“I don’t really know what [my work] should be called, some people call it graffiti and some [call it] street art. I don’t really care. I started painting graffiti, and then I started doing characters and big walls…I don’t know. I think [my paintings] are just interventions in outdoor spaces…more”
“A message, for me, is something secondary. If I have to say something, it’s worth representing it and doing it big but sometimes my art is simply about the pleasure of painting and nothing more, or the simple fact of joining colours together. The shape [of a wall] is an excuse to put colours in one place or another. I don’t give much importance to the message…more”
Barcelona-based Aryz is young (23 at the time of this post), talented (see attached images) and – judging from those two quotes above – far more concerned with creating aesthetically beautiful work than fussing over which labels to attach to it. See loads more on both his website and Flickr feed or click here if you’d like to watch him paint in HD.
File under: LOLWAT
NSFW Disclaimer: If you couldn’t already tell from the tease plate above, this video is a veritable bag-o-animated-dicks so you probably shouldn’t watch this at work.
There’s something inexplicably wonderful about professionally executing such a ridiculous premise. Paul Jaulmes, Guillamume Cunis and Boris Croisé made the attached while at Supinfocom Arles and would like it to be the first in a – ahem – longer series so, if you want to see more phallus-centric adventures, head over to their aptly named ‘The Willies’ Indie-Go-Go site and donate some euros.
P.S. Hit up our Supinfocom feed for more rad student-created animated shorts.
File under: LOLWAT
First off, you better have some killer headphones at the ready before diving into the attached. I honestly can’t remember ever featuring a video with better sound design; it’s easily the star of the show.
That’s not to say the visuals are in any way lacking – they aren’t – but having such well-mixed, tangible foley work and layered, atmospheric background noise goes a long way to selling the immersion…especially when dealing with subject matter as conceptually out-there as this.
I don’t want to spoil where this one is headed but my favorite sequence kicks off at 4:38. Over the course of a scant 30 seconds, director Carl Burton makes four perfectly-timed cuts that both establish the scene and give you a concrete sense of place within it. My first viewing was late last night and the instant sense of ‘cozy’ I felt at 5:00 was palpable; it was as if I was there, temporarily shielded from the rain. It’s magic; just stellar stuff.
A big thanks is due to the aforementioned Mr. Burton who took the time to write-in and share his work with us. For the measly asking price of $3 you can own an HD download of Shelter, an 18-page making-of PDF and a bunch of wallpapers. It might seem silly to spend money on something you just, moments ago, saw for free (legally, too) but whenever I do I feel better. Why?
It’s a truly voluntary act that helps break up the monotony of my daily obligations and an opportunity to express my appreciation for art someone made beyond a ‘Like’ or a ‘Comment’. It’s IRL ‘Like’. It’s ‘Here, I want you to make something else awesome real soon, please.’ Facilitating that is easily worth the price of a coffee.
Absolutely loving the spartan, monochromatic and tight-as-fuck animation in this Mathieu Bétard-directed music video for Kris Menace. It’s a delicate mix of mirrored-and-repeating geometric ‘morphables’, rotoscoped figures and bizarre transitional touches where everything besides line, form and movement is swept aside. Just absolutely gorgeous stuff.
If you enjoyed the attached then definitely give Chunkothy a watch next, I’m 100% positive you’ll dig it. Cheers!
posted by respondcreate on Nov. 21, 2012 in Videos | tags: animation, bizarre, black and white, electronic music, geometric, hd, kris menace, mathieu bétard, mirror, miss kittin, monochromatic, music video, rotoscoping, trippy, wizz
“I shuffle around the tectonic plates in my chest.
You know I gave it all, try to match our continents;
To change seasonal shift, to form a mutual core.”
You guys remember SOLIPSIST, right? (If you have no idea what I’m talking about, drop what you’re doing and go watch it immediately.) It’s easily in the top five of my ‘Favorite Pieces of Internet’ list for 2012 so I was SUPER-PUMPED to discover (via Sam Lillard) that its creator, Andrew Huang, directed Björk‘s latest music video.
The two are a natural fit: His craft-material-as-biology approach pairs well with both her nature-as-allegory lyrical tendencies and always-out-there visual style so it’s no surprise that this collaboration thrums with a primal, living energy.
The bits are available in 1080p, too so don’t hesitate to load this thing on the biggest display available. ENJOY!
P.S. Our Bjӧrk feed is pretty rad.
This bizarre, gorgeous short created at Supinfocom Arles by Paulin Cointot, Dorianne Fibleuil, Antoine Robert and Maud Sertour is packed to the gills with gobs of subtle, pleasing visual detail. Full-screen is a must. ENJOY!
“When you don’t know what you want,
You just repeat yourself again;
In the end, you just repeat yourself again.
