Posts tagged 'Trippy'

Waiting Room

Trippy, mane.

Jake Fried creates his unique style of bizarre, constantly evolving animation by hand using only ink and wite-out. Once you’re done watching this, head over to his website to see more.

Cheers to Sam Lillard for the heads-up.

[ Waiting Room ]

Sub Wars

File under: LOLWAT

Absolutely diggin’ this bizarre, hyper-violent animated short by Chinese director/animator/illustrator SeanSoong. Enjoy!

[ 地铁大逃杀 - SUB WARS ]

The Rifle’s Spiral

“Good night to these wretched forms; all them gray eyes on the subway.
So long before you were born you were always to be a dagger floating…
...straight to their heart.”

Jamie Caliri conjures up an ethereal, bizarre and magical gumbo of visuals (with stylistic nods to Edward Gorey and Tim Burton) in this excellent stop motion music video for The Shins. It’s a treat friends, don’t hesitate to dive in.

A big thanks goes to Benjamin for sending this our way…cheers!

[ The Shins - The Rifle's Spiral ]

Crossover

I found this little gem by Fabian Grodde while perusing the Vimeo Festival Awards picks for 2011. I’ll leave the flowery prose to a minimum; it’d be a crime to spoil the surprise. However, I should probably mention that you need to grab your headphones as the music/sound-design by Alexander Binder and Johann Niegl is top-flight. Enjoy!

P.S. Go vote! Below is a list of all the videos currently in the running that we’ve posted to the site, organized by the category they are nominated in. To show your support, click the link next to the category name and it’ll take you to the appropriate voting page…you should be able to figure it out from there.

Music Videos (vote link):

Animation (vote link):

Motion Graphics (vote link):

Lyrical (vote link):

[ Crossover ]

Perpetual Ocean

“This visualization shows ocean surface currents around the world during the period from June 2005 through December 2007. The visualization does not include a narration or annotations; the goal was to use ocean flow data to create a simple, visceral experience…read more on nasa.gov

Know what’s a bummer? Military spending is on the rise while NASA funding has been on a steady decline since 1992. A big thanks is due to Erica for sending this in to remind us that they’re still doing great things and our boy Neil for some much needed perspective.

Click here to see moar NASA radness on The Tripatorium™.

[ Perpetual Ocean by NASA ]

iv.10

About three weeks ago Scott Benson tweeted about an apparent segment of the population that thinks animation used to be better then. Wait, did I just link to a tweet? I think I can swing a copy/paste of 140 characters for proper context: “Those who claim that modern animation doesn’t match up to an earlier period aren’t on the internet. It’s the best era of the medium NOW.”

I get what he’s saying – and honestly, I agree – but these are just subjective opinions based on our personal preferences. I’m one of those annoying assholes who, when someone says something is ‘better’, quickly attaches an unsolicited ‘for you’ suffix to their statement. It’s a knee-jerk response conditioned by years of being told the stuff I liked was somehow inferior. Like, for instance, finding out that the particular genre of music I instinctually enjoyed was ‘gay’.

But I like it, isn’t that the whole idea?

I’ve noticed that when the creative efforts of the present are derided it’s because, in the eyes of the ‘haters’, modernization has somehow ruined a sacred process that didn’t need fixing in the first place. In terms of animation, I think there’s something magical about a huge team of people collaborating together to render each cell by hand, nary a computer in site. Certainly the barriers to entry with a process like this (an ability to draw well and a near unlimited supply of patience etc.) tends to keep out the casual riffraff. But this kind of leave-it-to-the-experts, country club, gated-community/ivory tower mentality to creativity is just the un-evolved primate, fear-of-death-and-the-future part of their brains talking. Just go out and make shit; pay their chest-beating no mind.

