Posts tagged 'Trippy'

amalgamation

Micaël Reynaud, a webdesigner, animator, illustrator, photographer from Montpellier, created this animation with portraits from Michael Jang‘s Summer Weather series. The way the images blend, morph, evolve and interact with each other is deliriously hypnotic which, when combined the spacey, ambient synths of Memory Tapes, amplifies the vibe considerably. It’s gorgeous, trippy business friends so do yourself a favor and watch this in full-screen 1080p with a nice pair of headphones on. Enjoy!

Previously on The Tripatorium™: Yes I Know by Memory Tapes

[ amalgamation ]

Don’t Hug Me I’m Scared

File under: LOLWAT

Becky Sloan and Joseph Pelling created this potent dose of bizarre with plenty of help from their talented friends at THIS IS IT, “a collective of illustrators, animators, artists and designers based in London.” Click here to see a full list of who-did-what. 

Cheers to Pvt Engle for sending it our way. Enjoy!

[ Don't Hug Me I'm Scared ]

Prototype #1

How should I categorize this collaboration between AEAEAEAE and Hans-Henning Korb? It’s not eye candy per-say but there’s no discernable narrative either. So an eye-snack maybe? A morsel?

I dunno.

I rather liked it, though. A strange, uneasy comfort descended as I watched those little flocking pixies as they zipped to-and-fro, attracting and repelling one other, grabbing and reforming their bedsheet-one-moment-and-mountains-the-next hovering landscape as a Vangelis-esque tune (that could easily be mistaken as part of the Blade Runner Soundtrack) provides the ambiance. It’s some interesting and intriguing stuff and, judging from its title, there’s more to come. I certainly hope so, at least.

[ Prototype #1 ]

Earth

“Time lapse sequences of photographs taken with a special low-light 4K-camera by the crew of expedition 28 & 29 onboard the International Space Station from August to October, 2011.”

I have a new favorite video on the internet! It’s this one! You should check it out! Holy shit this is so dope; dim the lights, turn the volume way up and full screen this bitch immediately. Michael König took the contemplative, ethereal ambient breaks of the super-talented Jan Jelinek and combined them with high-definition (4K!) low-light time lapses that NASA took recently and were cool enough to give away for free online.

PRO TIP: Keep your eyes peeled for the minuscule thunderstorms and ribboning, neon auroras. Thanks again, internet.

P.S. To see a list of locations for each shot used in the film click here.

[ Earth -Time Lapse View from Space/Fly Over -Nasa, ISS (vid by Michael König @ koenigm.com) ]

The External World

Ann wrote in with a hyperlink to this 57 second long animation that David OReilly (remember ??????) made for Tim & Eric’s Saint’s Row promotional short film, “Professor Genki’s Super Ethical Reality Climax” accompanied by a single sentence, “you could definitely file this under lolwat. Her categorization was dead on and we initialized our patent-pending Post To The Internet™ sequence as we figured it’d be something most of you would enjoy. One of the steps involved in the aforementioned ritual is checking if the artist in question – in this case David – has anything better that should be posted instead. He does!

The masthead of his website reads: ANIMATION, 3D, INTERNET, EPHEMERAL DRIVEL, FLEETING DISTRACTION, NONSENSE, CATS ETC and, according to that rubric, The External World delivers. It’s seventeen minutes of seemingly-disparate-at-first-but-eventually-interconnected infinitely bizarre vignettes. It’s awesome.

I should mention that an HD quicktime of this film is available for download if you’re willing to part with about $5. The purchase has no real value and is essentially ceremonial as The External World is freely available on both Vimeo and the ‘Tubes but, I decided to buy it anyways. Why? Well, for one, supporting art just feels good man. I also want to affirm this type of behavior and do what I can to fund whatever David will create next. Maybe you’ll consider doing it, too? In the meantime: enjoy the weirdness.

[ The External World ]

Welcome to Kitty City

Hey! Guess what?! cyriak has a new video! A big thanks is due to both David Chitty and Hess who wrote in to let us know. Enjoy!

[ Welcome to Kitty City ]

Machu Picchu Post

Clement Crocq, Margaux Duran-Rival and Nicolas Novali – three former students of Supinfocom Arles – cooked up this little gem as their final graduation project. Do yourself a favor: ensure 1080p is selected and wait patiently until a generous amount of bits load into your random access memory before clicking play; it’d be a shame to get interrupted once shit starts trippin’ balls. I’ll leave it to that…don’t want to spoil the surprise. Enjoy!

