Posts tagged 'Ghostly International'

Andy Gilmore

“There was a period in my life where I only drew with a pencil and being able to erase paralyzed me. I could draw a hand and it would take me three days, you know, and it would be a 1/4” by 1/4”; just a tiny little thing. And then one day I just started drawing with pen and all of a sudden I could just draw endlessly. In fact, there was no undo and it kind of changed all of that. And then the computer oddly, the undo is what gives me the freedom to just explore any idea that comes to my mind and essentially I just follow any impulse or any idea because I can explore fairly freely.”

Andy Gilmore‘s work is squarely up my alley and it’s wonderful to hear, in his own words, what inspires him to create. The always-excellent Ghostly International (who tapped Isabel Freeman
, Will Calcutt and Brian Fichtner to create the attached) has some of Andy’s prints for sale in addition to some excellent hi-res, free-to-download wallpapers ready to adorn your glowing screen of choice.


[ Ghostly International presents Andy Gilmore ]

The Work of Andy Gilmore

'Hemicube (Detail)' by Andy Gilmore (
'Hemicube (Detail)' by Andy Gilmore ('11-21-2011' by Andy Gilmore ('07-27-2011' by Andy Gilmore ('Red Shift (Framed)' by Andy Gilmore ('2-9-2012' by Andy Gilmore ('12-14-2011' by Andy Gilmore (

“A master of color and geometric composition, Andy Gilmore’s work is often characterized as kaleidoscopic and hypnotic, though it could just as well be described as visually acoustic, his often complex arrangements referencing the scales and melodies in music…” (more)

I first discovered Andy Gilmore whilst perusing Ghostly’s free-to-download wallpapers page. Even among all the truly top-flight work on display there Andy’s distinct, colorful, geometric and just down-right pleasing images stood out. The Hemicube is currently occupying the base layer of pixels on my Air and a few times already today I’ve employed Exposé to quickly sweep aside any obscuring windows to take in the whole image.

The six images selected here for your perusal were found during a quick once-over of Andy’s massive, seven page archive that houses, at present, one-hundred and fifty four images. So if this didn’t sate your appetite (and why would it?) visit there for a more considered, patient browsing session. Oh, and if you want some that are a suitable size to adorn your desktop just head on over to Ghostly, they’ll take good care of you.

Can I suggest an appropriate auditory accompaniment for your ear drums while your eyes take the colors in? If you’re up for it, give a listen to Get Better John by Mux Mool. I recently picked up his latest album, Planet High School on iTunes and, since then, it’s been in constant rotation through my headphones. Needless to say, I highly recommend you check it out.

[ Andy Gilmore ]

In The Middle

I first watched this last night on my laptop and was instantly smitten. My initial assessment was that it was akin to looking through the windshield during a drive-thru car wash within What Dreams May Come. It’s an orgy of sloshing, intermingled color that’s constantly changing costume from a myriad wardrobe of morphing textures.  Anyways, after watching it on the laptop I was curious to see what it would be like on the big screen, so I hooked it up to my HDTV and took a seat on a comfy chair about fifteen feet away.

Whoa man.

I highly recommend you do the same and, if you don’t have a large screen available, just take a few giant steps back from whatever device your watching this on; it’s not so much about the size of the screen but your distance from it that’s important. When you do a whole host of imagery will present itself: people, landscapes, things; all fleeting but instantly recognizable. It functions similarly to Chuck Close‘s post-seizure paintings: up close they appear as a grid of imprecise, crudely rendered orbs and splotches while, at a distance, a psychedelic proportional face starts coming into view.

The attached was created by Morgan Beringer as part of a two-video set (the other one is equally hypnotizing and abstract so don’t hesitate to give it a watch) for Matthew Dear‘s recent release on Ghostly International, a label I whole-heartedly recommend you keep an eye on. Their track-record of top-quality releases (with videos to match) is a clear indicator that what they’re doing over there is special. Have you seen Brokendate? Also from Ghostly, also rad.

If you’re diggin’ this then be sure to check out Amalgamation, too.

[ Matthew Dear - "In The Middle (I Met You There) [ft. Jonny Pierce of The Drums]" ]


It’s hard to explicate what it is about synthesizers that elicits an instinctual positive response from the music approval synapses of my brain. With all this recent deadmau5, dubstep and ‘electro’ business as of late I sometimes have to remind myself that people used to hate this shit. It’s worth noting that I never liked electronic music simply because ‘they’ hated it; I liked it because I liked it. But why? I dunno. I think part of it has to do with the lack of vocals – I’m partial to constructing my own personal narratives when the headphones are on – or maybe it was because these sounds were often found alongside subject matter about technology, a subject I’ve always been enamored with. But that’s not entirely it either. There’s something about synthesizers that transports me to somewhere else which, it turns out, is a place I’m constantly trying to get to. In that regard Com Truise fits the bill. Ghostly International describes him as the ‘master of the transporting synth odyssey’. They’re his label so we can forgive the hyperbole but still, the description is apt.

The video itself, like the tune, is decidedly retro and seasoned throughout with numerous stylistic nods to the early 80s but don’t dismiss the 10lb Pictures created visuals as merely a lazy grab for nostalgia. There’s a tasteful restraint at work here that has brought me back for additional viewings. The flavors are ‘right’; it works. Grab your headphones, click full screen and above all else: enjoy!

[ Com Truise - "Brokendate" ]