We’re living in an age when someone like beeple can, with the help of a microprocessor and a generous swath of free time, create his own distinct flavor of audio/visual experience (like the attached) without having to compromise with bean-counters, standards and practices or really anyone for that matter…all from the comfort of home. When else in the past would someone fund a bizarre little film like this? With it’s quirky soundtrack and abstract visual accompaniment where each-and-every blip and beat has its peculiar, candy-colored visual equivalent.

We are in the age where anyone can make what they want and get it out there for virtually nothing. That’s the dream, right? Fuck yes; what a wonderful time to be alive.

Wired has a great write-up on IV.10 which is definitely worth checking out, as is the other beeple stuff we’ve posted; it’s all worth your time. Also, the aforementioned Scott Benson’s The Murf is fan-fucking-tastic; if you haven’t seen it yet don’t hesitate to click that last hyperlink.

Cheers to Sam Lillard and Santi Adams for sending this one our way. Thanks!

[ IV.10 ]

Changing The Rain

Just a heads-up: you might not be able to watch the video here (if you can’t then click here). Why? VEVO. My disdain for the service is well documented but I’ve softened a bit and think a personal grudge towards a distribution model (with an unnecessarily shitty user experience) is a poor reason to not share these tasty bits with y’all. Plus, if MADE ever uploads a HD version to their Vimeo account I’ll just update the post. You dig?

Anywho, this shit is doooooooope; a glorious four-and-a-half minute technicolor psychedelic romp down geometric wormholes, past kaleidoscopic alien abductions and into the mouth of God. Full 1080p too, so get this shit full screen.

Pete Fowler directed this one and, if you’re not familiar with his work, I recommend you head over to his Flickr account immediately; his bold graphic style is a treat. Oh, and if The Horrors intoxicating blend of starry-eyed, psychedelic, rambling synth-drenched rock is your thing I recommend you check out Skying for lots more of the same. It’s the kind of album you’d want on a road trip; it’s cinematic but contemplative, bright and big but a bit lazy, too. It’s all rather nice really and easily worth the ten bucks.

A HUUUUGE thanks is due to Naz for sending this one our way…cheers!

[ The Horrors - Changing The Rain ]

Cerulean

Yes please.

OK: headphones-on, lights-down, full-screen and volume way-the-fuck-up. Today’s heady dose of deep, dubby, synth-drenched, head-down tech-house goodness is generously provided by the always-right-on Simian Mobile Disco. It’s a tune from their upcoming album Unpatterns which, for me at least, will be an instant purchase when it’s released in a few weeks on April 15th. If you’d prefer a physical copy of your music – in spite of the fact that we’re firmly in the age of instantly-transmittable bits – you can pre-order it on vinyl or a CD right now via the Wichita Recordings website.

It’s not just the music that’s top-notch but the just-under seven minutes of tastefully restrained, simple, tight, geometric, sometimes-in-sync-and-sometimes-ambling visuals (as created by long-time Simian-collaborators Jack Featherstone and Will Samuel of London-based ISO), too.

We love shit like this, Jordan – thanks so much for sending it our way. Cheers!

[ Simian Mobile Disco - Cerulean ]

Childhood of a Circle

“Archibald lived in harmony with the surrounding world. Sometimes, after lunch, he would stroll along with a herd of mushrooms…”

I have a distinct memory of watching The Red Balloon in kindergarten. My overall recollection of the event is warped and faded but certain moments are forever burned into my mind. Strangely enough, all of them have nothing to do with the film itself: watching the reel-to-reel projector as it was wheeled in, perched heavily atop a sturdy steel cart with squeaking castors, its bottom shelf empty save for a large metal disc of tightly wound 8mm; the flurry of satisfying clicks and snaps each part on the projector made as my teacher deftly manipulated them into place; the lazy way the bulb brightened and the gentle warmth it radiated, the steady hum of the cooling fan and the slotted shadows its vents cast on the ceiling.

I’ve found that the electricity of a memory varies greatly depending on how old you are and grade school, for me at least, was a time when any new experience would surge through my brain like alternating current.

