslie Martin and Matthieu Garcia (of Supinfocom) for the stellar visuals as well as Neal Williams and Julien Bégault who handled the music and sound design, respectively.

When you’re done watching the attached be sure to check out the other fantastic shorts created by Supinfocom students that we’ve posted to the site. Enjoy!

[ OZO ]

Oben

Gorgeous, haunting and dripping with atmosphere, this film by Thierno Bah, Noé Giuliani, Pierre Ledain and David Martins da Silva deserves your undivided attention. Stylistically it reminds me of both Fosters and Samurai Jack (high praise, for sure) but, in terms of thematic fare, this is a dish meant for adults, not kids.

The word ‘heavy’ comes to mind.

Don’t hesitate to dive in, bruh. Oh and grab your headphones, the sound design by Prince N’Gouda Ba is top-flight.

If you want to keep the contemplative train rolling I recommend checking out Between Bears next. Enjoy!

[ OBEN ]

Lamento

About ten seconds in I started smiling, immediately caught off-guard – in the most pleasing of ways – by this Joshua Catalano-created journey through a hard-lined, cell-shaded, abstract geometric landscape. The slightly muted palette compliments the loopy, minimal tech-throbs of John Talabot rather well – so much so that I’ve re-watched it a dozen times already.

I typed out a couple of other paragraphs about the attached but they all felt forced, cheap even. I decided to call it quits and just post the damn thing after I remembered some wise words from the great John Peel: “At the heart of anything good there should be a kernel of something undefinable, and if you can define it, or claim to be able to define it, then, in a sense, you’ve missed the point.”

Cheers to that.

I can talk about other stuff in this space, right? OF COURSE I CAN. Here’s some stuff I recommend you check out at your soonest convenience:

1. The Ghostfaced Pixels by Safety Words. It’s a Wu-centric mix tape backed with NES sampled beats…for a taste, give Snikt (my favorite cut from the album) a listen. It’s a free download so don’t hesitate to get on that shit.

2. Veep. HBO consistently brings the heat and each episode of the Elaine-helmed, all-star cast is packed with hilarious, smartly-written dialogue. If you’re in the market for LULZ, this one delivers.

3. Do y’all watch Big Brother? Y’all should. My wife got me into it three summers ago after a prolonged campaign of brute-force pleading until I finally gave-in. I’m glad I did. At first glance it looks simple and trashy but if you crack open it’s seemingly cheap facade you’ll find a warm, tasty center that yields a bumper crop of entertainment. The latest season premieres this Thursday. Want to watch it together?

[ LAMENTO ]

Dubstep Dispute

“Join this lovable crew of droids as they solve their differences the only way dubstep robots know how.”

File under: LOLWAT

[ Dubstep Dispute ]

I, pet goat 2

“A story about the fire at the heart of suffering.”

Oh shit. Do yourself a favor and prime your environment for an optimal viewing experience – lights down, full-screen and volume up – this gem deserves your undivided attention.

The attached was created by the talented team at Heliofant, “a nascent independent computer animation studio focused on creating experimental and challenging content” based in the Laurentian mountains just north of Montreal. At present they’re 100% self-funded and you can ensure their next short comes ‘sooner’ rather than ‘later’ by dropping a few shekels into their Paypal.

My weekly album allowance was diverted their way, maybe you’ll consider something similar?

One more thing: Heliofant whipped-up some high-def wallpapers based on the film so follow this hyperlink if you’re in the market for a fresh coat of desktop pixels.

[ I, pet goat II ]

Etcetera

I wasn’t sure where this music video – by director/animator/illustrator/designer Martin Allais – was headed but ceased to care once the flowing bursts of animation kicked in at 0:41. It’s bizarre in the best of ways, diverting any effort that might have been paid towards narrative into an all-in exhibition of constantly morphing visuals. The animation shifts between hand-drawn and computer generated but shares a textural sheen that, when combined with the paper craft infused stop-motion, creates an intimate, playful atmosphere.

Technically, this project was ‘unofficial’ which just means My Dry Wet Mess didn’t have to pay a dime for a killer music video. It turns out that the bill was picked up by some generous folks over at IndieGoGo so ‘Cheers!’ to everyone who invested money out of ‘pure trust’, having no idea what Martin would end up creating.

I rather like this new, crowd funded world; thanks (again), internet.

Speaking of which, we’re indebted to ‘Mark I’ for dropping this one in our inbox. Thanks!

[ My Dry Wet Mess - Etcetera ]

Bear Warrior

I like watching people draw, especially in time lapse. All great illustrators have a dance to their process; a flitting to-and-fro across the surface of their chosen medium, alternating between quick, broad constructive strokes and OCD-driven micro-adjustments of detail. My favorite parts in the above video are when Denman revisits something he’s already ‘completed’ – pay attention to his repeat attempts at the protagonist’s weapons and troll/orc tattoos in particular. He’s not only experimenting with different stylistic approaches but evolving the proportions as well, refining and adjusting until both feel ‘right’.

If you enjoyed the attached as much as I did then be sure to head over to Denman’s website to see more of his work or his Vimeo page which has lots more in-process videos. Enjoy!

P.S. ‘Bear Warrior’ was selected to be in this year’s Spectrum (#19, pre-order here). Whoa! Congrats, Mr. Rooke!

[ Bear Warrior by Denman Rooke ]