Posts tagged 'Electronic Music'

Davyd

I first saw A.I. at the movies in the summer of 2001. I distinctly remember enjoying it. I haven’t watched the film since but in the past 10 years I’ve heard people talk about how they didn’t really like it. Not that it was bad, mind you, but just that it didn’t knock their socks off; overall just not especially memorable, you know?

I’m trying to remember the plot points now and, honestly, am having a difficult time. There’s that kid from Sixth Sense and he’s a robot but he’s unhappy, right? Does he want to be a ‘real boy’ or something? I feel like there’s definitely some Pinocchio similarities or some shit.

Anyways, what I do remember are the visuals. I was always into watching stuff from a young age but 2001 was towards the beginning of when I started to set aside time to appreciate culture. When I realized art isn’t just Vivaldi or Rembrandt (though they both most certainly are); that it’s anything people create that inspires them; that the things I love – movies, music videos, electronic music, video games etc. – are worth admiring and paying attention to.

Oh right, about that: the visuals! Just rich, colorful and all ‘glow-y’. Great costumes, make-up and set design too. Spielberg is a wizard at atmosphere. Speaking of which, that’s why I’m diggin’ hard on this, the latest from our good pal Pogo. He leverages all the little visually-rich moments that stand out, mining them of their audio and then reassembling it back together again, creating an entirely unique experience. It’s all mood and feeling and I fucking love it. So much so that I’m going to give the movie another go in the coming weeks and then starting disseminating my thoughts in 140-character increments over on Twitter. Do you have an account there? Wanna talk about movies or something?

Oh and just wait til 2:01 when the Jude Law melody kicks in. Nice.

Lights down, volume up and enjoy!

[ Davyd (A.I. Mashup) ]

Wishery

The first rave I ever went to was in Harrisburg Pennsylvania circa 1999. It was a memorable evening overall but a single moment stands out: at one point I overheard someone say that a particular song ‘blissed them out.” I dunno, just a nice play on words. Anyways, whenever I hear Nick Bertke (a.k.a. Pogo’s) movie remixes I ‘bliss out’. They’re so nice.

We had posted ‘Alice’ before – which is great – but this one, constructed entirely with samples from Snow White, is a bit special in that it utilizes high-def rips from digital rescans of the original film. It’s gorgeous; there’s loads of warm, hand drawn detail in those cells which we’ve never had an opportunity to see in such fidelity before. Bonus.

As always, Nick’s music is available for name-your-price. Remember: when you support stuff you love, more stuff that you love gets made. Cheers!

[ Wishery (Snow White Remix) ]

On’n'on

Oh shit, son!

OK, first off: NSFW WARNING! Boobies ahoy! And secondly: NEW JUSTICE!

The ON’N'ON EP is set to drop at the end of the month (pre-order here) and the fine purveyors of dope at Ed Banger Records were cool enough to fund this fantastic music video to promote the release. It’s directed by the super-talented Alex Courtes whom, you might recall, was one-half of Alex & Martin, the duo that won the best Short Form Music Video Grammy in 2005 for their fine work on Vertigo. Though they’ve since parted ways, I am happy to report that it hasn’t negatively affected Alex’s instinctual knack for creating radness. Oh, and DIVISION was hired to assist on production and they brought the same A-game talent that made No Brain shine.

I’m rather partial to journeys down the wormhole and this one is a non-stop-center-zoom ride from start-to-finish. It’s gorgeous; the perfect accompaniment to your Friday night sesh. Strap-in, crank the volume and get them HD bits loading full-screen, dawg. Enjoy!

A huge, massive thanks to Brent Burtoft for sending this one our way. We are in your debt, sir – cheers!

Related Radness: In addition to the aforementioned No Brain be sure to check out Civilization, also by Justice, and Baby I’m Yours, a deliciously catchy tune with some candy-colorful-bright watercolor visuals. Enjoy your weekend!

[ Justice - ON'N'ON ]

The Doldrums

Cheers to R.E. for sending us this fun, zone-out-retro-eye-candy music video created by Plastic Horse to promote Paul White‘s latest album, Rapping With Paul White. You can download The Doldrums as well as a few other choice cuts from the aforementioned release for free by clicking here or, if you’re willing to part with $9, the entire 26 tracks from either bandcamp or iChoons. Enjoy!