I felt so calm; so fine-with-everything as it played. It was nice; I wanted to stay there forever. The attached film, by French graphic designer/filmmaker/musician Kadavre Exquis, evoked a similar reaction; the richly textured, meandering landscapes and simple innocence of the characters made me want to melt through the screen for an aimless stroll. It’s warm and peaceful and colorful and chill and, well, lots of things really. The story is nice but it’s over too soon; I watched it four times in quick succession in a failed attempt to prolong the experience. That being said, I was happy to discover that there’s an original soundtrack to Childhood of a Circle that is orders of magnitude longer. You can listen to the entire thing gratis on Kadavre’s website or get the bits to go for a very-reasonable ten bucks.

There’s lots of strange, enigmatic intangibles in his work that I’m drawn to and it’s been fun taking time to tumble down the rabbit hole in an attempt to unravel them. Needless to say, I’m excited to see what Monsieur Exquis will make next.

Oh yeah: full-screen and headphones for this one, y’all. Enjoy!

[ Childhood of a Circle ]

The Bizarre World of Paul Robertson

'vanillgirls' by Paul Robertson (http://probertson.tumblr.com/post/5575236181/vanillgirls)
'vanillgirls' by Paul Robertson (http://probertson.tumblr.com/post/5575236181/vanillgirls)'Universe Party' by Paul Robertson (http://probertson.tumblr.com/post/8466436209/universe-party)'Airbrushed (Single) Cover' for Anamanaguchi by Paul Robertson (http://anamanaguchi.com/singles/)'head cunt dick beam (+cats)' by Paul Robertson (http://probertson.tumblr.com/post/13306366923/head-cunt-dick-beam-cats)`Custer's Revenge` by Paul Robertson (http://probertson.tumblr.com/post/8938531304/super-i-am-8-bit-pics)`oh my god eater` by Paul Robertson (http://probertson.tumblr.com/post/4732733703/oh-my-god-eater)

I’ve found it’s always worth-my-while to periodically check in on Paul Robertson. My latest visit to his tumblr yielded a heady crop of candy-colored, bizarre and dark pixel art that I’ve collected here for you to peruse at your leisure. I was also pleased to discover he recently contributed some art/animations to Wizorb, a Breakout-meets-Zelda game by Tribute that’s available on Windows, Linux, OSX and the 360. After parting with the very-reasonable three-dollar asking price I spent a handful of hours combating evil in Gorudo and am happy to report it was worth every penny. In addition to Paul’s always-excellent pixel art, Wizorb‘s wonderful, nostalgia-activating soundtrack and just-right difficulty progression keeps a firm-but-friendly grip on your attention. So yeah, pick that shit up if you’re looking for something to fun to play; you can’t beat the price.

[ Paul Robertson ]

Metamorphosis

“What you will see is an entirely fictional and completely unendorsed representation. [Though we humbly suggest Hunter S Thompson might have liked it.] We are devoted fans paying homage. No disrespect is intended.”

We usually don’t post ads but, then again, most ads aren’t as Gonzo-fantastic as this. It was conceived by String Theory and expertly-executed at Buck for Good Books, a unique service with a great mission: “Every time anyone buys a book through the Good Books website, 100% of the retail profit from every sale goes to support communities in need through Oxfam projects. As a result, charitable donation is built into an everyday activity at no extra cost. No one at Good Books is paid and we have zero operating costs. All time, professional services and resources are donated.” The visuals are top-notch and the narration is spot-on…enjoy!

A big thanks is due to Dan Allen for sending this our way! Cheers!

[ Good Books - Metamorphosis ]

Solipsist

For the past few weeks I’ve been moving all my stuff from one place to another and, just days ago, finally procured internet in my new home. I still had access to the hive-mind via my phone but the lack of a physical keyboard and suitably sized screen during my leisure hours made keeping the site up-to-date a bit difficult. I’m kind of paranoid about not making all of you happy. I want to make you happy – no, I need to, desperately so. This is a fools errand I know, but there are forces at play beyond my control.  The imperative to continually deliver fresh internets to you all is so ground into my psyche that any choice my consciousness might have had in the matter has long since desiccated into a dusty, shriveled husk that bares no resemblance to its former autonomy.

