To spread the word about their latest synthesizer – The Sub Phatty – Moog asked Flying Lotus and lilfuchs to combine their talents on a one-and-a-half minute promo video. Their last collaboration yielded Zodiac Shit, one of my all-time favorite music videos, and the attached is a similar dose of colorful, trippy eye-candy. It’s a treat, y’all…enjoy!
I’m a rather outspoken fan of both Bonobo and Cyriak so when I found out that Ninja Tune recently facilitated a collaboration between the two I was pretty fuckin’ pumped…so much so, in fact, that I didn’t watch the attached til this morning. The end of last week had been pretty busy and the last thing I wanted to do was have the initial screening take place on a small-ass screen with some tinny earbuds delivering the audio.
Cyriak’s visuals are gonna be kick-ass no matter what (Exhibit A) but this music video is especially nice because both his work and Bonobo’s sound are all about a steady layering-on. Each artist starts with small, simple and discrete atoms – a stripped-down drum part or short, simple video loop – and starts piling them on top of one another until the whole far-exceeds the sum of its parts. It’s the same ‘spirit’ that’s inherent to many other things I enjoy – electronic music, programming, nature and fractals just to name a few – so to have it distilled into one three-and-a-half minute dose is, well, thrilling. Art is just magic sometimes. Fuck yeah.
Even though I already knew about this one it was fantastic to open up the suggestion bin and find messages from Sam Lillard, Garrett and Mickey Gral ensuring I wouldn’t miss it. Thanks so much guys! Cheers!
“The Flow looks at the supervening layers of reality that we can observe, from quarks to nucleons to atoms and beyond. The deeper we go into the foundations of reality the more it loses its form, eventually becoming a pure mathematical conception. Layer upon layer the flow builds new codes that create new codes, each version computing a new, more complex state based on the previous one.”
The attached was created by MRK, a London-based artist who helps scientists and researchers visualize their collected data. If you’re interested in knowing which units of matter are represented in each ‘segment’ definitely give the annotated version of The Flow a watch next.
A big thanks is due to hrcho for sending this one our way...cheers, mate!
It’s nice to see Anamanaguchi finally make a music video and they went all out for their maiden voyage, tapping long-time Tim & Eric collaborators Daniel Gray Longino and Eric Notarnicola to direct and a whole host of talented animators/artists to pitch-in on the visuals.
The ‘Guch aesthetic isn’t easily pidgeonholed and the surface comparisons that often get drawn between them and ‘video game music’ and/or 90s-kid culture are, from my point-of-view at least, missing the point of what they’re up to. A few months back Tycho wrote about why naked nostalgia grabs are typically unfulfilling and it definitely applies here:
“That’s the trick of nostalgia, and why yoking it is such a dangerous business. It’s never ‘as good,’ because it can’t be. ‘As good’ wouldn’t satisfy you, now, because you aren’t the person who was satisfied by it anymore, partly because of the satisfaction you felt earlier, but also because of every other force and beam and ray which is always operating on your aggregated being.”
I don’t get the sense that anything Anamanaguchi does is calculated and, even though their style (both sonically and visually) might appear to be borrowed from another decade, it feels inexplicably modern and wholly their own. This is goddamn party music and that shit never goes out of style.
I absolutely love the arcade/clique theme that underscores the whole video and super-dig the pixel art animation sequence that kicks off after Ary is blasted to Furblivion by the L4Z3R R4V3RZ (especially the cameos-created illustrations that run from 2:30-2:33).
Full-screen HD is a must. ENJOY!
posted by respondcreate on Jan. 08, 2013 in Videos | tags: anamanaguchi, animation, bizarre, cameos, colorful, daniel gray longino, eric notarnicola, good times, hd, horror, music video, nostalgia, paul robertson, pixel art
It appears Dimitri Stankowicz has been hard at work honing his solid-color-fill vector animation style since we first posted his entry into Björk’s Innocence video contest two years ago. The visuals in the attached sync up beautifully (both in timing and spirit) with Rone‘s deep, synth-driven, spaced-out sound. The net-effect is pure, distilled atmosphere so get it loaded in 1080p and strap your headphones on.
This one’s a treat and we owe Brandon Michael Azzarella a big thanks for sharing it with us on Facebook. Cheers, Brandon!
P.S. If you find that your taste in music tends to line-up with my mine then don’t hesitate to pick up the full-length album ‘Bye Bye Macadam’ is from, Tohu Bohu. It’s packed to the brim with the type of soaring, emotive electronica that’s pitch-perfect for late-night drives and contemplative lazy afternoon seshes.
posted by respondcreate on Jan. 07, 2013 in Videos | tags: animation, astronomy, atmospheric, black and white, dimitri stankowicz, electronic music, fantasy, hd, magic, monochromatic, music video, rone, trippy, vector, wormhole
File under: LOLWAT
P.S. If you enjoyed the attached you’ll probably love The External World, too.
“A heartwarming tale of seasonal goodwill. Probably not safe for small children…”
Man. Today was just shitty. In these kinds of moments my instinct is just to tune out for a bit and watching this video of Kuba Krzemiński helped me do just that. It’s hypnotic watching any talented artist work in time lapse but the attached is especially great due to some tight editing, tracking shots and mellow music selection.