[ Paul White - The Doldrums [Animated Video] ]

Dan Dan

Whoa. The needles on our patent-pending Dope Meters™ were pinned deep in the red for the entire duration of this fantastic music video for Misteur Valaire as directed/created by Corentin Bachelet, Gilles Cortella, Augustin Clermont, Adrien Jalade and Juliette Grandjonc, a.k.a. Paf Paf, a group of independent French CGI designers. Full screen and headphones, dawg; this one deserves your undivided attention.

Wait, it gets better: Misteur Valaire’s complete discography is available for whatever you feel like paying. So, you know, grab some spare change out of the cushions of your couch and pick up some great ‘choons. Enjoy!

[ MV (Misteur Valaire) - DAN DAN (Création collective) ]

Sparks

“No matter gain or grim, it’s those tiny little sparks,
In daily life that makes me forget my wounded heart.”

I can’t recommend Röyksopp enough; whether it’s their ‘choons or their videos, it’s always a treat. Enjoy the mellow, drift away on the chill.

If you’re diggin’ this one I recommend watching Eple next.

[ Röyksopp - Sparks ]

Accumulonimbus

“Natural and man-made objects on a spin cycle accumulate, disintegrate, and multiply. Created by stop motion animating clay on glass, the film is a meditation on motion and the life cycle of matter.”

Some very nice abstract, morphing stop-motion animation and sound design from the talented Andy Kennedy. If you’re interested in seeing how he put everything together then be sure to check out the making-of page on his website. It’s populated with lots of broken images but the process videos and text still load properly though so it’s definitely worth checking out.

[ Accumulonimbus ]

Song of Los

A robot is born, escapes, learns love and dies. This is the story of her memories.

Some fantastic work from Saman Keshavarz, a young director with a talent for teasing out surprisingly intricate narratives in the music videos he creates. You’ve probably seen the one he did for Cinnamon Chasers (it won best music video at SXSW 2010) and the attached is further proof of his instinctual understanding for the cinematic qualities inherent in good electronic music. Saman utilizes a style of quick, thoughtful cuts to establish the story while leveraging the emotional cues provided by the music (we loves us some Apparat) and some fantastic art direction to further draw you in.

We’re diggin’ it. Enjoy!

[ Apparat - Song of Los (Director's Cut) ]

amalgamation

Micaël Reynaud, a webdesigner, animator, illustrator, photographer from Montpellier, created this animation with portraits from Michael Jang‘s Summer Weather series. The way the images blend, morph, evolve and interact with each other is deliriously hypnotic which, when combined the spacey, ambient synths of Memory Tapes, amplifies the vibe considerably. It’s gorgeous, trippy business friends so do yourself a favor and watch this in full-screen 1080p with a nice pair of headphones on. Enjoy!

Previously on The Tripatorium™: Yes I Know by Memory Tapes

[ amalgamation ]

Earth

“Time lapse sequences of photographs taken with a special low-light 4K-camera by the crew of expedition 28 & 29 onboard the International Space Station from August to October, 2011.”

I have a new favorite video on the internet! It’s this one! You should check it out! Holy shit this is so dope; dim the lights, turn the volume way up and full screen this bitch immediately. Michael König took the contemplative, ethereal ambient breaks of the super-talented Jan Jelinek and combined them with high-definition (4K!) low-light time lapses that NASA took recently and were cool enough to give away for free online.

PRO TIP: Keep your eyes peeled for the minuscule thunderstorms and ribboning, neon auroras. Thanks again, internet.

P.S. To see a list of locations for each shot used in the film click here.

[ Earth -Time Lapse View from Space/Fly Over -Nasa, ISS (vid by Michael König @ koenigm.com) ]

Countdown

It took two years for Celine Desrumaux to complete this short film – the care and patience invested shines through – and she cites Chris Ware, Hans Richter, Len Lye, Stanley Kubrick, Godfrey Reggio and this iconic speech by John F. Kennedy as her primary sources of inspiration. The visuals are amplified considerably by the haunting, urgent sounds of Apparat, a musician whose tunes I highly recommend you start acquiring. Especially his entry in the DJKicks series and Orchestra of Bubbles, a timeless and transporting collaboration with Ellen Allien.