My obsession lies not in collecting hits, likes or followers but in generating a more difficult to quantify resource: genuine affection. I want you to like coming here. I want you to be pleased to see I have updated. I want you to come back. Why? I dunno. If I did the preceding paragraphs wouldn’t be descriptions of my damage but an excerpt from my manifesto and, since I don’t have one of those, it’s best if we press on.

Unless I’m missing something I think my motivations are, at their core, fairly simple: finding something that is awesome is, in fact, awesome. And sharing that awesome thing with others, sans any ulterior, self-serving motive is even awesomer. I like awesome. I crave it. I need that shit, man. Ergo, this website.

Wait, what the fuck are we talking about? Oh yeah.

So I come back from my little hiatus and see a whole bunch of great suggestions. It appears you guys like awesome shit, too! And you like the awesomer act of sharing it with others. This is nothing new to me but I like being reminded of it all the same. It just feels good. Genuinely good. You know, that super-warm feeling that inexplicably rises through your chest but evaporates the moment it’s consciously acknowledged? That.

It was brief and moving and authentic and great so thanks, bros and bro-ettes.

The suggestion bin was packed with it’s usual random succotash of trippy ephemera but there were seven suggestions for one video in particular and, as I’m sure you’ve guessed by now, it’s the one attached to the top of this post.

Holy shit, it’s so good. It’s like a narration-less David Attenborough style documentary that looks as if it was filmed on the same planet that Wanderlust is from.

In creating SOLIPSIST, Andrew Huang struck a near-perfect balance between two approaches that are often at-odds: the nearly-impossible-to-duplicate-otherwise tactility of shot footage with the absolute-control wacked-out-ness that computer generated imagery affords. I think you’d agree that he’s straddled this fickle, narrow fence with a deftness that must make other directors jealous. Or, in the parlance of today’s youth, Mr. Huang’s got his swag on.

The making-of for this one is can’t-miss-fascinating so, once you’re done watching the film, make sure you give it a watch.

Massive thanks are due to Cosmo, Sarah, Hess, Diego Martintereso, zak standel, Sam Lillard and Garrett for making sure I didn’t miss this one. Word.

If you’ve got anything you’d like me to see, fill out this little form and share the love.

One more thing! If you haven’t seen Wanderlust yet, I recommend you do that next. Cheers!

[ SOLIPSIST ]

Rush Hour Traffic

“Take a sweet, gut-it-stuff-it then we puff it…”

Joey Garfield, one of the many talented directors at Ghost Robot, tapped Elliot Lim, Jason Esser, Aaron Kemnitzer and Nate Costa to create these über-dope visuals for some super-chill tunes by The Cool Kids.

It’s good times all the way around so sit back, relax and enjoy the colors.

[ Cool Kids "Rush Hour Traffic" ]

SyncBody

Lights down, full-screen and the volume way up. Strap in and enjoy the latest (seventh) installment in the excellent BRDG series from +MUS.

Choons by Yaporigami; visuals by Daihei Shibata + Hiroshi Sato.

[ [BRDG007] PLMS_IV_D (SyncBody) ]

Easy Way Out

“Seventeen seconds and I’m over it, ready for the disconnect;
Putting on a brave face, trying not to listen to the voices in the back of my head.”

Have you guys seen Midnight in Paris yet? I highly recommend you check it out. Anyways, there’s this one scene where Ernest Hemingway is asked to read a book by another writer and he preemptively responds that he hates it, even though he hasn’t read it yet. When asked why he says, “If it’s bad, I’ll hate it. If it’s good, then I’ll be envious and hate it even more. You don’t want the opinion of another writer.”

