In the weeks since sharing Masanobu Hiraoka‘s Land I’ve come back and re-watched it at least a dozen times. His ability to change composition with unbroken, constantly-evolving morphs – as opposed to the more traditionally-employed cut – consistently rewards an additional viewing; each one yields another subtle treasure I overlooked the first (or second or third or…) time.
In the attached, a music video for Yoshiharu Abe‘s ONE AND THREE FOUR, Mr. Hiraoka experiments with how his psychedelic liquid transitions appear when kaleidoscopically mirrored and/or confined to a nearly-omnipresent circular frame. It reminds me a lot of both Celyn Brazier‘s stellar animation for Chunkothy and Ori Toor’s work which is about the highest praise I can give.
Full-screen HD for sure, kiddos. ENJOY!
P.P.S. Our kaleidoscope feed is pretty rad, too.
WOW. This gorgeous three and a half minute trip-fest of undulating, constantly-morphing animation by Masanobu Hiraoka (of Je Regarde) demands to be watched on the largest display currently at your disposal. Grab your headphones, too; Aimar Molero‘s music/sound design properly sets the atmosphere and breathes life into the sloshing, shifting abstract forms.
Oh and be sure to check out our Je Regarde feed, it’s full of other fantastic watchables.
This marks the fifth time an Ori Toor creation has been shared on this webzone which I’m fairly certain makes him Our Most Featured Artist™. If you’re reading this in the far-distant future go ahead and check his feed, chances are I’ve posted more of his stellar animation since.
The attached is even more representational than Ori’s last outing for Kingdom Crumbs (my choice for best video of the past calendar year), a trend I’m über-thrilled he’s continuing to explore. His trademark undulations are even more intriguing when they’re evolving from pure abstract blobs into foxes or ghoulish faces (or fish or worms or elephants or…) and then back again.
As usual, Ori takes his cue to progress the visuals from compositional shifts in the backing music and Vial of Sound‘s ragged bass synth, square wave lead and mysterious, vocoded vocals are a natural fit for his style.
So yeah, top marks all the way ‘round so turn the lights turned down, the volume way up and get these bits loaded full screen in HD.
P.S. Ori’s style of animation is fundamentally satisfying to me so if you’re a band/artist that wants to get featured on the site, I’d suggest hiring him to direct your next video.
The tune in the attached is a cover (by Vessels) for a remix (by James Holden) of the rambling ambient techno classic, `The Sky Was Pink` by Nathan Fake. My first introduction to any of its many incarnations was via a Tiefschwarz DJ set at the 2007 WMC; I was there specifically to hear (and dance to) their remix of Phonique’s `The Red Dress` and the ‘Holden Tool’ followed it.
I was instantly smitten.
To some, dub techno‘s hallmark layering of super-straight-forward-and-stripped-down 1-to-2-bar loops can be relentlessly irritating and abrasive but, to me, that kind of ultra-repetition is just right. When I’m locked into the pocket of an agreeable groove the present moment enlogates, freeing me to appreciate it. I’m not a ‘live in the moment’ kind of person but I want to be and, as a result, tend to get attached to whatever helps me get over my instinctual aversion to now.
Hearing the same thing over-and-over again, especially if it’s imperceptibly evolving either by a shift in composition or the slight tweak of a filter knob, gives me the space to unpack and understand exactly what about it is motivating my body to move.
The visuals on display above, by Morgan Beringer, inspire that same inquisitive spirit. The colorful psychedelic sloshes keep hinting at images but we never get to know exactly what they are. Was that a bee? A white pine branch? A set of fluffly clouds? Right as your mind catches on some known object it’s already been washed away and replaced by another.
Over a year ago I posted a similar video Morgan made for Matthew Dear (go watch it!) and it’s great to see he’s still exploring this layered datamoshed style.
Of all the suggestions that have been sent to the site over these past 10 months, this video is easily the most requested. So why has it taken so long for us to post it? Well we already kinda did. It was a prominent part of Animals and, since we could only ever find it in standard def, we felt as though it’d be a little redundant to feature it on it’s own.
Well, it turns out that the video’s director – the multi-talented lilfuch – recently uploaded it to his Vimeo account only three short months ago in full HD so I figured it was high time we gave this tasty bundle of electrons it’s own home on the site. Plus, as of tonight it’s only accrued a scant 1,400 views so let’s get this thing passed around. You’ve probably already seen it – odds are you’ve probably already sent it in – but believe me, Zodiac Shit always worth another viewing. Full screen and headphones (Flying Lotus!) friends; you know the drill. Enjoy!
Oh and be sure to check out lilfuch’s website. It’s chock-full with rad, colorful illustrations.