Posts tagged 'Animation'

Space Stallions

“As darkness is covering the multiverse, far away in the galaxy of the wild stallion, a spark of hope is born. Guided by the light of Mother Mustang, the Space Stallions must defeat the Demon of darkness, Destructo.”

File under: LOLWAT

Some fresh, silly, colorful, bizarre, wonderful and well-executed work by seven students – Thorvaldur S. Gunnarsson, Jonatan Brüsch, Ágúst Kristinsson, Arna Snæbjørnsdottir, Esben J. Jespersen, Touraj Khosravi and Polina Bokhan – from The Animation Workshop in Viborg, Denmark. Special mentions are due to both Friðfinnur Oculus Sigurðsson and Thomas Christensen who composed the music and sound design, respectively. How rad would it be if Space Stallions got picked up by Adult Swim?

Click here to see more films created by students from The Animation Workshop on The Tripatorium™.

[ Space Stallions ]

Help Your Friends

“When things go wrong, people need help;
lend them a hand, the best you can.
We can help each other out!
Team work is what it’s all about!”

We’re huge fans of Will Sweeney – he’s been an integral part of some of our all-time favorite music videos: The Parachute Ending, The Game and Goin’in – so we were thrilled to discover that he lent his unique visual style to a Yo Gabba Gabba jingle written by DeVotchKa. It’s an excellent way to ingest some sage advice. Enjoy!

Previously: Argyle The Octopus

[ Help Your Friends – Will Sweeney for Yo Gabba Gabba! ]

Wishery

The first rave I ever went to was in Harrisburg Pennsylvania circa 1999. It was a memorable evening overall but a single moment stands out: at one point I overheard someone say that a particular song ‘blissed them out.” I dunno, just a nice play on words. Anyways, whenever I hear Nick Bertke (a.k.a. Pogo’s) movie remixes I ‘bliss out’. They’re so nice.

We had posted ‘Alice’ before – which is great – but this one, constructed entirely with samples from Snow White, is a bit special in that it utilizes high-def rips from digital rescans of the original film. It’s gorgeous; there’s loads of warm, hand drawn detail in those cells which we’ve never had an opportunity to see in such fidelity before. Bonus.

As always, Nick’s music is available for name-your-price. Remember: when you support stuff you love, more stuff that you love gets made. Cheers!

[ Wishery (Snow White Remix) ]

The Doldrums

Cheers to R.E. for sending us this fun, zone-out-retro-eye-candy music video created by Plastic Horse to promote Paul White‘s latest album, Rapping With Paul White. You can download The Doldrums as well as a few other choice cuts from the aforementioned release for free by clicking here or, if you’re willing to part with $9, the entire 26 tracks from either bandcamp or iChoons. Enjoy!

[ Paul White - The Doldrums [Animated Video] ]

Two Against One

“I get the feeling that it’s two against one.
I’m already fighting me, so what’s another one?”

The first suggestion to check out the attached came from Dave Hughes (of Off The Air fame) back on January 9th with the second ping, from Hartwell Millett, hitting our inbox just a few days later. Another 48 hours passed and then Zak Standel wrote in with the message, “how about you watch it and then write why its cool on the main page.”

OKLOL

The roster of talent on this one is deep. On the music side of things you’ve got a choice cut from Danger Mouse & Daniele Luppi‘s latest project, Rome, with a guest appearance from Jack White (NICE). The trippy, bizarre and dark visuals are provided by the tag team duo of Chris Milk and Anthony Francisco Schepperd who we’ve both featured before: Chris directed the exquisitely bizarre Who’s Gonna Save My Soul? for Gnarls Barkley and Anthony helmed two of our all time favorites, Wail to God and The Music Scene.

Jack’s dark, ominous delivery is caramel-smooth which, as it effortlessly intermingles with the warm, cinematic and slow-plodding production, sets an emotional tone that gets further accentuated by Anthony’s signature forever-morphing animation style and Chris’ acerbic tendencies to push the bizarre. It’s not very long – only two minutes and change – but it doesn’t feel that way which, in this case at least, is a good thing. Headphones on, volume up, full-screen HD and, above all else, get comfortable: the forecast calls for multiple viewings.

A big thanks to everyone who wrote in! Cheers!

[ Rome - Two Against One ]

topo glassato al cioccolato

Warning! (Kinda) NSFW: There’s some brief shots of hand-drawn nudity in this one so you might not want to watch it at work.

We’ve been getting loads of great suggestions recently and have been slowly-but-surely passing them through our mental baleen, reserving only the tastiest bits of internet to pass along. Sam Lillard sent this fantastic morsel of bizarre, dark animation by Donato Sansone (a.k.a. milkyeyes) our way back in the beginning of December and it’s a shame we didn’t post it sooner. I’d recommend watching it late-night in a dark room with the volume way up as the sound design by Enrico Ascoli greatly enhances the unsettling, high-definition visuals. Thanks, Sam!