There’s this weird thing with creative people. We’re inspired to make stuff because we admire stuff other people have made and then, when we finally start to make stuff of our own, some weird deeply-buried insecurities start to rise up and the stuff that used to inspire us now breeds resentment instead.

But that’s just a tendency, not necessarily a rule; every once in a while an artist comes around whose work oozes pure creativity that temporarily severs us from our baser competitive nature, freeing us to relax and truly enjoy what they’ve made. You know, someone like Gotye. Every song he writes sounds completely unique; it’s almost as if he takes a few months off in-between each one to explore a different aisle in some eclectic, well-curated record store.

For example: compare the brooding and contemplative Bronte (which we posted back in December) with the intriguing, subdued, angsty and catchy-as-hell Somebody That I Used to Know (which we’ve been meaning to post) with the Odelay-era Beck dirty-funk-rock of Easy Way Out (conveniently attached to the top of the post).

See what I mean? Anywho, all of the aforementioned tunes are off of the infinitely excellent Making Mirrors which you can buy on iTunes and just about everywhere else. The excellent, perfectly timed stop-motion visuals in the video were directed by Darcy Prendergast and executed by lots of other talented folks at Oh Yeah Wow who, you might recall, also created the super-mellow Rippled so be sure to check that out if you haven’t seen it already. Enjoy!

[ Gotye - Easy Way Out - official film clip ]

The Work of Andy Gilmore

'Hemicube (Detail)' by Andy Gilmore (http://crowquills.com/Hemicube)
'Hemicube (Detail)' by Andy Gilmore (http://crowquills.com/Hemicube)'11-21-2011' by Andy Gilmore (http://crowquills.com/11-21-2011)'07-27-2011' by Andy Gilmore (http://crowquills.com/07-27-2011)'Red Shift (Framed)' by Andy Gilmore (http://crowquills.com/Red-Shift)'2-9-2012' by Andy Gilmore (http://crowquills.com/02-09-2012)'12-14-2011' by Andy Gilmore (http://crowquills.com/12-14-2011)

“A master of color and geometric composition, Andy Gilmore’s work is often characterized as kaleidoscopic and hypnotic, though it could just as well be described as visually acoustic, his often complex arrangements referencing the scales and melodies in music…” (more)

I first discovered Andy Gilmore whilst perusing Ghostly’s free-to-download wallpapers page. Even among all the truly top-flight work on display there Andy’s distinct, colorful, geometric and just down-right pleasing images stood out. The Hemicube is currently occupying the base layer of pixels on my Air and a few times already today I’ve employed Exposé to quickly sweep aside any obscuring windows to take in the whole image.

The six images selected here for your perusal were found during a quick once-over of Andy’s massive, seven page archive that houses, at present, one-hundred and fifty four images. So if this didn’t sate your appetite (and why would it?) visit there for a more considered, patient browsing session. Oh, and if you want some that are a suitable size to adorn your desktop just head on over to Ghostly, they’ll take good care of you.

Can I suggest an appropriate auditory accompaniment for your ear drums while your eyes take the colors in? If you’re up for it, give a listen to Get Better John by Mux Mool. I recently picked up his latest album, Planet High School on iTunes and, since then, it’s been in constant rotation through my headphones. Needless to say, I highly recommend you check it out.

[ Andy Gilmore ]

Trichrome Blue

“Other companies may offer you paint, clothes, makeup, or any other range of objects to give you the experience of a color. A red convertible, blue wallpaper, yellow flowers, There are endless products to choose from. But at the end of the day, these are just objects, mere things. Trichrome can give you more…”

From the looks of it, Lois van Baarle intended this to be the first in a series of three films. There hasn’t been any new activity on the project in about two and a half years so I’m assuming she’s moved on. Bummer. The attached is a short, moody and ethereal sci-fi exploration into what types of products and services could soon be available in a future where technology continues to rapidly progress. Enjoy!

