Posts tagged 'Music Video'

hazcauch × vokoi

Max is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling ‘74. During its 20-year history, it has been widely used by composers, performers, software designers, researchers, and artists for creating innovative recordings, performances, and installations.”

BRDG is an audio/visual project of +MUS, an electronic music label that arose from the Tokyo Max Users Group, a grassroots network of artists and geeks whose aim is to share techniques, disseminate information and hold events centered around Max/MSP/Jitter.

This, the fourth/latest release of BRDG is a collaboration between the Kobe based electronica producer hazcauch and VJ/Max-aficionado vokoi. Videos like these can easily devolve into filter overload where tasteful restraint is cast aside in favor of displaying as many ‘cool fx’ as possible. vokoi avoids this trap by letting the emotional cues in the music dictate the intensity so when it’s dialed back (at 1:17, for instance) it primes the pump for the transition to four-on-the-floor (at 1:50) and the eventual return of the break beats (2:22).

So yeah, get those headphones out, crank the volume and get this loaded full-screen. Enjoy!

[ [BRDG004] hazcauch × vokoi ]

Brothersport

“I know it sucks that daddy’s dumb
But try to think of what you want;
You got to open up your,
open up your, open up your throat.”

Animal Collective tunes have a frenetic, driving, psychedelic energy to them that, more often than not, obscures all but a few snippets of the lyrics. I get the impression that there’s lots they’re trying to say at once and things get a bit jumbled in the delivery. This isn’t a bad thing though, sometimes a little bit of manic adds to the proceedings.

That being said, those four lines I shared at the top of the post cut right through the noise and deliver all the meaning you need. Sure, you could read the full lyrics to get the entire meat of the narrative, but the above verse summarizes it perfectly. For better or worse us humans have evolved to be perpetually dissatisfied with the culture that we’re born into. We want to change it, alter it, rework what we say and how we say it. But changing takes courage and mustering the courage to find your voice is some hard, torturous shit. The (currently) second highest rated comment on this video’s YouTube page is from ChrisKo692 who said, ‘they should show this shit on Nick JR’

True.

Jack Kubizne (with help from Chris Beegle) directed the visuals with Skaught Newcomb and Joseph Pollack contributing the excellent alien/creature animations. Lots of other talented folks were involved in pulling this music video together so hit up the info box here to get a full credit listing.

A big thanks goes to Sam Lillard, one of our most prolific contributors, who sent this in for our perusal. Cheers, Sam!

One more thing: if you’re a fan of Animal Collective definitely don’t miss the excellent video Ori Toor did for Lion in a Coma. It’s pretty rad.

[ Animal Collective - Brothersport ]

Spacious Thoughts

Sam and Ze‘s idea was to bring people from different worlds together through their shared inspiration and love of music. Thus N.A.S.A. was born, with unlikely collaborations like Ol’ Dirty Bastard, Karen O, and Fatlip on one track, George Clinton and Chali 2na on another, as well as Tom Waits and Kool Keith on yet another.”

One of our regular readers, Tate, wrote in and suggested we check out N.A.S.A., a Gorillaz-esque collaborative music project founded by Squeak E. Clean and DJ Zegon that spans coasts and continents – hence N.A.S.A (North America South America – involving loads of talented folks. The attached video taps the talent of legendary MC Kool Keith (whose releases as Dr. Octagon are personal favorites of mine) and Tom Waits whose gravelly tones compliment the rhymes and beats rather well. Oh, and video is dope too!

The team at Fluorescent Hill did a fantastic job with the creative direction/visuals, especially Mark Lomond, Johanne Ste-Marie and Jacques Khouri whose animation talents shine. Full screen and headphones are a must for this one. Strap in, mellow out and enjoy! Thanks for the heads-up, Tate! Cheers!

[ N.A.S.A. "Spacious Thoughts" (feat. Tom Waits & Kool Keith) ]

Brokendate

It’s hard to explicate what it is about synthesizers that elicits an instinctual positive response from the music approval synapses of my brain. With all this recent deadmau5, dubstep and ‘electro’ business as of late I sometimes have to remind myself that people used to hate this shit. It’s worth noting that I never liked electronic music simply because ‘they’ hated it; I liked it because I liked it. But why? I dunno. I think part of it has to do with the lack of vocals – I’m partial to constructing my own personal narratives when the headphones are on – or maybe it was because these sounds were often found alongside subject matter about technology, a subject I’ve always been enamored with. But that’s not entirely it either. There’s something about synthesizers that transports me to somewhere else which, it turns out, is a place I’m constantly trying to get to. In that regard Com Truise fits the bill. Ghostly International describes him as the ‘master of the transporting synth odyssey’. They’re his label so we can forgive the hyperbole but still, the description is apt.

