Posts tagged 'Trippy'

Wishery

The first rave I ever went to was in Harrisburg Pennsylvania circa 1999. It was a memorable evening overall but a single moment stands out: at one point I overheard someone say that a particular song ‘blissed them out.” I dunno, just a nice play on words. Anyways, whenever I hear Nick Bertke (a.k.a. Pogo’s) movie remixes I ‘bliss out’. They’re so nice.

We had posted ‘Alice’ before – which is great – but this one, constructed entirely with samples from Snow White, is a bit special in that it utilizes high-def rips from digital rescans of the original film. It’s gorgeous; there’s loads of warm, hand drawn detail in those cells which we’ve never had an opportunity to see in such fidelity before. Bonus.

As always, Nick’s music is available for name-your-price. Remember: when you support stuff you love, more stuff that you love gets made. Cheers!

[ Wishery (Snow White Remix) ]

In The Middle

I first watched this last night on my laptop and was instantly smitten. My initial assessment was that it was akin to looking through the windshield during a drive-thru car wash within What Dreams May Come. It’s an orgy of sloshing, intermingled color that’s constantly changing costume from a myriad wardrobe of morphing textures.  Anyways, after watching it on the laptop I was curious to see what it would be like on the big screen, so I hooked it up to my HDTV and took a seat on a comfy chair about fifteen feet away.

Whoa man.

I highly recommend you do the same and, if you don’t have a large screen available, just take a few giant steps back from whatever device your watching this on; it’s not so much about the size of the screen but your distance from it that’s important. When you do a whole host of imagery will present itself: people, landscapes, things; all fleeting but instantly recognizable. It functions similarly to Chuck Close‘s post-seizure paintings: up close they appear as a grid of imprecise, crudely rendered orbs and splotches while, at a distance, a psychedelic proportional face starts coming into view.

The attached was created by Morgan Beringer as part of a two-video set (the other one is equally hypnotizing and abstract so don’t hesitate to give it a watch) for Matthew Dear‘s recent release on Ghostly International, a label I whole-heartedly recommend you keep an eye on. Their track-record of top-quality releases (with videos to match) is a clear indicator that what they’re doing over there is special. Have you seen Brokendate? Also from Ghostly, also rad.

If you’re diggin’ this then be sure to check out Amalgamation, too.

[ Matthew Dear - "In The Middle (I Met You There) [ft. Jonny Pierce of The Drums]" ]

Weird Fishes

I was sick recently – the flu, I think – and the fever dreams that gripped me as I tossed and turned during my first attempt at sleep were truly bizarre. I would describe them as neither pleasant nor nightmarish but simply visions; strange, poignant and fleeting glimpses into another world. They were rooted in reality but wholly separate from it; vague narratives populated by people, concepts and places that I knew but presented in an entirely new context, overflowing with cryptic, I-can-almost-grasp-it-but-not-really messages.

The attached reminds me of those sweat-soaked, unsettling hallucinations so I thought it was only fitting to share it here on my webzone.

It was created by Tobias Stretch – who we’ve featured before – as an unofficial music video for a little group called Radiohead (have you heard of them?) whose tunes, for me at least, are always a bit perplexing so the pairing is just right. Enjoy the ride!

Cheers for sending this one in, Kelsey Guerra!

[ Weird Fishes by Radiohead ]

On’n'on

Oh shit, son!

OK, first off: NSFW WARNING! Boobies ahoy! And secondly: NEW JUSTICE!

The ON’N'ON EP is set to drop at the end of the month (pre-order here) and the fine purveyors of dope at Ed Banger Records were cool enough to fund this fantastic music video to promote the release. It’s directed by the super-talented Alex Courtes whom, you might recall, was one-half of Alex & Martin, the duo that won the best Short Form Music Video Grammy in 2005 for their fine work on Vertigo. Though they’ve since parted ways, I am happy to report that it hasn’t negatively affected Alex’s instinctual knack for creating radness. Oh, and DIVISION was hired to assist on production and they brought the same A-game talent that made No Brain shine.

I’m rather partial to journeys down the wormhole and this one is a non-stop-center-zoom ride from start-to-finish. It’s gorgeous; the perfect accompaniment to your Friday night sesh. Strap-in, crank the volume and get them HD bits loading full-screen, dawg. Enjoy!

