“There was a period in my life where I only drew with a pencil and being able to erase paralyzed me. I could draw a hand and it would take me three days, you know, and it would be a 1/4” by 1/4”; just a tiny little thing. And then one day I just started drawing with pen and all of a sudden I could just draw endlessly. In fact, there was no undo and it kind of changed all of that. And then the computer oddly, the undo is what gives me the freedom to just explore any idea that comes to my mind and essentially I just follow any impulse or any idea because I can explore fairly freely.”
Andy Gilmore‘s work is squarely up my alley and it’s wonderful to hear, in his own words, what inspires him to create. The always-excellent Ghostly International (who tapped Isabel Freeman , Will Calcutt and Brian Fichtner to create the attached) has some of Andy’s prints for sale in addition to some excellent hi-res, free-to-download wallpapers ready to adorn your glowing screen of choice.
I possess a near-superhuman ability to ignore everything that resides outside the scope of whatever infatuation currently occupies my mind grapes. This is an amazing trait to have if your day job is to dictate, in exhausting detail, exactly what a computer should do but becomes a burden when nearly everyone you care about wonders why your focus is eternally elsewhere. I, like the protagonist in the attached, would do just fine in a post-apocalyptic lonerverse as long as I had something to focus my obsessive attention on.
In my pre-dad anxiety I told a good friend, in near tears, that I was terrified of being a bad father. His response was, “As long as you want to be one, you will.” Essentially, if that voice is consistenly in your quivver of instincts all that’s needed is to listen (and act on) what it tells you.
In the past year and a half I’ve found myself in many similar moments – though certainly less extreme – to the one that takes place at 4:24: typing away, figuring shit out and riding high on the supremely satisfying buzz that accompanies the Sacred Act of Making Shit™ only to be unexpectedly interrupted. Writing an application is like building a house of cards; you know, before writing a single line of code, what the final functional outcome will be but the act of actually constructing it takes a long stretch of continuous concentration.
When a toddler wants your attention it is near-impossible to do anything else. Either you are present or you are not; as someone who has been both a child and an adult I’m all-too-aware that there’s no in-between. But attention can be deflected and, in the moments when I’d rather be absorbed in me, my natural tendency is to hand her my phone (or some other suitable distraction) instead of seizing the opportunity to revel in the peculiar magic that accompanies interacting with another human life.
Luckily, that’s typically when the ‘be a good dad’ voice rises up and – even though my preliminary, lazy and selfish instincts often wish it would shut up – I force myself to listen.
It’s graduation film season and Jérémi Boutelet, Thibaud Clergue, Tristan Ménard, Camille Perrin, Gaël Megherbi and Lucas Veber of Supinfocom Arles have set a high standard for any shorts to come. Special mentions are due to both Nathan Blais & Sylvain Livenais (of Spectral Approche) for the killer sound design; headphones are a must.
P.S. Our Supinfocom feed is pretty rad.
posted by respondcreate on Aug. 15, 2013 in Videos | tags: animation, camille perrin, colorful, gaël megherbi, hd, jérémi boutelet, lucas veber, nathan blais, ocean, supinfocom, sylvain livenais, thibaud clergue, tristan ménard
“I was still surprised,
When I caught your eye after all this time.
And it took me back to the times we had.
Even though that we’re far apart,
We’ve come so close and it feels so right;
Don’t give up…”
A big thanks is due to William Doran for sending this one our way. Cheers!
“Lost between his dreams and his frustrations, a man is the witness of his own insanity.”
David Maingault‘s graduation film from his time at EMCA is a gorgeously rendered whacked-out fever dream that bubbles over with bizarre, unsettling intrigue. ENJOY!
“The animation work was made in Adobe After Effects. Each frame was then printed and the print was subsequently scanned back into the computer. The scanned frames were then assembled back into the original animation, now with a new rugged look, created by the visit in the physical analogue world. No effects added after scanning.”
I’ve always been rather partial to the craggy, mechanical warmth of halftone patterns and this minimal-and-mysterious music video by Steffen Bygebjerg for Troels Abrahamsen puts them center stage. ENJOY!
If you enjoyed the attached and would like to see more videos like it, I’d suggesting visiting our time lapse feed next.
“But there’s that sweet grass, it’s dancing in the high bluffs and the sea breeze;
It’s where the elk sleep, dreaming simple dreams of luscious green grass and peace.”
Loving this gorgeous, atmospheric-and-mellow music video Awesome and Modest directed/animated for Pete Van Leeuwen. The tune sounds like it could have been on Beck’s Sea Change – my go-to album for the drive home after a long, hot day at the beach – and the complimentary connected-with-nature visuals further amplify its already laid-back, lazy vibe.
This marks the fifth time an Ori Toor creation has been shared on this webzone which I’m fairly certain makes him Our Most Featured Artist™. If you’re reading this in the far-distant future go ahead and check his feed, chances are I’ve posted more of his stellar animation since.
The attached is even more representational than Ori’s last outing for Kingdom Crumbs (my choice for best video of the past calendar year), a trend I’m über-thrilled he’s continuing to explore. His trademark undulations are even more intriguing when they’re evolving from pure abstract blobs into foxes or ghoulish faces (or fish or worms or elephants or…) and then back again.
As usual, Ori takes his cue to progress the visuals from compositional shifts in the backing music and Vial of Sound‘s ragged bass synth, square wave lead and mysterious, vocoded vocals are a natural fit for his style.
So yeah, top marks all the way ‘round so turn the lights turned down, the volume way up and get these bits loaded full screen in HD.
P.S. Ori’s style of animation is fundamentally satisfying to me so if you’re a band/artist that wants to get featured on the site, I’d suggest hiring him to direct your next video.
More than two years ago I posted a delightful, playful animated short – Spirit Quest Journey – by Ryan ‘Professor Soap’ Mauskopf. His latest is just as charming; the undulating hand-drawn line work, bright-and-simple color palette and lazy pacing remind me of what an uninhibited eight year old boy’s mind might conjure up while idly scribbling on a rainy day. The soundtrack is a treat, too…ENJOY!
“Cartoon Network recently put together a crew of animators from around the world to create their new summer ident in the form of an animated exquisite corpse. Each team/animator was given 10 seconds of music, 4 colours and tons of Cartoon Network characters to work with. At the end of the project, in true exquisite corpse fashion, each piece was stiched together. This is the result!”
Absolutely loving this Voltron of rad animation Cartoon Network commissioned for their Summer 2013 ident. The talent (in order of appearance): Alex Grigg & Eamonn O’Neill (of Late Night Work Club fame), Impactist (who also provided the soundtrack to the attached), CRCR, Rubber House and Awesome Incorporated.
posted by respondcreate on Jun. 09, 2013 in Videos | tags: adventure time, alex grigg, animation, awesome incorporated, cartoon network, colorful, crcr, eamonn o'neill, exquisite corpse, hd, impactist, rubber house, trippy