The video itself, like the tune, is decidedly retro and seasoned throughout with numerous stylistic nods to the early 80s but don’t dismiss the 10lb Pictures created visuals as merely a lazy grab for nostalgia. There’s a tasteful restraint at work here that has brought me back for additional viewings. The flavors are ‘right’; it works. Grab your headphones, click full screen and above all else: enjoy!

[ Com Truise - "Brokendate" ]

Zodiac Shit

Of all the suggestions that have been sent to the site over these past 10 months, this video is easily the most requested. So why has it taken so long for us to post it? Well we already kinda did. It was a prominent part of Animals and, since we could only ever find it in standard def, we felt as though it’d be a little redundant to feature it on it’s own.

Well, it turns out that the video’s director – the multi-talented lilfuch – recently uploaded it to his Vimeo account only three short months ago in full HD so I figured it was high time we gave this tasty bundle of electrons it’s own home on the site. Plus, as of tonight it’s only accrued a scant 1,400 views so let’s get this thing passed around. You’ve probably already seen it – odds are you’ve probably already sent it in – but believe me, Zodiac Shit always worth another viewing. Full screen and headphones (Flying Lotus!) friends; you know the drill. Enjoy!

Oh and be sure to check out lilfuch’s website. It’s chock-full with rad, colorful illustrations.

[ Flying Lotus - Zodiac Sh*t ]

Goin’in

The creation of The Tripatorium™ was inspired by three videos in particular, sorted here in ascending importance: Kill Your Co-Workers, The Music Scene and The Parachute Ending. Those aforementioned music videos are the exact sort of thing I like to watch most: more than TV; more than movies; more than even Adventure Time and Regular Show (it’s true). They’re bundles of electrons that, when translated into patterns of rapidly flashing combinations of red, green and blue light, seem to massage every synapse within the entertainment processing neighborhood of my brain. My hope was that, if I shared them, I might find other people who felt the same way.

It turns out I have!

One of those people, Mark I., just wrote in with Birdy Nam Nam‘s latest video that, like it’s predecessor (the aforementioned The Parachute Ending) is packed with artwork from the talented Mr. Will Sweeney. However it was Machine Molle (and not Steve Scott) that provided direction this time around who, you might recall, was the production unit behind the excellent Sur Le Quai. It’s gorgeous, bizarre, trippy business friends. I hope it serves to improve your Saturday night. Cheers!

Thanks for the heads-up, Mark!

[ BIRDY NAM NAM - 'GOIN'IN' - Clip officiel ]

The Murf

A story about growing up in the universe.

Oh shit! This might be, no joke, my new favorite video on the site. Scott Benson (he did episode 8 of the Animation Tag Attack) crafted this gorgeously animated music video for UK-based progressive electronic act, Rendezvous who were rad enough to give him complete creative freedom. PRO TIP for bands/clients who will work with Scott in the future: do the same, the man knows how to make some engaging watchables.

The overall narrative of human evolution is built through a series of brief, tightly edited vignettes (some lasting only a few seconds) that each inject a new unique dimension to the story while simultaneously advancing the overarching theme of how religion, spirituality and technology have the power to amplify and/or diminish our inner animal nature. Each one is polished to a high-sheen and a delight to take in (especially the gorgeous ‘shines’, bursts and abstracted geometric particle effects); this is one of those videos you’ll re-watch immediately after it ends.

If your reading this post in a dark room with nothing to do tomorrow: great! Click full screen, grab your headphones and enjoy. If you’re at work or have other stuff to do then do yourself a favor and bookmark this or leave yourself a note to watch it when you have the time to really enjoy what Mr. Benson has created. Enjoy!

Oh, right! I almost forgot! If you’re into process then don’t miss this write up on Scott’s blog where he goes into detail behind his thinking and motivation behind how and why he created The Murf.

P.S. If you liked this (which of course you did), I think you’ll also enjoy Thursday.