Click here to see other fantastic animated shorts by Supinfocom students previously posted on The Tripatorium™.

[ Machu Picchu Post ]

The Lullaby

This time lapse video of Joe Fenton drawing is a bit deceiving; since the lighting remains consistent and his wardrobe only appears to change a few times you might think he completed The Lullaby in a matter of a few days.

It took two months.

As I was watching full-screen – the progress bar and UI conveniently hidden away – I kept thinking the video was about to end; how much more detail could he possibly add? What else was there left to do? Just graphite on Arches would have sufficed but Joe pushes it to some next-level shit when he busts out the airbrush, white gouache and muted water watercolors to further enhance its three-dimensionality.

The backing music by his brother, Julian, is a nice compliment to the visuals: mysterious, ethereal and subdued. Full screen and headphones, y’all.

To see see more of Joe’s work head on over to his Behance page or website.

[ The Lullaby - 2011 - By Joe Fenton ]

The sculpture of AJ Fosik

'The Shepherd Inevitably Consumes the Flock' by AJ Fosik (http://www.flickr.com/photos/ajfosik/6282201592/in/photostream)
'The Shepherd Inevitably Consumes the Flock' by AJ Fosik (http://www.flickr.com/photos/ajfosik/6282201592/in/photostream)'Transpanthanation' by AJ Fosik
(http://www.flickr.com/photos/ajfosik/5203206512/in/photostream)'In the Teeth of Stupefying Odds' by AJ Fosik
(http://www.flickr.com/photos/ajfosik/5203206512/in/photostream)'The Time & The Way' by AJ Fosik
(http://www.flickr.com/photos/ajfosik/4776104788/in/photostream)'Hammer I miss U' by AJ Fosik'The Third Way Out' by AJ Fosik

“Working three-dimensionally has just always been more satisfying; I’ve always had the urge to build…I find, for me, it’s easier to express my ideas building things; actually making something.”

AJ Fosik creates fantastic, intricately detailed sculptures from wood, paint and nails. There’s not much more to say beyond that; his work speaks for itself. There’s two fantastic videos on the ‘tubes about AJ you should check out:
The first shows him at work – from the initial sketches to the final coat of paint – on the bust that adorns the cover of Mastodon‘s The Hunter. The second, an interview done by kwalitymedia, has AJ describing his motivations, inspirations and overall creative process.

A big thanks to lolo for writing in and introducing us to Mr. Fosik…cheers!

[ AJ Fosik ]

Polarity Song

“Life can be so overrated but you are so entertaining’.
I won’t be manipulated just so I can get on through to your green grass under skies.
There’s no one like you; there’s no time like now…
Embrace the polarity of life and all the good and bad we share.
Engage the mystery of why we are the love in life we live.”

Do you guys remember Synesthesia? It was a super weird/rad little music video we posted back in February filled with food, cats and LOLWAT directed by Terri Timely. If you haven’t seen it yet, go on ahead...we’ll wait patiently until everyone’s ready.

This – Terri’s latest – is a collaboration with knit/crochet/craft/‘soft sculpture’ super-hero, Sarah Applebaum and, like Synesthesia, is suitably far-out. It depicts a hidden world populated by crochet-knit-mummy-wrapped bipeds within a typical thrift store/flea market who abduct dispassionate shoppers as they browse through an assortment of discarded detritus from the late-70s/80s/early-90s. The surface aesthetic could easily be categorized (and summarily dismissed as) ‘hipster kitsch’ and, though I’d concede the assessment, there’s an earnestness there – no doubt helped by the Caleb Pate and Nephi Evans’ lyrics – that squashes any cheap forays into self-indulgent irony. There’s redemption here; from within this impersonal commercial wasteland comes salvation whose identity springs not from aesthetic but from source: it’s the hand-crafted things that provide the creative energy and warmth.

Oh and it’s super-fucking strange, too; we love shit like this. The music is dope as well. Top marks to Seventeen Evergreen for creating original, compelling tunes and to Lucky Number Music for supporting this kind of art. Enjoy!

If you’re into this you might want to check out Lighthouse, too. Just sayin’.

[ Seventeen Evergreen - Polarity Song ]

Homunculus

“Taking its title from the Latin word for “Little Human”, the piece is an associative mashup between the two concepts behind the word: The first being middle-age alchemical beliefs that “little men” could be spontaneous generated from dead or decaying matter. The second being Carl Jung’s usage as a personification of pure id…more

Set phasers to bizarre; this short film, directed by Sam Stephens and created by Hydra – the in-house collaborative directing team at NYC-based Humble TV – provides an ample, potent dose of weirdness. Enjoy!