[ TOPO GLASSATO AL CIOCCOLATO ]

The Lighthouse Keeper

Another fantastic, oozing-with-style animated short from the talented students at Gobelins. This particular gem – by David François, Rony Hotin, Jérémie Moreau, Baptiste Rogron, Gaëlle Thierry and Maïlys Vallade with music from Romain Gauthier – about a lighthouse keeper who is unexpectedly awoken in the middle of the night was created in 2009 and won the ‘Best Graduation Film’ in 2010 at Annecy. Watch and see why. Enjoy!

[ Le phare ]

Operation White Widow

Jacek Mazur (script/direction/modeling/animation), Marek Skrobecki (artistic supervision) and Tommy Zee (music/sound design) partnered with the Film Academy Baden-Württemberg to create this unique animated short with a fantastic didn’t-see-that-coming ending. It’s a treat to watch; enjoy!

[ OPERATION WHITE WIDOW (2011) ]

Sometimes The Stars

“Here I am confessing: you’re lost to me now.
I’m on a train telling strangers, about you;
How you’re still looking fine, how you ease my lonely mind;
Long summers and wine:  yeah, you saved me.”

Luke Jurevicius, Ari Gibson, Jason Pammet and Shane Devries collaborated together on this quiet, contemplative music video for The Audreys, a five-piece blues/roots band from Adelaide.  We’ve featured two of Ari and Jason’s collaborations previously and it’s great to see their how their unique stylistic approach was informed by Luke and Shane’s exquisite and surreal initial concept art. If you’re curious to learn more about how it all came together, click here. Enjoy!

[ Sometimes The Stars ]

Fox Retro

We’re loving this rad promo PUNGA did for FOX Retro, an Italian-only network that rebroadcasts classic American television. The tight, fluid animation with its seamless transitions from 2D to 3D (and back again) are a real treat to watch and the accompanying music/sound design by Daniele Carmosino perfectly compliments the visuals. It takes lots of talented folks to pull off something this polished, click here to see a complete credit listing. Enjoy!

[ Fox Retro ]

Change

“How will I ever change, if I am willing to just stay the same?
And if I make a change when will it feel like I’m not just the same?”

Yes, please. Mellow dub grooves of CHLLNGR? Check. Operatic psychedelia-laced abstract sci-fi fantasy visuals (as directed by Chad Turner and Ryan Todd) that leave a pleasing 2001-esque aftertaste on one’s spiritual palette? Check. Turn down the lights, load the bits full screen, turn up the volume and get comfortable; I watched this three times in rapid succession and odds are you might, too.

Special mentions are due to Mike Rodriguez, Efrain Luna and Laura Southard who, along with Chad, did a fantastic job on the animation: top-flight work, y’all.

[ CHLLNGR - Change ]

Merry Christmas!

Merry Christmas, friends! I first saw this very-apt-for-the-site bit of animation on December 27th of last year and have been saving it ever since to share with all of you today. It’s from a series of five short idents created by Matt Layzell, Bishoy Gendi, Michael Gendi, Jonathan Harris and Daniel Boyle of Treat Studios for E4, “to surprise people with something really anti-christmas, and transform something boring into something amazing.” All of them are fantastically bizarre and definitely worth a watch:

Oh, and a big thanks to both Harry Peppit and Sam Lillard who sent these our way via our suggestion box and Facebook wall this past September. Cheers, guys!

[ Reindeer ]

Dan Dan

Whoa. The needles on our patent-pending Dope Meters™ were pinned deep in the red for the entire duration of this fantastic music video for Misteur Valaire as directed/created by Corentin Bachelet, Gilles Cortella, Augustin Clermont, Adrien Jalade and Juliette Grandjonc, a.k.a. Paf Paf, a group of independent French CGI designers. Full screen and headphones, dawg; this one deserves your undivided attention.

Wait, it gets better: Misteur Valaire’s complete discography is available for whatever you feel like paying. So, you know, grab some spare change out of the cushions of your couch and pick up some great ‘choons. Enjoy!

[ MV (Misteur Valaire) - DAN DAN (Création collective) ]

Accumulonimbus

“Natural and man-made objects on a spin cycle accumulate, disintegrate, and multiply. Created by stop motion animating clay on glass, the film is a meditation on motion and the life cycle of matter.”

Some very nice abstract, morphing stop-motion animation and sound design from the talented Andy Kennedy. If you’re interested in seeing how he put everything together then be sure to check out the making-of page on his website. It’s populated with lots of broken images but the process videos and text still load properly though so it’s definitely worth checking out.

