Posts tagged 'Colorful'

Film Flash

“A promotional video for dublab.com - a non-profit web radio collective from L.A. for their 12th anniversary.”

Our boy Ori lent his signature undulating animation style to this video commissioned by dublab.com to celebrate their twelfth anniversary. Sit back, relax and let Carlos Niño & Miguel Atwood Ferguson‘s In Space Remix of Jay Dee and Illa J‘s Sounds Like Love carry you away with the help of some fantastic, colorful visuals. Enjoy!

[ Dublab.com "Film Flash" ]

The Sun

“Here it comes: the unavoidable sun of what’s just happened,
And what’s been done, and you know I don’t remember a thing;
I don’t remember a thing.

Let’s just get this out of the way now: NSFW Warning! Boobs ahoy! i.e. You probably shouldn’t watch this at your place of employment.

Joel Kefali and Campbell Hooper of Special Problems leveraged the mounting intensity of this tune by The Naked And Famous to create visuals that would mirror its steady, urgent crescendo. It’s crisply shot, abstract, colorful and expertly edited; a treat for the eyes and ears. Enjoy!

A big thanks is due to Mimi Langlois for passing it along. Cheers!

P.S. One of my favorite music videos of all time (of all time!) –  MmmHmm by Flying Lotus – was also directed by Joel and Campbell. If you haven’t seen it yet, do so immediately.

[ The Naked And Famous - The Sun ]

Earth

“Time lapse sequences of photographs taken with a special low-light 4K-camera by the crew of expedition 28 & 29 onboard the International Space Station from August to October, 2011.”

I have a new favorite video on the internet! It’s this one! You should check it out! Holy shit this is so dope; dim the lights, turn the volume way up and full screen this bitch immediately. Michael König took the contemplative, ethereal ambient breaks of the super-talented Jan Jelinek and combined them with high-definition (4K!) low-light time lapses that NASA took recently and were cool enough to give away for free online.

PRO TIP: Keep your eyes peeled for the minuscule thunderstorms and ribboning, neon auroras. Thanks again, internet.

P.S. To see a list of locations for each shot used in the film click here.

[ Earth -Time Lapse View from Space/Fly Over -Nasa, ISS (vid by Michael König @ koenigm.com) ]

The External World

Ann wrote in with a hyperlink to this 57 second long animation that David OReilly (remember ??????) made for Tim & Eric’s Saint’s Row promotional short film, “Professor Genki’s Super Ethical Reality Climax” accompanied by a single sentence, “you could definitely file this under lolwat. Her categorization was dead on and we initialized our patent-pending Post To The Internet™ sequence as we figured it’d be something most of you would enjoy. One of the steps involved in the aforementioned ritual is checking if the artist in question – in this case David – has anything better that should be posted instead. He does!

The masthead of his website reads: ANIMATION, 3D, INTERNET, EPHEMERAL DRIVEL, FLEETING DISTRACTION, NONSENSE, CATS ETC and, according to that rubric, The External World delivers. It’s seventeen minutes of seemingly-disparate-at-first-but-eventually-interconnected infinitely bizarre vignettes. It’s awesome.

I should mention that an HD quicktime of this film is available for download if you’re willing to part with about $5. The purchase has no real value and is essentially ceremonial as The External World is freely available on both Vimeo and the ‘Tubes but, I decided to buy it anyways. Why? Well, for one, supporting art just feels good man. I also want to affirm this type of behavior and do what I can to fund whatever David will create next. Maybe you’ll consider doing it, too? In the meantime: enjoy the weirdness.

[ The External World ]

Machu Picchu Post

Clement Crocq, Margaux Duran-Rival and Nicolas Novali – three former students of Supinfocom Arles – cooked up this little gem as their final graduation project. Do yourself a favor: ensure 1080p is selected and wait patiently until a generous amount of bits load into your random access memory before clicking play; it’d be a shame to get interrupted once shit starts trippin’ balls. I’ll leave it to that…don’t want to spoil the surprise. Enjoy!