When you don’t know who you are,
You dig yourself the hole you’re in.”
Another stunner from Gotye, y’all…this time with visuals by Saiman Chow. Grab your headphones, dive-in and enjoy.
A big thanks is due to Colton for the heads-up! Cheers!
“Where do all these melodies come from?
Where do all these melodies run from
to then find solace in sun, son?
Honestly? I’m stumped.
All I know is somehow when I’m stuck,
Maybe it’s dumb luck, I give up;
I’m just as dumbstruck.”
Steve first sent us this video in the spring but, truth be told, I didn’t take the time to really dive in and pay attention to what was going on until a few days ago. Don’t make the same mistake.
I never really caught on to what the song was about because I was too fixated on the visuals. For whatever dumb reason I tend to not like when shot footage and animation are combined unless they’re seamlessly mixed together. That’s certainly not a rule, just a general prejudice rooted in the sticky cellar of my psyche. When I was a child I used to separate my food into neat little piles; the stuff I liked least was eaten first and, when it was finished, the next mound in the hierarchy of flavor was tackled until my favorite was last on the plate. It sounds dumb now that I’m typing it out but, at the time, this behavior seemed perfectly logical. I was a little obsessed by the process to the point that I’d have a mini freak-out if different foods touched each other.
To enjoy something on it’s own terms is, to me at least, fundamentally satisfying. I find that both sobriety and intoxication are agreeable in their own way but to be either one or the other for too long a span of time spurs a vague discomfort as each plays an integral role in calibrating the poles of my consciousness.
Yin and yang, bruh.
So, separate and tackle in turn. If shot footage and hand-drawn animation are fused into one film, why wouldn’t you want to make the finished product look as homogeneous as possible? You know, invest the necessary time and attention to do a proper blend; apply some craft ‘n shit. This is probably why I glossed over the attached when I first saw it. But I didn’t dismiss it...how could I? Mr. Steven Smith himself made it for goddamn Stones Throw and, seeing as I’m a big fan of both, decided to tuck it away and return later. On a recent trip to the Midwest I did just that and, away from the pressures of work, had time to properly marinate in what was going on.
Anyways, the song is about the creative process and – even though Homeboy Sandman is specifically referring to his methodology for writing rhymes – the themes he covers are pretty universal to anyone who makes things. At it’s core, creating something is a frustrating mix of volition and luck. You’ve got to do what you can to get the ball rolling but ultimately, what’s going on isn’t completely within your control. It’s haphazard and messy and inexact and – for beings whose evolutionary success depended primarily on an ability to exert dominance over the surrounding environment – supremely frustrating.
“I think ‘What is this melody meaning to me?’
The answer might come in a week.
The answer might come immediately.
What is the recipe?”
Lyrically, it’s a tightly-packed, mad, stream-of-consciousness tumble and the accompanying grab-bag of colorful, whacked-out visuals heighten the sense of anticipation for what he’ll say next. It took me until the ninth or tenth viewing to finally notice that the only shot footage is of Sandman’s head, the physical case for an internal universe of grey matter that simultaneously contains both the hindering, fickle spontaneity of his creative muse and the honed mastery of language that eventually liberates and externalizes it.
At that moment everything shifted; the heterogeneous, sharp-edged contrast of the visuals morphed from the thing I didn’t like to my absolute favorite part. Maybe you’ll like it, too?
Kyle Mowat‘s thesis film, Ballpit, is a haunted toymaker’s fever-dream with its psychedelic tangle of fluid, soft-edged gizmos, trinkets, and doo-dads that spontaneously erupt into morphing, frenzied movement. The ethereal, echoing Fisher Price-instrument soundtrack by Lido Pimienta is a just-right accompaniment to the madness. ENJOY!
A big thanks to Mr. Sam Lillard, fresh back from his three-month Alaskan sojourn, for the suggestion. Welcome home Sam, we’ve missed you! Cheers!
Been itchin’ to post this one since last Wednesday when I first saw it pop-up in Mr. Lotus’ twitter feed. He’s got a new album, Until The Quiet Comes, set to drop on October 1st and made the brilliant decision to hire Sir Cyriak to create a video to promote it’s release.
It’s a true collaboration and exactly what you’d expect when creatives of this caliber combine their unique skill sets. The tune itself fuses together two of Flying Lotus’ fortés: sterile, machine-pulsed-and-stripped-down beats and his trademark spacey, rambling, warm-and-jazzy tones. Cyriak takes that contrast and runs with it, creating a world populated with regiments of single-purpose robots that is forever changed after one of them spontaneously evolves, trading in its initial programming for a more familiar-to-us set of survival-of-the-fittest, kill-or-be-killed instincts. The video escalates in typical Cyriak fractal-fashion, progressing in complexity from the micro to the macro until everything-is-everything and then back again. Word.