File under: LOLWAT
NSFW Disclaimer: If you couldn’t already tell from the tease plate above, this video is a veritable bag-o-animated-dicks so you probably shouldn’t watch this at work.
There’s something inexplicably wonderful about professionally executing such a ridiculous premise. Paul Jaulmes, Guillamume Cunis and Boris Croisé made the attached while at Supinfocom Arles and would like it to be the first in a – ahem – longer series so, if you want to see more phallus-centric adventures, head over to their aptly named ‘The Willies’ Indie-Go-Go site and donate some euros.
P.S. Hit up our Supinfocom feed for more rad student-created animated shorts.
Go watch Loom next.
File under: LOLWAT
First off, you better have some killer headphones at the ready before diving into the attached. I honestly can’t remember ever featuring a video with better sound design; it’s easily the star of the show.
That’s not to say the visuals are in any way lacking – they aren’t – but having such well-mixed, tangible foley work and layered, atmospheric background noise goes a long way to selling the immersion…especially when dealing with subject matter as conceptually out-there as this.
I don’t want to spoil where this one is headed but my favorite sequence kicks off at 4:38. Over the course of a scant 30 seconds, director Carl Burton makes four perfectly-timed cuts that both establish the scene and give you a concrete sense of place within it. My first viewing was late last night and the instant sense of ‘cozy’ I felt at 5:00 was palpable; it was as if I was there, temporarily shielded from the rain. It’s magic; just stellar stuff.
A big thanks is due to the aforementioned Mr. Burton who took the time to write-in and share his work with us. For the measly asking price of $3 you can own an HD download of Shelter, an 18-page making-of PDF and a bunch of wallpapers. It might seem silly to spend money on something you just, moments ago, saw for free (legally, too) but whenever I do I feel better. Why?
It’s a truly voluntary act that helps break up the monotony of my daily obligations and an opportunity to express my appreciation for art someone made beyond a ‘Like’ or a ‘Comment’. It’s IRL ‘Like’. It’s ‘Here, I want you to make something else awesome real soon, please.’ Facilitating that is easily worth the price of a coffee.
Absolutely loving the spartan, monochromatic and tight-as-fuck animation in this Mathieu Bétard-directed music video for Kris Menace. It’s a delicate mix of mirrored-and-repeating geometric ‘morphables’, rotoscoped figures and bizarre transitional touches where everything besides line, form and movement is swept aside. Just absolutely gorgeous stuff.
If you enjoyed the attached then definitely give Chunkothy a watch next, I’m 100% positive you’ll dig it. Cheers!
posted by respondcreate on Nov. 21, 2012 in Videos | tags: animation, bizarre, black and white, electronic music, geometric, hd, kris menace, mathieu bétard, mirror, miss kittin, monochromatic, music video, rotoscoping, trippy, wizz
“I shuffle around the tectonic plates in my chest.
You know I gave it all, try to match our continents;
To change seasonal shift, to form a mutual core.”
You guys remember SOLIPSIST, right? (If you have no idea what I’m talking about, drop what you’re doing and go watch it immediately.) It’s easily in the top five of my ‘Favorite Pieces of Internet’ list for 2012 so I was SUPER-PUMPED to discover (via Sam Lillard) that its creator, Andrew Huang, directed Björk‘s latest music video.
The two are a natural fit: His craft-material-as-biology approach pairs well with both her nature-as-allegory lyrical tendencies and always-out-there visual style so it’s no surprise that this collaboration thrums with a primal, living energy.
The bits are available in 1080p, too so don’t hesitate to load this thing on the biggest display available. ENJOY!
P.S. Our Bjӧrk feed is pretty rad.
“In this endless freedom of thought you found no answers to these basic matters of human being, only a myriad choice of ideas lost in a deep dark hole of uncertainty.”
My first thought after watching the attached was, ‘this could have easily been in The Animatrix,’ so prep yourself for some late-night, cerebral, sci-fi shit. It was inspired by GOLEM XIV, a short story by Stanislaw Lew, and its visuals, atmospheric soundtrack and cold, sterile narration all pay proper homage to the deep, apprehensive spirit of his writings.
Co-directors Patrick Mccue and Tobias Wiesner said that their creative intention for the film was to inspire others to, ‘face [their] own process in this world with reflection and self responsibility, to stay curious and create, look for new ideas and stay keen,’ so get your mind shifted into the proper gear for maximum absorption.
For me, that means full-screen-in-a-dark-room with a nice pair of headphones on.
The attached animated short by Joanne Smithies, Eric De Melo Bueno, Michael Moreno, Hugo Bailly Desmarchelier and Camille Turon (all students at ESMA Montpellier) is gorgeous, atmospheric and sumptuously textured; an absolute treat. ENJOY!
posted by respondcreate on Nov. 05, 2012 in Videos | tags: animation, art, atmospheric, camille turon, eric de melo bueno, esma, gorgeous, hd, hugo bailly desmarchelier, japan, joanne smithies, michael moreno, paper, trippy
This bizarre, gorgeous short created at Supinfocom Arles by Paulin Cointot, Dorianne Fibleuil, Antoine Robert and Maud Sertour is packed to the gills with gobs of subtle, pleasing visual detail. Full-screen is a must. ENJOY!