Click here to see other fantastic animated shorts by Supinfocom students previously posted on The Tripatorium™.

[ Machu Picchu Post ]

The sculpture of AJ Fosik

'The Shepherd Inevitably Consumes the Flock' by AJ Fosik (http://www.flickr.com/photos/ajfosik/6282201592/in/photostream)
'The Shepherd Inevitably Consumes the Flock' by AJ Fosik (http://www.flickr.com/photos/ajfosik/6282201592/in/photostream)'Transpanthanation' by AJ Fosik
(http://www.flickr.com/photos/ajfosik/5203206512/in/photostream)'In the Teeth of Stupefying Odds' by AJ Fosik
(http://www.flickr.com/photos/ajfosik/5203206512/in/photostream)'The Time & The Way' by AJ Fosik
(http://www.flickr.com/photos/ajfosik/4776104788/in/photostream)'Hammer I miss U' by AJ Fosik'The Third Way Out' by AJ Fosik

“Working three-dimensionally has just always been more satisfying; I’ve always had the urge to build…I find, for me, it’s easier to express my ideas building things; actually making something.”

AJ Fosik creates fantastic, intricately detailed sculptures from wood, paint and nails. There’s not much more to say beyond that; his work speaks for itself. There’s two fantastic videos on the ‘tubes about AJ you should check out:
The first shows him at work – from the initial sketches to the final coat of paint – on the bust that adorns the cover of Mastodon‘s The Hunter. The second, an interview done by kwalitymedia, has AJ describing his motivations, inspirations and overall creative process.

A big thanks to lolo for writing in and introducing us to Mr. Fosik…cheers!

[ AJ Fosik ]

Polarity Song

“Life can be so overrated but you are so entertaining’.
I won’t be manipulated just so I can get on through to your green grass under skies.
There’s no one like you; there’s no time like now…
Embrace the polarity of life and all the good and bad we share.
Engage the mystery of why we are the love in life we live.”

Do you guys remember Synesthesia? It was a super weird/rad little music video we posted back in February filled with food, cats and LOLWAT directed by Terri Timely. If you haven’t seen it yet, go on ahead...we’ll wait patiently until everyone’s ready.

This – Terri’s latest – is a collaboration with knit/crochet/craft/‘soft sculpture’ super-hero, Sarah Applebaum and, like Synesthesia, is suitably far-out. It depicts a hidden world populated by crochet-knit-mummy-wrapped bipeds within a typical thrift store/flea market who abduct dispassionate shoppers as they browse through an assortment of discarded detritus from the late-70s/80s/early-90s. The surface aesthetic could easily be categorized (and summarily dismissed as) ‘hipster kitsch’ and, though I’d concede the assessment, there’s an earnestness there – no doubt helped by the Caleb Pate and Nephi Evans’ lyrics – that squashes any cheap forays into self-indulgent irony. There’s redemption here; from within this impersonal commercial wasteland comes salvation whose identity springs not from aesthetic but from source: it’s the hand-crafted things that provide the creative energy and warmth.

Oh and it’s super-fucking strange, too; we love shit like this. The music is dope as well. Top marks to Seventeen Evergreen for creating original, compelling tunes and to Lucky Number Music for supporting this kind of art. Enjoy!

If you’re into this you might want to check out Lighthouse, too. Just sayin’.

[ Seventeen Evergreen - Polarity Song ]

Countdown

It took two years for Celine Desrumaux to complete this short film – the care and patience invested shines through – and she cites Chris Ware, Hans Richter, Len Lye, Stanley Kubrick, Godfrey Reggio and this iconic speech by John F. Kennedy as her primary sources of inspiration. The visuals are amplified considerably by the haunting, urgent sounds of Apparat, a musician whose tunes I highly recommend you start acquiring. Especially his entry in the DJKicks series and Orchestra of Bubbles, a timeless and transporting collaboration with Ellen Allien.