A huge, massive thanks to Brent Burtoft for sending this one our way. We are in your debt, sir – cheers!

Related Radness: In addition to the aforementioned No Brain be sure to check out Civilization, also by Justice, and Baby I’m Yours, a deliciously catchy tune with some candy-colorful-bright watercolor visuals. Enjoy your weekend!

[ Justice - ON'N'ON ]

The Doldrums

Cheers to R.E. for sending us this fun, zone-out-retro-eye-candy music video created by Plastic Horse to promote Paul White‘s latest album, Rapping With Paul White. You can download The Doldrums as well as a few other choice cuts from the aforementioned release for free by clicking here or, if you’re willing to part with $9, the entire 26 tracks from either bandcamp or iChoons. Enjoy!

[ Paul White - The Doldrums [Animated Video] ]

Two Against One

“I get the feeling that it’s two against one.
I’m already fighting me, so what’s another one?”

The first suggestion to check out the attached came from Dave Hughes (of Off The Air fame) back on January 9th with the second ping, from Hartwell Millett, hitting our inbox just a few days later. Another 48 hours passed and then Zak Standel wrote in with the message, “how about you watch it and then write why its cool on the main page.”

OKLOL

The roster of talent on this one is deep. On the music side of things you’ve got a choice cut from Danger Mouse & Daniele Luppi‘s latest project, Rome, with a guest appearance from Jack White (NICE). The trippy, bizarre and dark visuals are provided by the tag team duo of Chris Milk and Anthony Francisco Schepperd who we’ve both featured before: Chris directed the exquisitely bizarre Who’s Gonna Save My Soul? for Gnarls Barkley and Anthony helmed two of our all time favorites, Wail to God and The Music Scene.

Jack’s dark, ominous delivery is caramel-smooth which, as it effortlessly intermingles with the warm, cinematic and slow-plodding production, sets an emotional tone that gets further accentuated by Anthony’s signature forever-morphing animation style and Chris’ acerbic tendencies to push the bizarre. It’s not very long – only two minutes and change – but it doesn’t feel that way which, in this case at least, is a good thing. Headphones on, volume up, full-screen HD and, above all else, get comfortable: the forecast calls for multiple viewings.

A big thanks to everyone who wrote in! Cheers!

[ Rome - Two Against One ]

Lost in Tokyo

Jamie Blackley wrote in suggesting we check out this gorgeous video Mark Bramley edited together from 10,000 stills and some handheld footage he shot during a recent trip to Tokyo where he had two days to himself (jelly!). It’s rad from start-to-finish but we especially enjoyed the mass-transit wormhole (0:36), Gumby slidin’ (1:13), elevator pong-paddles (2:00) and the landing strip time-lapse (2:31). If you’re digging the backing tune – Parametaphoriquement by GMZ – go ahead and download it for (legal) freesies as it’s CC licensed on ccMixter.

Jamie also mentioned that it’s reminiscent of Shinkansen ver.2. We agree. Watch that shit if you haven’t already. Oh and Tokyo Slo-Mode, too; also good. Fuck it: just check out all the stuff we’ve posted about Japan, OK?

Thanks for the tip on this one, Jamie! Cheers!

[ Lost in Tokyo ]

Sometimes The Stars

“Here I am confessing: you’re lost to me now.
I’m on a train telling strangers, about you;
How you’re still looking fine, how you ease my lonely mind;
Long summers and wine:  yeah, you saved me.”

Luke Jurevicius, Ari Gibson, Jason Pammet and Shane Devries collaborated together on this quiet, contemplative music video for The Audreys, a five-piece blues/roots band from Adelaide.  We’ve featured two of Ari and Jason’s collaborations previously and it’s great to see their how their unique stylistic approach was informed by Luke and Shane’s exquisite and surreal initial concept art. If you’re curious to learn more about how it all came together, click here. Enjoy!

