Posts tagged 'Animation'

Waiting Room

Trippy, mane.

Jake Fried creates his unique style of bizarre, constantly evolving animation by hand using only ink and wite-out. Once you’re done watching this, head over to his website to see more.

Cheers to Sam Lillard for the heads-up.

[ Waiting Room ]

will

Oof.

Pay attention to the color in this one. Notice the differences in palette when it’s just the father or only the daughter; this is the arrow, pulled deftly from the quiver and notched silently to the string. The bow is drawn at 3:21 and, by the time it is loosed at 3:27, there’s no time to get out of the way. Just let it hit you. In my case, the aim was true.

Cheers to Eusong Lee, a student at Calarts, for the stellar job.

[ will (director's cut) ]

Sub Wars

File under: LOLWAT

Absolutely diggin’ this bizarre, hyper-violent animated short by Chinese director/animator/illustrator SeanSoong. Enjoy!

[ 地铁大逃杀 - SUB WARS ]

Crossover

I found this little gem by Fabian Grodde while perusing the Vimeo Festival Awards picks for 2011. I’ll leave the flowery prose to a minimum; it’d be a crime to spoil the surprise. However, I should probably mention that you need to grab your headphones as the music/sound-design by Alexander Binder and Johann Niegl is top-flight. Enjoy!

P.S. Go vote! Below is a list of all the videos currently in the running that we’ve posted to the site, organized by the category they are nominated in. To show your support, click the link next to the category name and it’ll take you to the appropriate voting page…you should be able to figure it out from there.

Music Videos (vote link):

Animation (vote link):

Motion Graphics (vote link):

Lyrical (vote link):

[ Crossover ]

Perpetual Ocean

“This visualization shows ocean surface currents around the world during the period from June 2005 through December 2007. The visualization does not include a narration or annotations; the goal was to use ocean flow data to create a simple, visceral experience…read more on nasa.gov

Know what’s a bummer? Military spending is on the rise while NASA funding has been on a steady decline since 1992. A big thanks is due to Erica for sending this in to remind us that they’re still doing great things and our boy Neil for some much needed perspective.

Click here to see moar NASA radness on The Tripatorium™.

[ Perpetual Ocean by NASA ]

iv.10

About three weeks ago Scott Benson tweeted about an apparent segment of the population that thinks animation used to be better then. Wait, did I just link to a tweet? I think I can swing a copy/paste of 140 characters for proper context: “Those who claim that modern animation doesn’t match up to an earlier period aren’t on the internet. It’s the best era of the medium NOW.”

I get what he’s saying – and honestly, I agree – but these are just subjective opinions based on our personal preferences. I’m one of those annoying assholes who, when someone says something is ‘better’, quickly attaches an unsolicited ‘for you’ suffix to their statement. It’s a knee-jerk response conditioned by years of being told the stuff I liked was somehow inferior. Like, for instance, finding out that the particular genre of music I instinctually enjoyed was ‘gay’.

But I like it, isn’t that the whole idea?

I’ve noticed that when the creative efforts of the present are derided it’s because, in the eyes of the ‘haters’, modernization has somehow ruined a sacred process that didn’t need fixing in the first place. In terms of animation, I think there’s something magical about a huge team of people collaborating together to render each cell by hand, nary a computer in site. Certainly the barriers to entry with a process like this (an ability to draw well and a near unlimited supply of patience etc.) tends to keep out the casual riffraff. But this kind of leave-it-to-the-experts, country club, gated-community/ivory tower mentality to creativity is just the un-evolved primate, fear-of-death-and-the-future part of their brains talking. Just go out and make shit; pay their chest-beating no mind.

We’re living in an age when someone like beeple can, with the help of a microprocessor and a generous swath of free time, create his own distinct flavor of audio/visual experience (like the attached) without having to compromise with bean-counters, standards and practices or really anyone for that matter…all from the comfort of home. When else in the past would someone fund a bizarre little film like this? With it’s quirky soundtrack and abstract visual accompaniment where each-and-every blip and beat has its peculiar, candy-colored visual equivalent.

We are in the age where anyone can make what they want and get it out there for virtually nothing. That’s the dream, right? Fuck yes; what a wonderful time to be alive.

Wired has a great write-up on IV.10 which is definitely worth checking out, as is the other beeple stuff we’ve posted; it’s all worth your time. Also, the aforementioned Scott Benson’s The Murf is fan-fucking-tastic; if you haven’t seen it yet don’t hesitate to click that last hyperlink.

