I first watched this last night on my laptop and was instantly smitten. My initial assessment was that it was akin to looking through the windshield during a drive-thru car wash within What Dreams May Come. It’s an orgy of sloshing, intermingled color that’s constantly changing costume from a myriad wardrobe of morphing textures. Anyways, after watching it on the laptop I was curious to see what it would be like on the big screen, so I hooked it up to my HDTV and took a seat on a comfy chair about fifteen feet away.
I highly recommend you do the same and, if you don’t have a large screen available, just take a few giant steps back from whatever device your watching this on; it’s not so much about the size of the screen but your distance from it that’s important. When you do a whole host of imagery will present itself: people, landscapes, things; all fleeting but instantly recognizable. It functions similarly to Chuck Close‘s post-seizure paintings: up close they appear as a grid of imprecise, crudely rendered orbs and splotches while, at a distance, a psychedelic proportional face starts coming into view.
The attached was created by Morgan Beringer as part of a two-video set (the other one is equally hypnotizing and abstract so don’t hesitate to give it a watch) for Matthew Dear‘s recent release on Ghostly International, a label I whole-heartedly recommend you keep an eye on. Their track-record of top-quality releases (with videos to match) is a clear indicator that what they’re doing over there is special. Have you seen Brokendate? Also from Ghostly, also rad.
If you’re diggin’ this then be sure to check out Amalgamation, too.