[ Homunculus ]

Pirate’s Life

“As simple as it looks. The whole video is hand drawn frame by frame - markers on paper.”

Katarzyna Kijek and Przemysław Adamski are a directing duo from Poland who we’ve featured on the site before. They’re back with another labor intensive video, this time trading in flashlights and yarn for paper and markers. The hand-drawn execution goes beyond mere novelty (though it’s certainly a nice touch) by providing an aesthetic that reinforces we cut corners’ simple lyrics and aching earnestness. It’s as if the whole thing were drawn in a notebook on a long, contemplative and rainy bus ride home from school.

Kijek and Adamski are dedicated to their craft (just take a look at how many markers they went through) so do yourself a favor and head on over to their blog or Vimeo page to see more of their work. Oh, and a big ‘thank you’ is due to Hamilton for sending it our way. Cheers!

[ We Cut Corners "Pirate's Life" ]

Fantasy

Jérémie Périn, best known for his brilliant work on 16-bit sexcapade Truckers Delight, is back with a new music video for DyE‘s latest release on Tigersushi. It’s a potent, high-definition dose of the bizarre and a perfect apéritif to calibrate your palette for All Hallows’ Eve. I’m not going to divulge any details for where this ends up (it’d be a crime to spoil the surprise) but I should mention that it’s a bit NSFW so wait to click play until you’re off-the-clock. Enjoy!

A big thanks is due to Choplogik for sending this one our way. Cheers!

[ DYE "Fantasy" Official Video by JEREMIE PERIN ]

hazcauch × vokoi

Max is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling ‘74. During its 20-year history, it has been widely used by composers, performers, software designers, researchers, and artists for creating innovative recordings, performances, and installations.”

BRDG is an audio/visual project of +MUS, an electronic music label that arose from the Tokyo Max Users Group, a grassroots network of artists and geeks whose aim is to share techniques, disseminate information and hold events centered around Max/MSP/Jitter.

This, the fourth/latest release of BRDG is a collaboration between the Kobe based electronica producer hazcauch and VJ/Max-aficionado vokoi. Videos like these can easily devolve into filter overload where tasteful restraint is cast aside in favor of displaying as many ‘cool fx’ as possible. vokoi avoids this trap by letting the emotional cues in the music dictate the intensity so when it’s dialed back (at 1:17, for instance) it primes the pump for the transition to four-on-the-floor (at 1:50) and the eventual return of the break beats (2:22).

So yeah, get those headphones out, crank the volume and get this loaded full-screen. Enjoy!

[ [BRDG004] hazcauch × vokoi ]

Sync

“The film is based on the idea that there is an underlying unchanging synchronisation at the centre of everything; a sync that was decided at the very beginning of time. Everything follows from it, everything is ruled by it: all time, all physics, all life. And all animation.”Max Hattler

WARNING: There’s some serious flickering up ons so if you’re prone to seizures or don’t like flashing stuff I’d recommend not clicking play.

Come, let’s all join hands and get lost in the wormhole together: prepare yourself for nine minutes of some truly zone-out psychedelia courtesy of the talented Max Hattler. Full screen, headphones and a dark, quiet room are essential for a proper viewing; I don’t think the aforementioned will be enough to truly replicate seeing Sync as an installation, but you should try your best to emulate the ambiance.

Click here to read more about Sync and be sure to send some positive cosmic vibes towards Sam Lillard who submitted this to our electron harvesting array less than 24 hours after Max originally posted it to his Vimeo account.

Moar Max Hattler on The Tripatorium™: 1923 (Heaven)

[ Sync (by Max Hattler) ]

Parallel Universe

© Uno Moralez

I stumbled on this image last week and immediately assumed it was by Uno Moralez. I headed over to his site/Tumblr/LJ to see if he had recently uploaded new work but I couldn’t find this particular image anywhere. I hit up the Googs’ next and still couldn’t track down a proper URL. So for now, I’m just gonna assume Uno made it and direct your attention to his website. If anyone knows definitively where/who this came from drop us a line and we’ll update the post ASAP (see below). I had to do a bit of cropping to fit within the constraints of the site so click here for the full business.

Moar Uno Moralez on The Tripatorium™.

UPDATE 2011/10/09: A big thanks to Charlotte who sent us the link to this image’s original home on Uno’s LJ.

[ supernature! ]

Brothersport

“I know it sucks that daddy’s dumb
But try to think of what you want;
You got to open up your,
open up your, open up your throat.”