Celine’s visuals do an excellent job of teasing out the inherent warmth of Granulard Bastard, highlighting the seemingly contradictory tension of how technology, often times cold and distant, can be a tool for achieving something as natural/instinctual like the humanity’s need to explore. It’s fantastic.

If you’re diggin’ the Apparat then don’t miss Warm Signal which we posted back in January.

[ Countdown - HD ]

hazcauch × vokoi

Max is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling ‘74. During its 20-year history, it has been widely used by composers, performers, software designers, researchers, and artists for creating innovative recordings, performances, and installations.”

BRDG is an audio/visual project of +MUS, an electronic music label that arose from the Tokyo Max Users Group, a grassroots network of artists and geeks whose aim is to share techniques, disseminate information and hold events centered around Max/MSP/Jitter.

This, the fourth/latest release of BRDG is a collaboration between the Kobe based electronica producer hazcauch and VJ/Max-aficionado vokoi. Videos like these can easily devolve into filter overload where tasteful restraint is cast aside in favor of displaying as many ‘cool fx’ as possible. vokoi avoids this trap by letting the emotional cues in the music dictate the intensity so when it’s dialed back (at 1:17, for instance) it primes the pump for the transition to four-on-the-floor (at 1:50) and the eventual return of the break beats (2:22).

So yeah, get those headphones out, crank the volume and get this loaded full-screen. Enjoy!

[ [BRDG004] hazcauch × vokoi ]

Tokyo Slo-Mode

I’ve always wanted to travel to Japan. From my perspective as a westerner it seems as if going there would the closest I could get to visiting another planet without first having to leave this one. I can remember being in middle school during the early 90s and setting an alarm on Friday night so I wouldn’t forget to wake up and watch the Saturday Anime block on the Sci Fi network. Those mornings were formative for me: I’d be up before the sun, slack-jawed-and-in-awe in front of the tee-vee as my brain booted itself into consciousness on such audio/visual feasts as Record of the Lodoss War, Akira, Ghost in the Shell and Vampire Hunter D.

“Where did this come from? Who made this?”

The attached film by Alex Lee starts to answer those questions by stringing together a succession of fleeting moments that provide insight into this unique, vibrant place. The speed of the film will quickly shift from fast to slow and back again, pulling your focus into attention on a face, a movement or a landscape for a quick instant before moving on to find another, driving home the point that there’s plenty more to see. Alex’s choice for a backing track couldn’t have been more perfect; what better way to evoke another world then a collaboration between Flying Lotus and Thom Yorke?

This one’s a winner so gratitude is due to Aubrey for sending this one our way: it was a treat…thanks, Aubrey!

[ TOKYO SLO-MODE ]

Parallel Universe

© Uno Moralez

I stumbled on this image last week and immediately assumed it was by Uno Moralez. I headed over to his site/Tumblr/LJ to see if he had recently uploaded new work but I couldn’t find this particular image anywhere. I hit up the Googs’ next and still couldn’t track down a proper URL. So for now, I’m just gonna assume Uno made it and direct your attention to his website. If anyone knows definitively where/who this came from drop us a line and we’ll update the post ASAP (see below). I had to do a bit of cropping to fit within the constraints of the site so click here for the full business.

Moar Uno Moralez on The Tripatorium™.

UPDATE 2011/10/09: A big thanks to Charlotte who sent us the link to this image’s original home on Uno’s LJ.

[ supernature! ]

Brothersport

“I know it sucks that daddy’s dumb
But try to think of what you want;
You got to open up your,
open up your, open up your throat.”

Animal Collective tunes have a frenetic, driving, psychedelic energy to them that, more often than not, obscures all but a few snippets of the lyrics. I get the impression that there’s lots they’re trying to say at once and things get a bit jumbled in the delivery. This isn’t a bad thing though, sometimes a little bit of manic adds to the proceedings.