[ Sometimes The Stars ]

Fox Retro

We’re loving this rad promo PUNGA did for FOX Retro, an Italian-only network that rebroadcasts classic American television. The tight, fluid animation with its seamless transitions from 2D to 3D (and back again) are a real treat to watch and the accompanying music/sound design by Daniele Carmosino perfectly compliments the visuals. It takes lots of talented folks to pull off something this polished, click here to see a complete credit listing. Enjoy!

[ Fox Retro ]

Change

“How will I ever change, if I am willing to just stay the same?
And if I make a change when will it feel like I’m not just the same?”

Yes, please. Mellow dub grooves of CHLLNGR? Check. Operatic psychedelia-laced abstract sci-fi fantasy visuals (as directed by Chad Turner and Ryan Todd) that leave a pleasing 2001-esque aftertaste on one’s spiritual palette? Check. Turn down the lights, load the bits full screen, turn up the volume and get comfortable; I watched this three times in rapid succession and odds are you might, too.

Special mentions are due to Mike Rodriguez, Efrain Luna and Laura Southard who, along with Chad, did a fantastic job on the animation: top-flight work, y’all.

[ CHLLNGR - Change ]

Merry Christmas!

Merry Christmas, friends! I first saw this very-apt-for-the-site bit of animation on December 27th of last year and have been saving it ever since to share with all of you today. It’s from a series of five short idents created by Matt Layzell, Bishoy Gendi, Michael Gendi, Jonathan Harris and Daniel Boyle of Treat Studios for E4, “to surprise people with something really anti-christmas, and transform something boring into something amazing.” All of them are fantastically bizarre and definitely worth a watch:

Oh, and a big thanks to both Harry Peppit and Sam Lillard who sent these our way via our suggestion box and Facebook wall this past September. Cheers, guys!

[ Reindeer ]

Dan Dan

Whoa. The needles on our patent-pending Dope Meters™ were pinned deep in the red for the entire duration of this fantastic music video for Misteur Valaire as directed/created by Corentin Bachelet, Gilles Cortella, Augustin Clermont, Adrien Jalade and Juliette Grandjonc, a.k.a. Paf Paf, a group of independent French CGI designers. Full screen and headphones, dawg; this one deserves your undivided attention.

Wait, it gets better: Misteur Valaire’s complete discography is available for whatever you feel like paying. So, you know, grab some spare change out of the cushions of your couch and pick up some great ‘choons. Enjoy!

[ MV (Misteur Valaire) - DAN DAN (Création collective) ]

Accumulonimbus

“Natural and man-made objects on a spin cycle accumulate, disintegrate, and multiply. Created by stop motion animating clay on glass, the film is a meditation on motion and the life cycle of matter.”

Some very nice abstract, morphing stop-motion animation and sound design from the talented Andy Kennedy. If you’re interested in seeing how he put everything together then be sure to check out the making-of page on his website. It’s populated with lots of broken images but the process videos and text still load properly though so it’s definitely worth checking out.

[ Accumulonimbus ]

Pelican

“To have it all, to have it all, to have it all, and still want more;
One thing’s for sure, one thing’s for sure, one thing’s for sure, we’re all getting older.
So we take a lover, so we take a lover, so we take a lover, waitin’ in the corner,
And before you know it, before you know it, before you know we’re pushing up the daisies.”

David Wilson Creative is teeming with talent. Their music videos are consistently top-notch and this one, a trippy, bisected journey through the wormhole of life – from birth to death and then back again – for The Maccabees, is no exception.

They also uploaded a super-rad making-of video that’s full of fascinating tidbits – like how it was shot entirely in one day (!!!) – as well as insight into their tools, process and inspiration. This quote, from David himself, shows how intentionally he approached each detail of the execution, “What was really important in terms of the edit…was essentially the percussive nature of the track. There’s lots of really nice accents and I really wanted to accentuate that…so we spent a lot of time finessing and working on the objects pulling apart to really make an impact on both the guitar parts and the drums throughout”.

Click here to see more David Wilson Creative work that we’ve posted to the site (Our favorite? Zero hesitation: Let Go) or here to check out their Vimeo account, a treasure trove or rad watchables. Their in-progress Advent series is especially nice. Enjoy!

[ The Maccabees - Pelican via Gizmodo ]

Bronte

“Now your bowl is empty and your feet are cold,
And your body cannot stop rocking.
I know…it hurts to let go.