[ Rendezvous - The Murf ]

You Came Out

“The face paint animation film is made up of 4,816 separate stills. Each and every frame was hand-painted, shot, wiped off and redrawn, slightly differently for the next frame in order to create a seamless sequence. This time-consuming process involved the band members lying still for two consecutive days in a studio…more

Ida Gronblom & Fabian Berglund (of W+K) and David Wilson (one of the many talented directors at Blinkink) were tapped by We Have Band to direct/create this stop motion music video for their tune, You Came Out. We likey.

[ We Have Band - You Came Out (Official Music Video) ]

Two Hearts In 3/4 Time

The band (Darren Seltmann, Robbie Chater, Tony Diblasi and Manabu Etoh) bought all their instruments at junk shops, where they also discovered piles of old records. When Etoh was deported and Alarm 115 ended, these records became the core of a new project. Chater was a film student at RMIT, and had access to a recording studio there, which he and Seltmann used to turn said vinyl into a 30-song demo tape labeled Pan Amateurs…more on wikipedia

Joe wrote in with a fantastic suggestion to check out a music video made for Frontier Psychiatrist, a tune by The Avalanches, an interesting electronic music project out of Melbourne Australia. I really enjoyed it and – while unsuccessfully trying to track down an HD version – came across this, the attached video, that I’d really like you to see. My Google-fu wasn’t able to find any creative credits so if someone out there knows made this don’t hesitate to drop us a line (see below). In the meantime enjoy the sunny-side, good times vibe of the three-quarter time waltz-hop as it contrasts with some strange, monochromatic and vaguely dark but-not-quite-so-even-though-yeah-it’s-still-weird visuals. Enjoy!

Thanks for introducing me to some new music, Joe! Cheers!

UPDATE: Turns out the visuals were lifted from Quimby The Mouse, an animation created by the über-talented Chris Ware for This American Life. A big thanks goes to Hang Goon for writing in to set the record straight!

[ The Avalanches - Two Hearts In 3/4 Time ]

Take Your Medicine

Come on, get up and on your feet;
Beyond refuge of troubled sleep.
Have I had enough? Or did I take too much?

Oh em gee! This shit is the dopeness y’all; easily an instant classic of The Tripatorium™. If you’re a regular visitor to this site you will guaranteed-love this music video directed by Nader Husseini for San Diego based rock outfit, Transfer. I’m having a hard time encapsulating why I enjoy it so much with just a couple of sentences: is it the giant demon beast with a dolphin-esque skull steadily keeping the beat on an array of floating drums? The exploration of substance abuse/dependence that culminates in a cascade of pills spilling forth from aforementioned aquatic mammalian skull monster? How the rich, undulating textures and muted color palette support the steady emotional build-up breakdown? There, I’ve done it: it’s all of those things together, at once. Enjoy the ride…

To see a complete list of the talented dudes and dudettes involved in making of ‘Take Your Medicine’ as well as a lengthy list of it’s awards/nominations click here.

[ "Take Your Medicine" by Transfer | Official Music Video ]

Dinosaurs

Kristofer Ström – the mind behind Baltimore Clap, one of our all-time favorites (if you haven’t seen it already, do so immediately) – is back with another fantastic music video, this time for London-based dubstep outfit 16bit. It’s some rad, bizarre business so grab the headphones and full screen this bitch. Enjoy!

Much gratitude is owed to both Nik and connor for sending this one in; thanks for the heads up friends!

[ 16bit - Dinosaurs (Official Video) ]

First Of The Year

File under: LOLWAT

Skrillex‘s latest is directed by Tony Truand with production assistance from HK Corp. A ‘cheers!’ is owed Ethan Curtis for the heads up on this one – thanks for writing in!

[ First Of The Year (Equinox) - Skrillex [OFFICIAL] ]

Sonnensturm

From what I can tell DADOpresents used some planetified 360 panoramic footage in order to pull off this unofficial video for Sonnensturm by Pantha Du Prince. The tune is very nice – I’m rather partial to this particular flavor of tight, rambling, syncopated electronica – and the visuals do a great job of pulling your eyes along through the ebbs, flows and stabs of the five minute ride. Serving suggestion: late-night in a dark room with the volume up.

Thanks for the suggestion, Hermes!

[ Pantha Du Prince - Sonnensturm ]

Alsatian Darn

“Found a way and I feel like I shouldn’t let go;
Drop a bomb on the spots where my doubt streams grow.
What to do when the things that I want don’t allow,
For the handful of mouths that I’m trying to feed.”