Celine’s visuals do an excellent job of teasing out the inherent warmth of Granulard Bastard, highlighting the seemingly contradictory tension of how technology, often times cold and distant, can be a tool for achieving something as natural/instinctual like the humanity’s need to explore. It’s fantastic.

If you’re diggin’ the Apparat then don’t miss Warm Signal which we posted back in January.

[ Countdown - HD ]

Fantasy

Jérémie Périn, best known for his brilliant work on 16-bit sexcapade Truckers Delight, is back with a new music video for DyE‘s latest release on Tigersushi. It’s a potent, high-definition dose of the bizarre and a perfect apéritif to calibrate your palette for All Hallows’ Eve. I’m not going to divulge any details for where this ends up (it’d be a crime to spoil the surprise) but I should mention that it’s a bit NSFW so wait to click play until you’re off-the-clock. Enjoy!

A big thanks is due to Choplogik for sending this one our way. Cheers!

[ DYE "Fantasy" Official Video by JEREMIE PERIN ]

hazcauch × vokoi

Max is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling ‘74. During its 20-year history, it has been widely used by composers, performers, software designers, researchers, and artists for creating innovative recordings, performances, and installations.”

BRDG is an audio/visual project of +MUS, an electronic music label that arose from the Tokyo Max Users Group, a grassroots network of artists and geeks whose aim is to share techniques, disseminate information and hold events centered around Max/MSP/Jitter.

This, the fourth/latest release of BRDG is a collaboration between the Kobe based electronica producer hazcauch and VJ/Max-aficionado vokoi. Videos like these can easily devolve into filter overload where tasteful restraint is cast aside in favor of displaying as many ‘cool fx’ as possible. vokoi avoids this trap by letting the emotional cues in the music dictate the intensity so when it’s dialed back (at 1:17, for instance) it primes the pump for the transition to four-on-the-floor (at 1:50) and the eventual return of the break beats (2:22).

So yeah, get those headphones out, crank the volume and get this loaded full-screen. Enjoy!

[ [BRDG004] hazcauch × vokoi ]

Brokendate

It’s hard to explicate what it is about synthesizers that elicits an instinctual positive response from the music approval synapses of my brain. With all this recent deadmau5, dubstep and ‘electro’ business as of late I sometimes have to remind myself that people used to hate this shit. It’s worth noting that I never liked electronic music simply because ‘they’ hated it; I liked it because I liked it. But why? I dunno. I think part of it has to do with the lack of vocals – I’m partial to constructing my own personal narratives when the headphones are on – or maybe it was because these sounds were often found alongside subject matter about technology, a subject I’ve always been enamored with. But that’s not entirely it either. There’s something about synthesizers that transports me to somewhere else which, it turns out, is a place I’m constantly trying to get to. In that regard Com Truise fits the bill. Ghostly International describes him as the ‘master of the transporting synth odyssey’. They’re his label so we can forgive the hyperbole but still, the description is apt.

The video itself, like the tune, is decidedly retro and seasoned throughout with numerous stylistic nods to the early 80s but don’t dismiss the 10lb Pictures created visuals as merely a lazy grab for nostalgia. There’s a tasteful restraint at work here that has brought me back for additional viewings. The flavors are ‘right’; it works. Grab your headphones, click full screen and above all else: enjoy!

[ Com Truise - "Brokendate" ]

Wave Reflection

Aramaki Koji used the glitched-out synth-heavy breakbeats of Kamome Sano as a template to stitch these fantastic abstract, tightly animated visuals to. They sync up beautifully; it’s a treat to take in. Headphones are necessary for this one, friends…enjoy!

[ WAVE REFLECTION ]

Zodiac Shit

Of all the suggestions that have been sent to the site over these past 10 months, this video is easily the most requested. So why has it taken so long for us to post it? Well we already kinda did. It was a prominent part of Animals and, since we could only ever find it in standard def, we felt as though it’d be a little redundant to feature it on it’s own.

Well, it turns out that the video’s director – the multi-talented lilfuch – recently uploaded it to his Vimeo account only three short months ago in full HD so I figured it was high time we gave this tasty bundle of electrons it’s own home on the site. Plus, as of tonight it’s only accrued a scant 1,400 views so let’s get this thing passed around. You’ve probably already seen it – odds are you’ve probably already sent it in – but believe me, Zodiac Shit always worth another viewing. Full screen and headphones (Flying Lotus!) friends; you know the drill. Enjoy!