Cheers to Sam Lillard and Santi Adams for sending this one our way. Thanks!

[ IV.10 ]

Psychic Land

The first thought that popped into my brain after watching the attached: I want to go to there. The second? 2veinte should develop this into a 30 minute show. No dialogue, no traditional story arcs; just weird, bursting-with-candy-color visuals backed with arcadey, reminiscent-of-a-Casio-keyboard-demo-mode tunes. WHOWOULDN’TWANTTOWATCHTHATAMIRITE??

2veinte is giving away free Psychic Land posters to fifty random fans of theirs on Facebook. They don’t seem like the constantly-spamming-your-newsfeed-type so if you want a chance to win some rad art for your wall you might want to head on over; the effort-expended-to-possible-reward ratio skews generously in your favor.

Oh, and be sure to check out Let’s Face Symmetry – also by 2veinte – which we posted back in August.

[ Psychic Land ]

Cerulean

Yes please.

OK: headphones-on, lights-down, full-screen and volume way-the-fuck-up. Today’s heady dose of deep, dubby, synth-drenched, head-down tech-house goodness is generously provided by the always-right-on Simian Mobile Disco. It’s a tune from their upcoming album Unpatterns which, for me at least, will be an instant purchase when it’s released in a few weeks on April 15th. If you’d prefer a physical copy of your music – in spite of the fact that we’re firmly in the age of instantly-transmittable bits – you can pre-order it on vinyl or a CD right now via the Wichita Recordings website.

It’s not just the music that’s top-notch but the just-under seven minutes of tastefully restrained, simple, tight, geometric, sometimes-in-sync-and-sometimes-ambling visuals (as created by long-time Simian-collaborators Jack Featherstone and Will Samuel of London-based ISO), too.

We love shit like this, Jordan – thanks so much for sending it our way. Cheers!

[ Simian Mobile Disco - Cerulean ]

Childhood of a Circle

“Archibald lived in harmony with the surrounding world. Sometimes, after lunch, he would stroll along with a herd of mushrooms…”

I have a distinct memory of watching The Red Balloon in kindergarten. My overall recollection of the event is warped and faded but certain moments are forever burned into my mind. Strangely enough, all of them have nothing to do with the film itself: watching the reel-to-reel projector as it was wheeled in, perched heavily atop a sturdy steel cart with squeaking castors, its bottom shelf empty save for a large metal disc of tightly wound 8mm; the flurry of satisfying clicks and snaps each part on the projector made as my teacher deftly manipulated them into place; the lazy way the bulb brightened and the gentle warmth it radiated, the steady hum of the cooling fan and the slotted shadows its vents cast on the ceiling.

I’ve found that the electricity of a memory varies greatly depending on how old you are and grade school, for me at least, was a time when any new experience would surge through my brain like alternating current.

I felt so calm; so fine-with-everything as it played. It was nice; I wanted to stay there forever. The attached film, by French graphic designer/filmmaker/musician Kadavre Exquis, evoked a similar reaction; the richly textured, meandering landscapes and simple innocence of the characters made me want to melt through the screen for an aimless stroll. It’s warm and peaceful and colorful and chill and, well, lots of things really. The story is nice but it’s over too soon; I watched it four times in quick succession in a failed attempt to prolong the experience. That being said, I was happy to discover that there’s an original soundtrack to Childhood of a Circle that is orders of magnitude longer. You can listen to the entire thing gratis on Kadavre’s website or get the bits to go for a very-reasonable ten bucks.

There’s lots of strange, enigmatic intangibles in his work that I’m drawn to and it’s been fun taking time to tumble down the rabbit hole in an attempt to unravel them. Needless to say, I’m excited to see what Monsieur Exquis will make next.

Oh yeah: full-screen and headphones for this one, y’all. Enjoy!

[ Childhood of a Circle ]

The Wonder Hospital

“A surreal journey through a mysterious hospital that alters the perception of physical beauties.”

File under: LOLWAT

Today’s dose of bizarre is graciously provided by Beomsik Shimbe Shim, a South Korean-born filmmaker/animator currently working in Los Angeles. Enjoy the ride!

[ "The Wonder Hospital" (Full version - official) ]

Metamorphosis

“What you will see is an entirely fictional and completely unendorsed representation. [Though we humbly suggest Hunter S Thompson might have liked it.] We are devoted fans paying homage. No disrespect is intended.”