[ Accumulonimbus ]

Pelican

“To have it all, to have it all, to have it all, and still want more;
One thing’s for sure, one thing’s for sure, one thing’s for sure, we’re all getting older.
So we take a lover, so we take a lover, so we take a lover, waitin’ in the corner,
And before you know it, before you know it, before you know we’re pushing up the daisies.”

David Wilson Creative is teeming with talent. Their music videos are consistently top-notch and this one, a trippy, bisected journey through the wormhole of life – from birth to death and then back again – for The Maccabees, is no exception.

They also uploaded a super-rad making-of video that’s full of fascinating tidbits – like how it was shot entirely in one day (!!!) – as well as insight into their tools, process and inspiration. This quote, from David himself, shows how intentionally he approached each detail of the execution, “What was really important in terms of the edit…was essentially the percussive nature of the track. There’s lots of really nice accents and I really wanted to accentuate that…so we spent a lot of time finessing and working on the objects pulling apart to really make an impact on both the guitar parts and the drums throughout”.

Click here to see more David Wilson Creative work that we’ve posted to the site (Our favorite? Zero hesitation: Let Go) or here to check out their Vimeo account, a treasure trove or rad watchables. Their in-progress Advent series is especially nice. Enjoy!

[ The Maccabees - Pelican via Gizmodo ]

Changing Education Paradigms

“An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you’re fully alive. Anaesthetic is when you shut your senses off and deaden yourself to what is happening and a lot of these drugs are that. We are getting our children through education by anesthetizing them and I think we should be doing the exact opposite; we shouldn’t be putting them to sleep we should be waking them up.”

I was first introduced to Sir Ken Robinson via his super-popular/awesome TED talk on how schools kill creativity, originally posted back in 2006. This more recent lecture at the RSA covers similar ground and will resonate with anyone who has found themselves profoundly bored while sitting behind a desk, waiting desperately for the bell to ring. The accompanying time-lapse white board animation (created by Cognitive Media and a signature of the RSA Animate series) is an excellent complement to Sir Ken’s rapid-fire delivery, helping to drive home complex points with an ease anyone can follow. Time to get your learn on…

[ RSA Animate - Changing Education Paradigms ]

Bronte

“Now your bowl is empty and your feet are cold,
And your body cannot stop rocking.
I know…it hurts to let go.

This one’s a bit melancholy but, don’t despair, it’s also sweet and poignant so the net outcome skews towards reflection, not sadness. Ari Gibson channels a Miyazaki-esque vibe in this music video for Gotye that does a terrific job of exploring the weird, heady gumbo of new (often times conflicting) emotions and experiences that define our transition to adulthood. What gets lost as we grow up? Can we get it back?

The synergy between the visuals and the music is fantastic so make sure HD (available in both 720 and 1080p) is selected and the headphones are on. Enjoy! Oh, and Ari also directed The Cat Piano, an excellent short film we posted back in June so I’d recommend giving that a watch next.

[ Gotye- Bronte- official film clip (HD) via iamdonald ]

Supernatural

Gabriel Rud wrote in with some monochromatic, twitchy, morphing visuals he created for Argentine composer, Daniel Melero. It’s as if you’re peering into an electron microscope, witnessing the birth of some strange new organism.

[ Supernatural - Daniel Melero (2011) ]

Dock Ellis & The LSD No-No

“It was easier to pitch with the LSD because I was so used to medicating myself. That’s the way I was dealing with the fear of failure; the fear of losing, the fear of winning; it was just part of the game. You know, you get to the major leagues and you say, ‘I got to stay here, what do I need?’”

The story of Doc Ellis’ June 12, 1970 no-hitter is so out-there and unbelievably ridiculous that you might mistake it for apocrypha if the entire incident wasn’t widely witnessed and documented. All the cold, factual particulars can be unearthed, in part, by following that last hyperlink but I think it’s far more compelling to hear the story in Doc’s own words accompanied by James Blagden‘s excellent illustrations. Enjoy!

[ No Mas Presents: Dock Ellis & The LSD No-No by James Blagden ]

The Shrine / An Argument

How was everyone’s Thanksgiving? Mine was fantastic. I’ve been holding off on watching anything Christmas related until today but wanted to share the latest from cut-paper-stop-motion-specialist Sean Pecknold before I dive head-first into some of my favorite movies. We first featured Sean’s work back in June and this, like the former, is another stunning music video for Fleet Foxes. The partnership between Mr. Pecknold’s visual style and the Foxes’ unique sound makes sense – both exude a rare heady blend of warmth, earnestness and mystery – and this time around the abstract geometry has been swapped for a spiritual/nature narrative that deftly holds your attention for a full eight-and-a-half minutes. Full-screen and headphones are a must for this one. Enjoy!

P.S. I checked our suggestion box right as I was about to post this and was pleased to discover that Luke Beaton had recently written in, recommending we check it out. Thanks, Luke!

[ The Shrine / An Argument ]