Ori Toor – the super talented dude behind Lion in a Comawrote in to let us know about another ‘unofficial’ video he just created for the fantastically ethereal Alsatian Darn by Panda Bear. It’s chock-full of abstract undulating organic shapes that serve as a wonderful soup to the tune’s dreamy, meandering sandwich. In other words: a multi-sensory feast for the eyes and ears. Make sure this shit’s not just full-screen but 1080p full screen. Grab your headphones, too.

We love what you’re up to, Ori; thanks so much for writing in! Oh, and a big thanks goes to one of our regular readers/contributors, Sam Lillard, who also suggested we check out this same video. Cheers!

[ Panda Bear - Alsatian Darn (unofficial video by Ori Toor) ]

Capsize

Cheers to Chloe Hayward for the top-notch direction on this abstract, futuristic and monochromatic video for DELS, an Ipswich-based graphic designer/producer/MC. He was plenty busy churning out videos/tunes before signing a three-album deal with Big Dada this past May so our expectation is that DELS has lots more fantastic collaborations in the works. Enjoy!

[ DELS - 'Capsize' (Official Video) ]

Invisible Light

“At the doors of Babylon, You are my Zion;
Pacing Tiger, the keeper’s cage.
Invisible light shoots from your eyes,
A sign I can see from my high rise.”

Barcelona-based creative house, CANADA, put together this bizarre 70’s tinged music video for the always-danceable Scissor Sisters.

NSFW Warning: This video as a few, brief shots that feature bare female breasts so don’t click play if you’re at work.

[ Scissor Sisters - Invisible Light ]

We Got Time

“You say, ‘We are we going?’
I guess there’s just no way of knowing.
But we got time, yeah, we got time.”

The brilliant minds at David Wilson Creative – the talented folks behind Let Go which, if you haven’t seen it already, needs to be instantly promoted to the tippity-top of your ‘Shit I Need To Watch’ queue – are responsible for the visuals in this music video for Moray McLaren. All the animation was created in camera by filming the mirror reflection of individually crafted phenakistoscopic discs mounted on a spinning turntable. The only ‘trickery’ happens in the simple wipes that transition from the footage of one disc to the next in order to keep the narrative flow.

We dig it and so did the judges at the UK Music Video Awards who named it ‘Best Budget Video – Rock, Indie, Alternative’ for 2009. Enjoy!

[ Moray McLaren - We Got Time ]

Chase No Face

“No post-production effects were used in this video. Everything on the face is happening in real-time, via hacked Kinect, laptop and LED projector.”

Diggin’ this rad and inventive work from Zach Lieberman, Francisco Zamorano, Andy Wallace, and Michelle Calabro that is an apt visual accompaniment to the ethereal, chill sounds of BELL. Enjoy!

For a behind-the-scenes look at how this music video came together check out this video that Francisco posted to his Vimeo account.

[ Chase No Face / BELL ]

Meteorites

“I don’t know where your from but I know you’ve come far. Look at your eyes: they’re meteorites.”

Hospital Records has been a reliable source for high quality electronic music for the past decade-and-a-half, consistently powered by their deep stable of talent like London Elektricity (featured in this video) and High Contrast (my personal favorite) whose uplifting, harmonic and driving production style has earned him a dedicated playlist on whatever portable music player is currently powering my headphones. The videos they release are of similar quality: well produced, original and fitting visual accompaniments to the songs they represent. ‘Meteorites’ takes you on a colorful high-definition journey through space, peppered with numerous references to sci-fi properties that are near and dear to both Tony Colman and Chris Goss (Hospital’s founders).

I don’t know who’s responsible for the visuals but if you do then please drop us a line and we’ll update this post to give the proper credit where it’s due. In the meantime: click full screen, make sure HD is on and grab your headphones for a journey through the stars. Enjoy!

A big thanks goes to Lieutenant TD for the heads up! Cheers!

[ London Elektricity - Meteorites ]

blackhole

Whoa. This one is weird. And wonderful. And trippy. And bursting with colo– well it’s a lot of things, OK? ‘blackhole’ is definitely one of those music videos you want to watch full-screen with the headphones on and the volume up. Both the visuals and the tune were created by super-talented arjanM. Prepare for a bask in the bizarre, friends!

Big ups to IntellJ for sending this fantastic little suggestion our way! Cheers!

[ blackhole ]