Oh and be sure to check out lilfuch’s website. It’s chock-full with rad, colorful illustrations.

[ Flying Lotus - Zodiac Sh*t ]

Goin’in

The creation of The Tripatorium™ was inspired by three videos in particular, sorted here in ascending importance: Kill Your Co-Workers, The Music Scene and The Parachute Ending. Those aforementioned music videos are the exact sort of thing I like to watch most: more than TV; more than movies; more than even Adventure Time and Regular Show (it’s true). They’re bundles of electrons that, when translated into patterns of rapidly flashing combinations of red, green and blue light, seem to massage every synapse within the entertainment processing neighborhood of my brain. My hope was that, if I shared them, I might find other people who felt the same way.

It turns out I have!

One of those people, Mark I., just wrote in with Birdy Nam Nam‘s latest video that, like it’s predecessor (the aforementioned The Parachute Ending) is packed with artwork from the talented Mr. Will Sweeney. However it was Machine Molle (and not Steve Scott) that provided direction this time around who, you might recall, was the production unit behind the excellent Sur Le Quai. It’s gorgeous, bizarre, trippy business friends. I hope it serves to improve your Saturday night. Cheers!

Thanks for the heads-up, Mark!

[ BIRDY NAM NAM - 'GOIN'IN' - Clip officiel ]

The Murf

A story about growing up in the universe.

Oh shit! This might be, no joke, my new favorite video on the site. Scott Benson (he did episode 8 of the Animation Tag Attack) crafted this gorgeously animated music video for UK-based progressive electronic act, Rendezvous who were rad enough to give him complete creative freedom. PRO TIP for bands/clients who will work with Scott in the future: do the same, the man knows how to make some engaging watchables.

The overall narrative of human evolution is built through a series of brief, tightly edited vignettes (some lasting only a few seconds) that each inject a new unique dimension to the story while simultaneously advancing the overarching theme of how religion, spirituality and technology have the power to amplify and/or diminish our inner animal nature. Each one is polished to a high-sheen and a delight to take in (especially the gorgeous ‘shines’, bursts and abstracted geometric particle effects); this is one of those videos you’ll re-watch immediately after it ends.

If your reading this post in a dark room with nothing to do tomorrow: great! Click full screen, grab your headphones and enjoy. If you’re at work or have other stuff to do then do yourself a favor and bookmark this or leave yourself a note to watch it when you have the time to really enjoy what Mr. Benson has created. Enjoy!

Oh, right! I almost forgot! If you’re into process then don’t miss this write up on Scott’s blog where he goes into detail behind his thinking and motivation behind how and why he created The Murf.

P.S. If you liked this (which of course you did), I think you’ll also enjoy Thursday.

[ Rendezvous - The Murf ]

Sonnensturm

From what I can tell DADOpresents used some planetified 360 panoramic footage in order to pull off this unofficial video for Sonnensturm by Pantha Du Prince. The tune is very nice – I’m rather partial to this particular flavor of tight, rambling, syncopated electronica – and the visuals do a great job of pulling your eyes along through the ebbs, flows and stabs of the five minute ride. Serving suggestion: late-night in a dark room with the volume up.

Thanks for the suggestion, Hermes!

[ Pantha Du Prince - Sonnensturm ]

Meteorites

“I don’t know where your from but I know you’ve come far. Look at your eyes: they’re meteorites.”

Hospital Records has been a reliable source for high quality electronic music for the past decade-and-a-half, consistently powered by their deep stable of talent like London Elektricity (featured in this video) and High Contrast (my personal favorite) whose uplifting, harmonic and driving production style has earned him a dedicated playlist on whatever portable music player is currently powering my headphones. The videos they release are of similar quality: well produced, original and fitting visual accompaniments to the songs they represent. ‘Meteorites’ takes you on a colorful high-definition journey through space, peppered with numerous references to sci-fi properties that are near and dear to both Tony Colman and Chris Goss (Hospital’s founders).

I don’t know who’s responsible for the visuals but if you do then please drop us a line and we’ll update this post to give the proper credit where it’s due. In the meantime: click full screen, make sure HD is on and grab your headphones for a journey through the stars. Enjoy!

A big thanks goes to Lieutenant TD for the heads up! Cheers!

[ London Elektricity - Meteorites ]