That being said, those four lines I shared at the top of the post cut right through the noise and deliver all the meaning you need. Sure, you could read the full lyrics to get the entire meat of the narrative, but the above verse summarizes it perfectly. For better or worse us humans have evolved to be perpetually dissatisfied with the culture that we’re born into. We want to change it, alter it, rework what we say and how we say it. But changing takes courage and mustering the courage to find your voice is some hard, torturous shit. The (currently) second highest rated comment on this video’s YouTube page is from ChrisKo692 who said, ‘they should show this shit on Nick JR’

True.

Jack Kubizne (with help from Chris Beegle) directed the visuals with Skaught Newcomb and Joseph Pollack contributing the excellent alien/creature animations. Lots of other talented folks were involved in pulling this music video together so hit up the info box here to get a full credit listing.

A big thanks goes to Sam Lillard, one of our most prolific contributors, who sent this in for our perusal. Cheers, Sam!

One more thing: if you’re a fan of Animal Collective definitely don’t miss the excellent video Ori Toor did for Lion in a Coma. It’s pretty rad.

[ Animal Collective - Brothersport ]

Why aren’t you watching Community?

I spent a fair bit of time mulling over the title of this post. It’s like, maybe you’re already a fan, right? In the end I figured you wouldn’t mind as, if you do watch the show, you probably fucking love it and want other people to watch it, too.

(Quick aside: I’m not being paid to write about Community; I honestly and truly love it.)

I’ve run the numbers and, if you’re a fan of this site I’m fairly certain Community is squarely up your alley. I mentioned the show during the holidays last year – they created a pitch-perfect Rankin/Bass style Claymation episode – and, now that Season 3 is underway, I figured it was worth bringing up again. This is television that is worth your time, it’s a breath of non-derivative fresh air. There’s a creative feedback loop going on between all the involved parties (writers/cast/art-direction/design) that continually produces triple-distilled doses of potent, grain-alcohol-strength intoxicating entertainment. Community routinely delivers something that has (sadly) become a rarity: episodes that hold-up in the vacuum of the half-hour time slot while simultaneously advancing season-spanning, complex, satisfying and believable narratives. Plus, it’s often wonderfully bizarre in unique, unexpected ways so when Thursday night rolls around I’m often giddy wondering what’s going to happen next at Greendale. The attached is a great example of that.

I tend to be an annoying tee-vee purist who will tell you that it ruins the watching experience to start a new series with anything other than Episode 1, Season 1. And, hey, if you’ve got access to the discs/streams then by all means go ahead and have at it. But, if you don’t, no worries: turn down the lights and click play, you won’t be disappointed.

[ Geography of Global Conflict ]

Spacious Thoughts

Sam and Ze‘s idea was to bring people from different worlds together through their shared inspiration and love of music. Thus N.A.S.A. was born, with unlikely collaborations like Ol’ Dirty Bastard, Karen O, and Fatlip on one track, George Clinton and Chali 2na on another, as well as Tom Waits and Kool Keith on yet another.”

One of our regular readers, Tate, wrote in and suggested we check out N.A.S.A., a Gorillaz-esque collaborative music project founded by Squeak E. Clean and DJ Zegon that spans coasts and continents – hence N.A.S.A (North America South America – involving loads of talented folks. The attached video taps the talent of legendary MC Kool Keith (whose releases as Dr. Octagon are personal favorites of mine) and Tom Waits whose gravelly tones compliment the rhymes and beats rather well. Oh, and video is dope too!

The team at Fluorescent Hill did a fantastic job with the creative direction/visuals, especially Mark Lomond, Johanne Ste-Marie and Jacques Khouri whose animation talents shine. Full screen and headphones are a must for this one. Strap in, mellow out and enjoy! Thanks for the heads-up, Tate! Cheers!

[ N.A.S.A. "Spacious Thoughts" (feat. Tom Waits & Kool Keith) ]

Wave Reflection

Aramaki Koji used the glitched-out synth-heavy breakbeats of Kamome Sano as a template to stitch these fantastic abstract, tightly animated visuals to. They sync up beautifully; it’s a treat to take in. Headphones are necessary for this one, friends…enjoy!