In addition to her animation chops Lois is also a fantastic illustrator whose work is definitely worth checking out.

[ Trichrome Blue ]

Eyesdown (Machinedrum Remix)

A line in Resident Advisor‘s recent review of Mux Mool’s Planet High School (on Ghostly) instantly resonated me. Andrew Ryce described the album as, “an anomaly in an overcrowded field of beat music, preferring actual songs over sketches and loops, progression over attention deficit” and, in that one sentence, helped shed some light into my (sometimes) ridiculous tendency to instinctually categorize electronic music as either genius or shit. This type of knee-jerk hyperbole is, on the whole, unhelpful and (embarrassingly) dramatic but it also belies my childlike, underlying passion for the art form and its potential power. Beat-making is getting easier and easier these days but the core challenge remains the same: can you tease warmth and depth from a handful of overlapping loops? More often than not – with legions of producers tripping over each other to mimic Skrillex’s latest ‘drop’ – the answer is a terse and adamant ‘no’. But when it’s ‘yes’? Absolute fucking magic.

One of my favorite producers ever is Bonobo, a one man operation who has an uncanny ability to craft transportive electronic music. I could make my case with some flowery prose but it’d be far more economical to just have you listen to Recurring for the necessary evidence. This, a music video for a remix by Machinedrum of his tune Eyesdown, channels the fluid complexity of the original while ratcheting the mechanical syncopation to eleven.

Enter director/animator extraordinaire Anthony Francisco Schepperd (of The Music Scene, Wail to God and Two Against One fame) who leverages the organic-and-wispy-yet-bass-heavy-robotic intrigue in the tune as an agar plate on which to grow his infectious, signature visual approach. Oh and he crafted it all for Ninja Tune in just under a month. Pro.

The bass on this one is especially nice so get your headphones out. A big thanks is due to Sam Lillard who sent this one our way last night. Cheers!

We’ve posted loads of other fantastic Ninja Tune music videos, click here to see the complete list.

[ Bonobo - EyesDown (Machinedrum Remix 5" Edit) ]

Hurting

“Gotta let this go;
Gotta field tomorrow on my own,
Your touch keeps on hurtin’.”

Back in September we posted a video by David Lewandowski that perfectly encapsulates one of our favorite flavors of internet: the ever elusive LOLWAT, comprised equally of parts silly and strange. We love that shit, bro.

Anyone who’s seen Tron: Legacy knows that David has talents beyond creating the fleetingly bizarre – he crafted the exquisitely rendered opening title sequence – so we were thrilled to discover that he recently directed a music video for Friendly Fires who, besides having a fantastic band name, write some super-catchy ‘choons.

David’s grandiose, hyperbolic visuals mirror and amplify the torturous experience, as described in the song, when an object your affection doesn’t feel the same way about you as you do of them. Love is a strange/alluring/wonderful thing and we’re willing to endure a lot of pain and bullshit for a shot at it.

There’s loads of fantastic visual touches sprinkled throughout, so keep your eyes peeled the whole way through. Serving suggestion: Full-screen HD with the volume way up. Enjoy!

A big thanks to William Doran, who first brought this to our attention two months ago, and to Joe Findlay who wrote us a couple of weeks back to remind us we hadn’t posted it yet. Cheers, guys!

[ Friendly Fires - Hurting ]

Help Your Friends

“When things go wrong, people need help;
lend them a hand, the best you can.
We can help each other out!
Team work is what it’s all about!”

We’re huge fans of Will Sweeney – he’s been an integral part of some of our all-time favorite music videos: The Parachute Ending, The Game and Goin’in – so we were thrilled to discover that he lent his unique visual style to a Yo Gabba Gabba jingle written by DeVotchKa. It’s an excellent way to ingest some sage advice. Enjoy!

Previously: Argyle The Octopus

[ Help Your Friends – Will Sweeney for Yo Gabba Gabba! ]