This one’s a bit melancholy but, don’t despair, it’s also sweet and poignant so the net outcome skews towards reflection, not sadness. Ari Gibson channels a Miyazaki-esque vibe in this music video for Gotye that does a terrific job of exploring the weird, heady gumbo of new (often times conflicting) emotions and experiences that define our transition to adulthood. What gets lost as we grow up? Can we get it back?

The synergy between the visuals and the music is fantastic so make sure HD (available in both 720 and 1080p) is selected and the headphones are on. Enjoy! Oh, and Ari also directed The Cat Piano, an excellent short film we posted back in June so I’d recommend giving that a watch next.

[ Gotye- Bronte- official film clip (HD) via iamdonald ]

Optimist

Michael Chichi, the man at the chewy center of Synaptic Stimuli, made this psychedelic kaleidoscope remix of Optimist, a film by Brian Thomson that was shot at Sri Sri Radha Krishna Temple‘s annual Festival of Colors. It’s three-and-a-half minutes of floating mellow vibes buoyed by the ambient, dreamy sounds of Tycho. Enjoy the colors, y’all.

Click here to continue the chill.

[ Optimist (Collidescopic redux/remix) ]

Scale It Back

“To memorize a pack of cards I create a story in my head where each image represents a pair of cards.”

Accountant Ben Pridmore is the 2004/2008/2009 world champion in memory sport, a relatively new way in which primates compete to see who can memorize (and recite back accurately) the most information. He utilizes, among other techniques, visual thinking which leverages, “the part of the brain that is emotional and creative to organize information in an intuitive and simultaneous way.” It’s another example of how our brains are incredibly malleable abstract reasoning machines, capable of iterative self-reconfiguration to better solve complex problems.

This music video by Ewan Jones Morris & Casey Raymond depicts one bizarre narrative that Mr. Pridmore developed for memorizing a deck of cards and it’s fascinating peek inside his award-winning grey matter. The choon is dope, too; DJ Shadow is one of my all-time favorites. Preemptive Strike was frequently spinning inside my Discman at college, the perfect companion for long walks across campus and all-night paper-writing sessions. I whole-heartedly recommend you check it out.

[ DJ Shadow "Scale It Back" ]

Supernatural

Gabriel Rud wrote in with some monochromatic, twitchy, morphing visuals he created for Argentine composer, Daniel Melero. It’s as if you’re peering into an electron microscope, witnessing the birth of some strange new organism.

[ Supernatural - Daniel Melero (2011) ]

Dock Ellis & The LSD No-No

“It was easier to pitch with the LSD because I was so used to medicating myself. That’s the way I was dealing with the fear of failure; the fear of losing, the fear of winning; it was just part of the game. You know, you get to the major leagues and you say, ‘I got to stay here, what do I need?’”

The story of Doc Ellis’ June 12, 1970 no-hitter is so out-there and unbelievably ridiculous that you might mistake it for apocrypha if the entire incident wasn’t widely witnessed and documented. All the cold, factual particulars can be unearthed, in part, by following that last hyperlink but I think it’s far more compelling to hear the story in Doc’s own words accompanied by James Blagden‘s excellent illustrations. Enjoy!

[ No Mas Presents: Dock Ellis & The LSD No-No by James Blagden ]

The Shrine / An Argument

How was everyone’s Thanksgiving? Mine was fantastic. I’ve been holding off on watching anything Christmas related until today but wanted to share the latest from cut-paper-stop-motion-specialist Sean Pecknold before I dive head-first into some of my favorite movies. We first featured Sean’s work back in June and this, like the former, is another stunning music video for Fleet Foxes. The partnership between Mr. Pecknold’s visual style and the Foxes’ unique sound makes sense – both exude a rare heady blend of warmth, earnestness and mystery – and this time around the abstract geometry has been swapped for a spiritual/nature narrative that deftly holds your attention for a full eight-and-a-half minutes. Full-screen and headphones are a must for this one. Enjoy!

P.S. I checked our suggestion box right as I was about to post this and was pleased to discover that Luke Beaton had recently written in, recommending we check it out. Thanks, Luke!

[ The Shrine / An Argument ]