[ WAVE REFLECTION ]

Salesman Pete

Three students from French graphics/animation school SupinfocomMarc Bouyer, Max Loubaresse and Anthony Vivien – put together this fantastic, bizarre and gorgeously animated short about Pete, “the greatest salesman of all of Pickle City and beyond”. It’s deliciously weird and loads of fun – in fact, it reminds me of one of my all-time favorites, Freakazoid!. I’d love to see this get developed into a TV show or feature length movie. Enjoy!

[ Salesman Pete & The Amazing Stone from Outerspace! ]

Zodiac Shit

Of all the suggestions that have been sent to the site over these past 10 months, this video is easily the most requested. So why has it taken so long for us to post it? Well we already kinda did. It was a prominent part of Animals and, since we could only ever find it in standard def, we felt as though it’d be a little redundant to feature it on it’s own.

Well, it turns out that the video’s director – the multi-talented lilfuch – recently uploaded it to his Vimeo account only three short months ago in full HD so I figured it was high time we gave this tasty bundle of electrons it’s own home on the site. Plus, as of tonight it’s only accrued a scant 1,400 views so let’s get this thing passed around. You’ve probably already seen it – odds are you’ve probably already sent it in – but believe me, Zodiac Shit always worth another viewing. Full screen and headphones (Flying Lotus!) friends; you know the drill. Enjoy!

Oh and be sure to check out lilfuch’s website. It’s chock-full with rad, colorful illustrations.

[ Flying Lotus - Zodiac Sh*t ]

First

“In a quest for happiness, a giant creator cannot break away from its redundant abstractions. What could possibly be waiting in the exterior world, where light and opportunity thrives?”

Dave Hughes – the man at the center of the fantastic [adult swim] show, Off The Airwrote in to say hello and suggest we check out this short film created by PepperMelon. It’s a potent dose of bizarre presented in gorgeous, colorful, high-definition so do yourself a favor let this one load full-screen before clicking play. Oh and grab your headphones while you wait for the bits travel through the tubes, the sound design by David Kamp is especially nice.

BONUS: Mr. Hughes also let us know that the latest episode of Off The Air, Dance, is available for your viewing pleasure. It’s just as rad and strange as the other two so make quick with the clicky-clicky. The Tripatorium™ loves you Dave, keep up the fantastic work!

[ "fIRST" - a short story by PepperMelon ]

Fur

“The authorities have always feared the animal buried deep down within us so they kept everyone from getting wind of this truth. People, who like me had found a ways to awaken these buried instincts, were driven away…”

Six third-year students – De François Barreau, Marion Delannoy, Claire Fauvel, Rachid Guendouze, Vincent Nghiem and Benoit Tranchet – at the esteemed French film school Gobelins created this fantastic animated short that reminds me (in all the best ways) of Mr. Hayao Miyazaki’s work. I’m confident you’ll enjoy it.

[ Fur ]

Goin’in

The creation of The Tripatorium™ was inspired by three videos in particular, sorted here in ascending importance: Kill Your Co-Workers, The Music Scene and The Parachute Ending. Those aforementioned music videos are the exact sort of thing I like to watch most: more than TV; more than movies; more than even Adventure Time and Regular Show (it’s true). They’re bundles of electrons that, when translated into patterns of rapidly flashing combinations of red, green and blue light, seem to massage every synapse within the entertainment processing neighborhood of my brain. My hope was that, if I shared them, I might find other people who felt the same way.

It turns out I have!

One of those people, Mark I., just wrote in with Birdy Nam Nam‘s latest video that, like it’s predecessor (the aforementioned The Parachute Ending) is packed with artwork from the talented Mr. Will Sweeney. However it was Machine Molle (and not Steve Scott) that provided direction this time around who, you might recall, was the production unit behind the excellent Sur Le Quai. It’s gorgeous, bizarre, trippy business friends. I hope it serves to improve your Saturday night. Cheers!

Thanks for the heads-up, Mark!

[ BIRDY NAM NAM - 'GOIN'IN' - Clip officiel ]