We usually don’t post ads but, then again, most ads aren’t as Gonzo-fantastic as this. It was conceived by String Theory and expertly-executed at Buck for Good Books, a unique service with a great mission: “Every time anyone buys a book through the Good Books website, 100% of the retail profit from every sale goes to support communities in need through Oxfam projects. As a result, charitable donation is built into an everyday activity at no extra cost. No one at Good Books is paid and we have zero operating costs. All time, professional services and resources are donated.” The visuals are top-notch and the narration is spot-on…enjoy!

A big thanks is due to Dan Allen for sending this our way! Cheers!

[ Good Books - Metamorphosis ]

Rush Hour Traffic

“Take a sweet, gut-it-stuff-it then we puff it…”

Joey Garfield, one of the many talented directors at Ghost Robot, tapped Elliot Lim, Jason Esser, Aaron Kemnitzer and Nate Costa to create these über-dope visuals for some super-chill tunes by The Cool Kids.

It’s good times all the way around so sit back, relax and enjoy the colors.

[ Cool Kids "Rush Hour Traffic" ]

Runaway

Runaway by Aubrey Longley-Cook. (http://spoolspectrum.blogspot.com/)

Diggin’ this embroidered stop-motion by talented craftsman Aubrey Longley-Cook. Check out his awesome blog, spool spectrum, to see more.

[ spool spectrum: Runaway via imgur > Reddit ]

Easy Way Out

“Seventeen seconds and I’m over it, ready for the disconnect;
Putting on a brave face, trying not to listen to the voices in the back of my head.”

Have you guys seen Midnight in Paris yet? I highly recommend you check it out. Anyways, there’s this one scene where Ernest Hemingway is asked to read a book by another writer and he preemptively responds that he hates it, even though he hasn’t read it yet. When asked why he says, “If it’s bad, I’ll hate it. If it’s good, then I’ll be envious and hate it even more. You don’t want the opinion of another writer.”

There’s this weird thing with creative people. We’re inspired to make stuff because we admire stuff other people have made and then, when we finally start to make stuff of our own, some weird deeply-buried insecurities start to rise up and the stuff that used to inspire us now breeds resentment instead.

But that’s just a tendency, not necessarily a rule; every once in a while an artist comes around whose work oozes pure creativity that temporarily severs us from our baser competitive nature, freeing us to relax and truly enjoy what they’ve made. You know, someone like Gotye. Every song he writes sounds completely unique; it’s almost as if he takes a few months off in-between each one to explore a different aisle in some eclectic, well-curated record store.

For example: compare the brooding and contemplative Bronte (which we posted back in December) with the intriguing, subdued, angsty and catchy-as-hell Somebody That I Used to Know (which we’ve been meaning to post) with the Odelay-era Beck dirty-funk-rock of Easy Way Out (conveniently attached to the top of the post).

See what I mean? Anywho, all of the aforementioned tunes are off of the infinitely excellent Making Mirrors which you can buy on iTunes and just about everywhere else. The excellent, perfectly timed stop-motion visuals in the video were directed by Darcy Prendergast and executed by lots of other talented folks at Oh Yeah Wow who, you might recall, also created the super-mellow Rippled so be sure to check that out if you haven’t seen it already. Enjoy!

[ Gotye - Easy Way Out - official film clip ]

Wood

NSFW Disclaimer: There’s some animated nudity towards the end so don’t watch this at work, OK?

We’re diggin’ this bizarre, monochromatic music video for The Dead Pirates created by Matthieu Bessudo and Simon Landrein. In addition to being a member of the band Matthieu is also known as Mcbess, a London-based illustrator whose work successfully combines a grab bag of influences from the early 20th century – like Elzie Crisler Segar‘s Popeye and Max Fleischer‘s Betty Boop – with a tight, sterile (but in a good way) and modern rock-a-billy aesthetic.

The attached is one of two videos produced at The Mill for The Dead Pirates. The other one, CH / CH, is quite a bit shorter but definitely worth a watch. Enjoy!

A big thanks is due to Drew for sending this one our way. Cheers!

[ Wood ]

Trichrome Blue

“Other companies may offer you paint, clothes, makeup, or any other range of objects to give you the experience of a color. A red convertible, blue wallpaper, yellow flowers, There are endless products to choose from. But at the end of the day, these are just objects, mere things. Trichrome can give you more…”

From the looks of it, Lois van Baarle intended this to be the first in a series of three films. There hasn’t been any new activity on the project in about two and a half years so I’m assuming she’s moved on. Bummer. The attached is a short, moody and ethereal sci-fi exploration into what types of products and services could soon be available in a future where technology continues to rapidly progress. Enjoy!