It’s a treat, y’all. ENJOY!
“You know I never want to let you down,
It cuts me up to see you sad.
And I wish that I could undo what I’ve done;
Give back the faith in me you had.”
Another day, another fantastic music video for a tune from Gotye’s Making Mirrors. This one’s packed with playful, surreal hand drawn visuals (directed/animated by Gina Thorstensen and Nacho Rodriguez with help from Giulia Bellunato) that do a great job fleshing out and exploring the themes of regret, longing, identity, forgiveness and hope presented in the song.
As alluded to above, we’ve posted loads of great music videos from Making Mirrors to the site that can be conveniently accessed via our Gotye feed. Happy browsing!
posted by respondcreate on Sep. 19, 2012 in Videos | tags: animation, bizarre, colorful, ethereal, gina thorstensen, giulia bellunato, gotye, hand drawn, hd, love, music video, nacho rodriguez, surreal, trippy
Here’s another delectable morsel of hand drawn animation from this year’s bountiful Gobelins harvest. It’s by four, third-year students – Todd DeJong, Tom Law, Wandrille Maunoury, Etienne Metois and Jonathan Vermersch – and does a fantastic job illustrating a distinct flavor of anxiety we’ve probably all experienced.
posted by respondcreate on Sep. 08, 2012 in Videos | tags: animation, bizarre, colorful, etienne metois, gobelins, hand drawn, hd, jonathan vermersch, love, psychedelic, todd dejong, tom law, trippy, wandrille maunoury
“Drawn in their distinctive 80s-inspired kaleidoscopic style, the Layzells take us on a surreal romp through a richly textured cartoon world dreamed up by a hallucinating out-of-work animator.”
File under: LOLWAT
A surreal-silly-psychedelic-good-times romp created at Blink for Adam Buxton‘s new ‘comedy-meets-music-video’ series, BUG, on Sky Atlantic HD. Best served at the height of your sesh in full-screen HD. This one’s a treat; ENJOY!
posted by respondcreate on Aug. 30, 2012 in Videos | tags: adam buxton, animation, bizarre, blinkink, colorful, drugs, hd, jim stoten, layzell brothers, lolwat, psychedelic, surreal, tiny tim, trippy, wat
This song by OPOSSOM – with its big swells of lush, layered chords and surgical syncopated stabs of percussive rhythm – hooked me right from the jump. I kept turning it up to the point where Ms. Tripatorium looked over with concern from across the room because she could hear it blaring out of my earbuds with a tinny intensity. I just smiled and said, ‘It’s a really good tune.’
It is. You’ll see.
Anyways, the psychedelic visuals are a bit scattered and bizarre but that’s always been just fine with me. They’re by Special Problems (Campbell Hooper and Joel Kefali) and the attached fits in nicely with the other two out-there music videos we’ve posted by them, The Sun and MmmHmm.
Load it in full-screen HD, get your headphones out and enjoy. Oh and a big thanks to Bryan for sending this one our way. Cheers!
“I think you should go. I don’t want you here.”
File under: LOLWAT
“Up in the sky, there is a village,
and the people there are blue –
I believe it’s true.”
Anraud Janvier, a recent graduate of Supinfocom, wrote in to let us know about a music video he recently co-directed with Antoine Robert at Cube Creative for 77 Bombay Street. The song describes a perfect little utopia that exists above the clouds and the bright, whimsical and weird visuals drip with a naive innocence the mirrors the optimistic vibe.
It’s feel-good sunshine from start to finish but, seeing as I’m partial to wormholes, my favorite sequence kicked off at 2:33 when the Mii-esque rendered cast plunged directly into a technicolor tunnel via a blossoming Lotus flower. That shit’s mah jam, bruh.
When you’re done here, be sure to check out Playing With Light, an excellent little short produced at Cube two summers ago. Enjoy!
posted by respondcreate on Jul. 24, 2012 in Videos | tags: 77 bombay street, animation, antoine robert, arnaud janvier, bizarre, colorful, cube creative, good times, hd, music video, trippy, whimsical, wormhole
A whimsical, super-fun and bizarre seven-minute treat. Cheers to Alex Vial, Martin Brunet, Leslie Martin and Matthieu Garcia (of Supinfocom) for the stellar visuals as well as Neal Williams and Julien Bégault who handled the music and sound design, respectively.
When you’re done watching the attached be sure to check out the other fantastic shorts created by Supinfocom students that we’ve posted to the site. Enjoy!
posted by respondcreate on Jul. 14, 2012 in Videos | tags: alex vial, animation, bizarre, colorful, hd, julien bégault, leslie martin, lolwat, martin brunet, matthieu garcia, nature, neal williams, premiumfilms, supinfocom, whimsical