Animal Collective tunes have a frenetic, driving, psychedelic energy to them that, more often than not, obscures all but a few snippets of the lyrics. I get the impression that there’s lots they’re trying to say at once and things get a bit jumbled in the delivery. This isn’t a bad thing though, sometimes a little bit of manic adds to the proceedings.

That being said, those four lines I shared at the top of the post cut right through the noise and deliver all the meaning you need. Sure, you could read the full lyrics to get the entire meat of the narrative, but the above verse summarizes it perfectly. For better or worse us humans have evolved to be perpetually dissatisfied with the culture that we’re born into. We want to change it, alter it, rework what we say and how we say it. But changing takes courage and mustering the courage to find your voice is some hard, torturous shit. The (currently) second highest rated comment on this video’s YouTube page is from ChrisKo692 who said, ‘they should show this shit on Nick JR’

True.

Jack Kubizne (with help from Chris Beegle) directed the visuals with Skaught Newcomb and Joseph Pollack contributing the excellent alien/creature animations. Lots of other talented folks were involved in pulling this music video together so hit up the info box here to get a full credit listing.

A big thanks goes to Sam Lillard, one of our most prolific contributors, who sent this in for our perusal. Cheers, Sam!

One more thing: if you’re a fan of Animal Collective definitely don’t miss the excellent video Ori Toor did for Lion in a Coma. It’s pretty rad.

[ Animal Collective - Brothersport ]

Why aren’t you watching Community?

I spent a fair bit of time mulling over the title of this post. It’s like, maybe you’re already a fan, right? In the end I figured you wouldn’t mind as, if you do watch the show, you probably fucking love it and want other people to watch it, too.

(Quick aside: I’m not being paid to write about Community; I honestly and truly love it.)

I’ve run the numbers and, if you’re a fan of this site I’m fairly certain Community is squarely up your alley. I mentioned the show during the holidays last year – they created a pitch-perfect Rankin/Bass style Claymation episode – and, now that Season 3 is underway, I figured it was worth bringing up again. This is television that is worth your time, it’s a breath of non-derivative fresh air. There’s a creative feedback loop going on between all the involved parties (writers/cast/art-direction/design) that continually produces triple-distilled doses of potent, grain-alcohol-strength intoxicating entertainment. Community routinely delivers something that has (sadly) become a rarity: episodes that hold-up in the vacuum of the half-hour time slot while simultaneously advancing season-spanning, complex, satisfying and believable narratives. Plus, it’s often wonderfully bizarre in unique, unexpected ways so when Thursday night rolls around I’m often giddy wondering what’s going to happen next at Greendale. The attached is a great example of that.

I tend to be an annoying tee-vee purist who will tell you that it ruins the watching experience to start a new series with anything other than Episode 1, Season 1. And, hey, if you’ve got access to the discs/streams then by all means go ahead and have at it. But, if you don’t, no worries: turn down the lights and click play, you won’t be disappointed.

[ Geography of Global Conflict ]

Spacious Thoughts

Sam and Ze‘s idea was to bring people from different worlds together through their shared inspiration and love of music. Thus N.A.S.A. was born, with unlikely collaborations like Ol’ Dirty Bastard, Karen O, and Fatlip on one track, George Clinton and Chali 2na on another, as well as Tom Waits and Kool Keith on yet another.”

One of our regular readers, Tate, wrote in and suggested we check out N.A.S.A., a Gorillaz-esque collaborative music project founded by Squeak E. Clean and DJ Zegon that spans coasts and continents – hence N.A.S.A (North America South America – involving loads of talented folks. The attached video taps the talent of legendary MC Kool Keith (whose releases as Dr. Octagon are personal favorites of mine) and Tom Waits whose gravelly tones compliment the rhymes and beats rather well. Oh, and video is dope too!

The team at Fluorescent Hill did a fantastic job with the creative direction/visuals, especially Mark Lomond, Johanne Ste-Marie and Jacques Khouri whose animation talents shine. Full screen and headphones are a must for this one. Strap in, mellow out and enjoy! Thanks for the heads-up, Tate! Cheers!

[ N.A.S.A. "Spacious Thoughts" (feat. Tom Waits & Kool Keith) ]

Neomorphus

A generous helping of bizarre courtesy of Animatorio‘s stop-motion wizardry. It’s very Burton-esque and just the thing to get you into the Halloween spirit. Enjoy!

P.S. Click here for a behind the scenes look into how Neomorphus was created.

[ Neomorphus ]