In addition to her animation chops Lois is also a fantastic illustrator whose work is definitely worth checking out.

[ Trichrome Blue ]

Eyesdown (Machinedrum Remix)

A line in Resident Advisor‘s recent review of Mux Mool’s Planet High School (on Ghostly) instantly resonated me. Andrew Ryce described the album as, “an anomaly in an overcrowded field of beat music, preferring actual songs over sketches and loops, progression over attention deficit” and, in that one sentence, helped shed some light into my (sometimes) ridiculous tendency to instinctually categorize electronic music as either genius or shit. This type of knee-jerk hyperbole is, on the whole, unhelpful and (embarrassingly) dramatic but it also belies my childlike, underlying passion for the art form and its potential power. Beat-making is getting easier and easier these days but the core challenge remains the same: can you tease warmth and depth from a handful of overlapping loops? More often than not – with legions of producers tripping over each other to mimic Skrillex’s latest ‘drop’ – the answer is a terse and adamant ‘no’. But when it’s ‘yes’? Absolute fucking magic.

One of my favorite producers ever is Bonobo, a one man operation who has an uncanny ability to craft transportive electronic music. I could make my case with some flowery prose but it’d be far more economical to just have you listen to Recurring for the necessary evidence. This, a music video for a remix by Machinedrum of his tune Eyesdown, channels the fluid complexity of the original while ratcheting the mechanical syncopation to eleven.

Enter director/animator extraordinaire Anthony Francisco Schepperd (of The Music Scene, Wail to God and Two Against One fame) who leverages the organic-and-wispy-yet-bass-heavy-robotic intrigue in the tune as an agar plate on which to grow his infectious, signature visual approach. Oh and he crafted it all for Ninja Tune in just under a month. Pro.

The bass on this one is especially nice so get your headphones out. A big thanks is due to Sam Lillard who sent this one our way last night. Cheers!

We’ve posted loads of other fantastic Ninja Tune music videos, click here to see the complete list.

[ Bonobo - EyesDown (Machinedrum Remix 5" Edit) ]

Future Girl

Whoa.

No idea who made this so if anyone knows hit us up and we’ll update the post so credit is given where it’s due. Found via Peter Berkman’s fantastic tumblr.

[ Cyber Girl (GIF) via FMTOWNSMARTY > PEEEETER BERRRKMAN ]

The Fox

“I’ve grown a handsome tall tree, mother,
And I want to bear a fruit for you.
And I have carried your fears and your hopes, father;
They’re so heavy on my back, oh you should know.”

The process of becoming a person is a strange one; it is messy, inexact and crude. Anyone who tries to convince you that their maturation was as smooth, confident and intentional as an expertly executed golf stroke is lying. We are all tumbling through space, constantly trying on new masks and costumes hoping one eventually feels right. Someone once told me that you don’t know who you are until your late-twenties and, in my case at least, that’s more-or-less true.

Up until then we try desperately to make sense of the instincts, fears and desires that were imprinted into our fragile minds at birth or injected sometime after as the result of some inexplicably electric first-hand experience. We want to make our parents happy and then we relish their disapproval. We reject the social caste system but secretly hope we’re cool, forever longing for the approval of our peers. We love and we hate; we brood and we let go; we’re anything but still.

It’s a hard thing to fully encapsulate in few paragraphs of internet but that’s why we have music videos, right? If you haven’t noticed already, there’s another stunner from Sub Pop attached to the top of this post. It’s for a tune by Niki & The Dove, a two-piece pop outfit from Sweden whose sound is described by their aforementioned label as, “full of magic and light but with an unsettling darkness hidden beneath the surface.”

Yup. Sounds about right.

The visuals are from Sub Pop’s neighbors at WINTR who, I think you’d agree, knocked it out of the park. The out-there/colorful/abstract/geometric elements soar when tethered to the sweeping, baroque landscapes. The net effect is thrilling, like watching a kite pulled taut by the wind. Full-screen HD, y’all. Grab your headphones, crank the volume and enjoy!

Click here for more Sub Pop goodness on The Tripatorium™.

[ Niki & The Dove - The Fox [OFFICIAL VIDEO] ]